| Musikername |
Musiktitel |
Feste Nummer |
Best.Nr. |
Land |
Erläuterungen |
Zustand |
Preis |
| 3/26 - Paul Anka arranged and conducted by Don Costa |
Tell me that you love me + / I love you Baby + |
E 1018 |
Col DB 4022 |
GB |
Oktober 1957 |
2-- / 2 |
10.- |
| Eddy Arnold The Tennessee Plowboys & his Guitar |
Condemned without Trial + / Eddy’s Song + |
575 |
Hmv MH 175 |
DK |
Dezember 1952 |
2 / 2 |
7.- |
| Eddy Arnold The Tennessee Plowboys & his Guitar |
The Lovebug Itch + / A Prison without Walls + |
2856 |
RCA 210382 |
US |
ca. August 1950, lscrs |
3+ / 2- |
7.- |
| Ralf Bendix mit Adalbert Luczkowski Orchester |
Hotel zur Einsamkeit (Heartbreak Hotel) + / Du hast dich nicht einmal umgesehen sW+ |
2123 |
EL EG 8609 |
D |
ca. Mitte 1956, lscrs |
3 / 3++ |
7.- |
| Pat Boone with Instrumental Accompaniment |
Tutti Frutti + / I‘ll be Home + |
2745 |
London 20036 |
D ! |
März 1956, lscrs |
3+ / 3++ |
6.- |
| Pat Boone with Orchestra |
Anastasia + / Don‘t forbid me + |
3463 |
London HL-D 8370 |
GB |
Januar 1957, mini Ls |
2-- / 2 |
10.- |
| Pat Boone with Orchestra |
Remember you‘re mine + / There is a Gold Mine in the Sky + |
3170 |
London HLD 8479 |
GB |
September 1957 |
3 / 2- |
7.- |
| Pat Boone with Orchestra Billy Vaughn |
When the Swallows come back to Capistrano + / April Love + |
2736 |
London 8512 |
GB |
ca. Oktober 1957, minimal grau - no Problem |
3 / 3+ |
5.- |
| Pat Boone with Orchestra Billy Vaughn |
Love Letters in the Sand + / Bernadine + |
3839 |
London HL-D 8445 |
GB |
Juni 1957, lscrs |
3 / 3+ |
6.- |
| Pat Boone with Orchestral Accompaniment |
Rich in Love + / Two Hearts two Kisses + |
2545 |
London HLD 8316 |
GB |
ca. August , mehrere lscrs - spielt gut |
3 / 3+ |
7.- |
| Pat Boone with Orchestral Accompaniment |
Friendly Persuasion + / Chains of Love + |
2448 |
London HLD 8346 |
GB |
November 1956, mini Ls, mehrere lscrs - spielt gut |
3 / 3++ |
6.- |
| Johnny Brandon With The Phantoms and the Norman Warren Music |
Tomorrow + / High as a Mountain + |
59 |
Polygon 1131 |
GB |
ca. September 1954, Brandon's first and biggest UK hit, peaking at #8. |
3+ / 2- |
8.- |
| Lillian Briggs with O.B. Masingill Orchestra |
I want you to be my Baby + / Don’t stay away too long + |
251 |
Phi 21701 |
ND |
1.8.1955, S1 flott,
Lillian Briggs (née Biggs; June 3, 1932 – April 11, 1998) was an American rock 'n roll performer and musician.
Briggs was the first woman to achieve star status at the dawn of rock 'n roll in the early 1950s; soon after embarking upon her career, as she toured Australia with Nat King Cole in early 1956, she began being billed as "The Queen of Rock and Roll" during the same period that media began referring to Elvis Presley as the "King" of the new musical genre.
"I Want You to Be My Baby" is a jump blues song written by Jon Hendricks for Louis Jordan whose recording, made on May 28, 1953, was released that autumn.
In the summer of 1955, "I Want You to Be My Baby" was remade as the debut disc by Lillian Briggs, resulting in an expedient cover version by veteran vocalist Georgia Gibbs. Producers Hugo & Luigi had Gibbs fly in from her Massachusetts home to New York City in August 1955 to cut "I Want You to Be My Baby" that same afternoon. New York City disc jockeys were provided with acetates of the Gibbs' version by the following morning with regular jockey copies being shipped out Friday 5 August 1955. Neither version of the song would reach the Top Ten. Gibbs' version had the higher chart peak at #14 but it was the rough voiced Briggs, whose version peaked at #18 and sold over a million discs! Quelle: Wikipedia |
2-- / 2- |
24.- |
| Petula Clark with Kim Drake Orch. |
Alone + / Long before I knew you + |
1070 |
Nixa 15112 |
GB |
November 1957, Vinyl 78er, lscrs, Anfang Seite 2 ein paar Knackser |
3++ / 3++ |
5.- |
| Ken Colyer’s Skiffle Group |
Down by the Riverside + / Take this Hammer + |
1216 |
Decca F 10631 |
GB |
ca. Oktober 1955, lscrs |
3 / 3+ |
6.- |
| Perry Como, Mitchell Ayres Orch. Ray Charles Singers |
Glendora + / More + |
797 |
RCA 206554 |
D |
8.5.1956, lscrs |
3+ / 2- |
6.- |
| Perry Como, Mitchell Ayres Orch. Ray Charles Singers |
Dream along with me + / Soembody up there likes me + |
1345 |
RCA 206590 |
D |
Juli 1956, mini Rs |
2-- / 2 |
7.- |
| The Crickets with Orchestral Accompaniment |
Oh, Boy + / Not fade away + |
282 |
Coral 72298 |
GB |
New York, 4.11.1957, lscrs |
3++ / 2 |
24.- |
| Alan Dale with Chorus & Dick Jacobs and his Orchestra |
The Promise + / (The same Thing happens with) The Birds and the Bees + |
1603 |
Coral CS 1064 |
Aus |
New York, 1956 |
3++ / 2- |
6.- |
| Terry Dene with Malcolm Lockyer Group |
A White Sport Coat (And a Pink Carnation) + / The Man in the Phone Booth + |
3730 |
Decca F 10895 |
GB |
Mai 1957
Terry Dene (born Terence Williams, 20 December 1938) is a British rock music singer popular in the late 1950s and early 60s. He had three Top Twenty hits between June 1957 and May 1958.
In 1957, his first single, "A White Sport Coat", sold in excess of 350,000 copies in the first seven weeks and together with his own version of "Start Movin'" at number 14, put his records in the Top 20 of the UK Singles Chart twice in the same year, securing his name in the Guinness Book of Records. His recording of "Stairway of Love" in 1958 remained in the chart for eight weeks. He toured Britain, was one of the first to appear in the BBC Television's first pop show, Six-Five Special in April 1957. |
3++ / 2- |
10.- |
| Eddie Fisher Orchestra Winterhalter |
Cindy oh Cindy + / Fanny + |
2859 |
Hmv POP 273 |
GB |
September 1956, lscrs |
3+ / 3++ |
6.- |
| Red Foley with Instrumental Accompaniment |
Birmingham Bounce + / Chattanoogie Shoe shine Boy + |
409 |
Bru 82408 |
D |
April 1950, gepresst 1.10.1952 |
3+ / 2- |
6.- |
| “Tennessee” Ernie Ford & Orchestra Jack Fascinato |
The Watermelon Song + / One suit + |
3790 |
Cap CL 14691 |
GB |
Januar 1957 |
2-- / 2 |
5.- |
| “Tennessee” Ernie Ford with Orchestra Jack Fascinato |
Sixteen Tons + / You don‘t have to be a Baby to cry + |
244 |
Cap C 3262 |
D |
17.10.1955, lscrs, OH |
3+ / 3++ |
6.- |
| The Four Aces |
I only know I love you + / I‘m A Woman In Love +
|
3242 |
Bru 05589 |
GB |
August 1956, lscrs |
3+ / 3++ |
5.- |
| Four Aces feat. Al Alberts with Instrumental Accompaniment |
The Gang that Sang - (Heart of my Heart) + / You brought me Love + |
3508 |
Decca M 33677 |
NL |
14.10.1953 / 4.1.1952, lscrs |
3+ / 3++ |
7.- |
| Four Aces feat. Al Alberts with Instrumental Accompaniment |
My Hero + / Schould I F+ |
3510 |
Decca M 33458 |
NL |
September 1952, Seite 2 flott, lscrs |
3+ / 3+ |
8.- |
| Four Aces with Orchestra Jack Pleis |
Wedding Bells + / Three Coins in the Fountain + |
2672 |
Decca M 33762 |
NL |
Mai 1954 |
2- / 2- |
5.- |
| Four Aces, Solist Al Alberts |
Tell me why sF+ / Garden in the Rain sF+ |
1072 |
Bru 82625 |
D |
23.10.1951, Platte gepresst 31.7.1952 lscrs OH |
2-- / 2-- |
6.- |
| The Four Lads |
Bus Stop Song + / House with Love in it + |
2306 |
Phi 629 |
GB |
1956 Vinyl 78 er Weißlabel Musterplatte handbeschriftet / Handwritten Sample Record |
3+ / 2- |
8.- |
| The Goons |
Bloodnok‘s Rock‘n Roll Call+ / The Ying Tong Song + |
2167 |
Decca F 46370 |
D |
September 1956, lscrs, S1 Featuring Major Dennis Bloodnok, 43rd Deserters Rtd., with Roland Rockcake and his Wholly Rollers. Directed by Maestro Ponke S2 with Maurice Ponke and his Orchestre Fromage - eine wilde, wilde Bande . . ., https://en.wikipedia.org/wiki/The_Goon_Show |
3 / 3++ |
8.- |
| Gogi Grant with Orchestral Accompaniment |
Wayward Wind + / No more than Forever + |
1526 |
London 20048 |
D |
ca. Mai 1956, Seite 2 kl. Rs |
3++ / 2- |
6.- |
| Max Greger Orchester |
Außer Rand und Band - Rock’n Roll - Potpourri / Dito - 2. Teil - ABC Boogie, Rock around the Clock, Shake, Rattle and Roll, See you later Alligator etc. |
2208 |
Pol 50336 |
D |
ca. Ende 1956 |
3++ / 2- |
7.- |
| Bill Haley and his Comets |
Rock around the Clock + / A.B.C. Boogie + |
228 |
Bru 82827 |
D |
12.4. / 7.6.1954, lscrs |
3 / 3+ |
6.- |
| Bill Haley and his Comets |
Rock -A- Beatin‘ Boogie + / Burn that Candle + |
1476 |
Bru 82869 |
D |
New York, 12.11.1955 |
3 / 3+ |
10.- |
| Bill Haley and his Comets |
R-O-C-K + / When the Saints go Rock‘ n‘ Roll + |
938 |
Bru 82875 |
D |
New York, Pythian Temple, 22. / 23.9.1955, lscrs |
3+ / 2- |
10.- |
| Bill Haley and his Comets |
R-O-C-K + / When the Saints go Rock‘ n‘ Roll + |
3319 |
Omega 61055 |
B |
New York, Pythian Temple, 22. / 23.9.1955, leicht grau - no Problem - spielt gut! |
3- / 3+! |
6.- |
| Bill Haley and his Comets |
Shake, Rattle and Roll + / Dim, Dim the Lights (I want some Atmosphere) + |
481 |
Bru 82844 |
D |
7.6. / 21.9.1954, lscrs |
3 / 3++ |
7.- |
| Bill Haley and his Comets |
Two hound Dogs + / Razzle Dazzle + |
3868 |
Bru 05453 |
GB |
New York, 25.6.1955, kl. Ls, minimal grau - no Problem - spielt gut |
3 / 3++ |
7.- |
| Bill Haley and his Comets |
Rock around the Clock + / A.B.C. Boogie + |
39 |
Bru 82827 |
D |
12.4. / 7.6.1954, lscrs |
3+ / 2- |
8.- |
| Bill Haley and his Comets |
Razzle Dazzle + / Birth of the Boogie + |
2703 |
Bru 82865 |
D |
New York, 25.6. / 12.2.1955 |
2- / 2 |
9.- |
| Hawkshaw Hawkins |
Two Roads + / Slow Poke + |
2168 |
Vogue 3095 |
F |
Cinicinnati, 21.9.1951, Hillbilly . . . |
2-- / 2 |
6.- |
| Peter Lind Hayes with the Stardusters and Rhythm |
Life gits Tee-jus don‘t it ?+ / That certain Party + |
E 1154 |
Bru 04036 |
GB |
Februar 1949 105 !
Irgendwie auch ein Klassiker. Minimalistisch gut. . .
https://www.youtube.com/watch?v=JuvRm7uVvcQ |
2- / 2-- |
6.- |
| Michael Holiday with Norrie Pramor Orchestra and The Coronets |
Nothin’ to do + / Perfume, Candy and Flowers + |
1231 |
Col DB 3746 |
GB |
ca. März 1956, Greenlabel |
2-- / 2- |
5.- |
| Michael Holliday with Orchestra Directed by Ken Jones |
The Story of my Live + / Keep your Heart +
|
2391 |
Col DB 4058 |
GB |
ca. Januar 1958, # 1 in the UK, S1 eine Burt Bacharach Nummer . . . |
3++ / 2 |
7.- |
| Tab Hunter with Billy Vaughn's Orchestra and Chorus |
Young Love + / Red Sails in the Sunset + |
1607 |
London HL-D 8380 |
GB |
Dezember 1956 |
2-- / 2 |
8.- |
| The Ink Spots |
Whispering Grass + / Maybe + |
2093 |
Bru 03075 |
GB |
New York, 11.6.1940,Bildlabel ! kleiner Nlf in Label auf Seite 2 105! |
3+ / 3 |
5.- |
| The Ink Spots |
Thoughtless + / Bless you + |
3278 |
Bru 03040 |
GB |
New York, 6. / 11.10.1939, lscrs, 105 !
The Ink Spots (Die Tintenklekse) waren eine schwarze Gesangsgruppe, die vor allem in den 1940er Jahren eine Reihe von Hits hatte und dem Rhythm and Blues, insbesondere dem Doo Wop, den Weg bereitete.
Die Gruppe wurde Anfang der 1930er Jahre in Indianapolis von Jerry Daniels, Ivory „Deek“ Watson, Charlie Fuqua und Orville „Hoppy“ Jones gegründet. 1936 verließ Leadsänger Daniels die Ink Spots, man fand Ersatz in Bill Kenny. Nach einigen erfolglosen Aufnahmen bei Victor Records erschien 1939 auf Decca die Hitballade If I Didn’t Care, die lange Zeit mit rund 19 Millionen verkauften Exemplaren Rekordhalter bei Singles blieb und eine Reihe von weiteren Hits einleitete.
Bis 1943 erschienen unter anderem We Three (My Echo, My Shadow and Me), When the Swallows Come Back to Capistrano, Whispering Grass, Do I Worry, Java Jive und Shout, Brother, Shout. 1944 brachte eine Zusammenarbeit mit Ella Fitzgerald die Hits Cow-Cow Boogie und I’m Making Believe zustande, ein weiterer Erfolg in diesem Jahr war Into Each Life Some Rain Must Fall.
Doch gab es in diesem und im Folgejahr auch eine Reihe von Besetzungswechseln.
1946 erschien neben To Each His Own der größte Hit der Gruppe mit dem Titel The Gypsy. Bis in die 1950er Jahre blieb diese Besetzung bestehen, dann verließ Herb Kenny die Ink Spots. Bill Kenny begann neben der Arbeit mit der Gruppe auch Solo-Aufnahmen zu veröffentlichen. Es kam zu einer Reihe weiterer Besetzungswechsel, bis sich die Gruppe 1954 trennte. 1989 wurden die Ink Spots in der Kategorie „Early Influences“ in die Rock and Roll Hall of Fame aufgenommen; 1999 folgte die Aufnahme in die Vocal Group Hall of Fame. Quelle: Wikipedia u.a. |
3+ / 3+ |
5.- |
| The Ink Spots with Instrumental Accompaniment |
A lovely Way to spend an Evening + / I’ll get by (as long as I have you) + |
3039 |
Bru 03518 |
GB |
New York, 22.12.1943, 105! |
3 / 3- |
4.- |
| Burl Ives with Instrumental Accompaniment. |
Ballad of Davy Crockett + / Goober Peas + |
1763 |
Bru 05510 |
GB |
ca. Dezember 1955 |
2- / 2 |
6.- |
| Whitey Johns (John White) with Novelty Accompaniment |
Farm Relief Song + / Great Grand - Dad + |
E 738 |
Banner 6561 |
US |
12.10. / 9.8.1929, paar feine Bläschen - no Problem - 105 !!! |
2- / 2-- |
10.- |
| Kalin Twins with Orchestra Jack Pleis |
When + / Three o’Clock Thrill + |
534 |
Bru 05751 |
GB |
New York, 26.3.1958, lscrs, kl. Ls, Klassiker, flott! Als 78er eher selten zu finden.
Die Kalin Twins bestanden aus den Zwillingen Harold und Herbert Kalin. Schon während ihrer Kindheit sangen sie zusammen und nach dem Abschluss an der Port Jervis High School 1952 wollten sie eine gemeinsame Musikkarriere starten. Dies mussten sie aber erst einmal vier Jahre zurückstellen, während derer Harold als Funker von der US Air Force eingezogen wurde.
1956 nahmen sie eine Demo-Single auf und über den Songwriter Clint Ballard konnten sie sich erfolgreich beim Plattenlabel Decca bewerben. Eine erste Single brachte noch keinen Erfolg, aber für ihre zweite Veröffentlichung entdeckten sie den Song „When“ von Paul Evans und Jack Reardon. Das Lied wurde zu einem weltweiten Hit und war in Großbritannien fünf Wochen lang die Nummer 1. In den USA war es Nummer 1 der R&B-Charts und kam in den Pop-Charts wie in Deutschland unter die Top 5.“When“ erreichte Gold-Status in den USA und verkaufte sich weltweit über zwei Millionen Mal. Quelle: Wikipedia |
3 / 2- |
12.- |
| The King Brothers with Geoff Love and His Orchestra and the Rita Williams Singers |
Torero + / Moonlight And Roses + |
1624 |
Parl R 4438 |
GB |
ca. April 1958, Red Label, The King Brothers were a British pop vocal trio popular in the late 1950s and early 1960s. They are best remembered for their cover versions of "Standing on the Corner" and "A White Sport Coat (And A Pink Carnation)". |
3++ / 2- |
7.- |
| The Four Knights |
Walkin‘ and Whistlin‘ Blues + / Who am I ? + |
2238 |
Tel/Cap 80146 |
D |
1951 SOL |
2 / 2 |
5.- |
| The Four Knights |
Oh Baby mine (I get so Lonely) + / I couldn‘t stay away from you + |
3672 |
Cap 2654 |
NL |
ca. November 1953 |
3+ / 2- |
6.- |
| The Four Knights |
I love the Sunshine of your Smile + / Walkin’ and Whistlin’ Blues + |
2790 |
Cap 13587 |
GB |
August 1951 |
2-- / 2-- |
5.- |
| The Four Knights |
Oh Baby mine (I get so Lonely) + / I couldn‘t stay away from you + |
3017 |
Cap 2654 |
DK |
ca. November 1953 |
3+ / 3++ |
6.- |
| The Four Knights with Nelson Riddle Orchestra |
Believing you + / Don’t sit under the Apple Tree + |
1734 |
Cap 3192 |
NL |
1955 |
3+ / 3++ |
5.- |
Frankie Laine with
Orchestra Mitch Miller and the Norman Luboff Choir / Paul Weston Orchestra |
Flamenco + / Jealousy + |
3389 |
Col DB 2970 |
GB |
ca. November 1951, lscrs |
3+ / 3++ |
4.- |
| Frankie Laine with Carl Fischer’s Orchestra |
Georgia on my Mind + / You’re just the Kind + |
2853 |
Oriole CB 1052 |
GB |
23.4.1949, lscrs, 105! |
3 / 3 |
5.- |
| Frankie Laine with Jimmy Carroll Orchestra / Paul Weston Orchestra |
Let her go + / Ramblin‘ Man + |
3694 |
Phi B 21056 |
D |
1953, Seite 1 flott!, lscrs, mini Rs |
3 / 3++ |
7.- |
| Frankie Laine with Orchestra Carl Fischer |
South of the Border + / The Gang that sang Heart of my Heart + |
2045 |
Mercury 70262 |
NL |
April 1952, |
2-- / 2-- |
4.- |
| Frankie Laine with Orchestra Paul Weston & Carl Fischer Piano |
She reminds me of you (She walks like you - she talks like you) + / To be worthy of you + |
2700 |
Col DCH 168 |
NL |
März 1952 |
2- / 2- |
4.- |
Frankie Laine with Paul
Weston Orchestra &
Norman Luboff
Choir / Mitch Miller Orchestra |
Answer me + / Blowing Wild (The Ballad of black Gold) + |
326 |
Phi B 21118 |
NL |
Los Angeles, 14.9./ September 1953 |
3+ / 3++ |
5.- |
| Frankie Laine with Paul Weston Orchestra & Carl Fischer Piano & The Norman Luboff Choir (1) |
Answer me (Mutterlein) + / Ramblin‘ Man + |
9 |
Phi PB 196 |
GB |
ca. September 1953 |
2-- / 2-- |
5.- |
| Frankie Laine with Percy Faith Orchestra / with Paul Weston and his Music from Hollywood and The Mellomen |
A Woman in Love + / Waiting the Night away + |
2904 |
Phi B 21786 |
D |
ca. August 1956 |
3++ / 2- |
6.- |
| Frankie Laine with Percy Faith Orchestra / with Paul Weston and his Music from Hollywood and The Mellomen |
A Woman in Love + / Make me a Child again + |
1782 |
Phi PB 617 |
D |
ca. August 1956, lscrs |
3++ / 3++ |
5.- |
| Frankie Laine with The Mellomen |
Bubbles + / Cool Water + |
3212 |
Phi PB 465 |
GB |
Juni 1955 |
2-- / 2-- |
5.- |
| Frankie Laine, Paul Weston Orchestra |
I believe + / Your cheatin‘ Heart + |
742 |
Phi B 21009 |
ES |
8.3.1953, lscrs, S1 Rs 1. Rille |
3++ / 2- |
5.- |
| Frankie Laine, Paul Weston Orchestra |
Some Day + / There must be a Reason + |
2100 |
Phi 25541 |
D |
Los Angeles, Dezember 1953 |
2-- / 2-- |
5.- |
| Frankie Laine, Paul Weston Orchestra |
New Orleans + / Granada + |
2142 |
Phi PB 242 |
D |
1953, lscrs |
3+ / 3++ |
4.- |
| Ralph Marterie Orchestra with Larry Ragon / The Smarty-Airs |
Crazy Man crazy + / Go away + |
1724 |
Mercury 70153 |
A! |
ca. Mai 1953, S1 die Bill Haley Nummer . . . |
2-- / 2 |
10.- |
| McCravy Brothers |
When they ring the Golden Bells + / Jacob‘s Ladder + |
2065 |
Gennett 3503 |
US |
|
2-- / 3+ |
5.- |
| Tom Miller und die Rosarios |
Thomas Rock aus Alabahma F+ / Jenny und Benny aus Texas F+ |
1484 |
Heliodor 780007 |
D |
1956 |
2-- / 2 |
6.- |
| Guy Mitchell with Ray Conniff Orchestra |
Singing the Blues + / Crazy with Love + |
3225 |
Phi 21989 |
D |
ca. Mitte September 1956, S2 flott |
3+ / 2- |
7.- |
| Werner Overheidt mit Orchester Adalbert Luczkowski |
Hotel zur Einsamkeit (Heartbreak Hotel) + / Und es weht der Wind (Wayward Wind) F+ |
3862 |
Phi 44857 |
D |
1956 |
2-- / 2 |
12.- |
| Jimmy Parkinson with Ray Martin Orchestra |
The great Pretender + / Hand in Hand + |
3827 |
Col DB 3729 |
GB |
Februar 1956, Greenlabel, 'The Great Pretender' was Parkinson's first and biggest hit, spending ten straight weeks in the top 20, mini Ls |
3+ / 2- |
10.- |
| Les Paul and Mary Ford |
Mister Sandman + / That‘s what I like + |
118 |
Cap 80392 |
D |
ca. November 1954, nice . . ., lscrs |
3+ / 2- |
8.- |
| Willie Perryman „Piano Red“ |
My Gal Joe / Let‘s have a good Time tonight |
2137 |
Hmv JO 298 |
GB |
März 1952, Rhythm & Blues |
2 / 2 |
6.- |
| Johnnie Ray & Paul Weston Orchestra / Buddy Cole Quartett |
Glad Rag Doll + / Somebody stole my Gal + |
1976 |
Phi PB 123 Col 39961 |
GB |
Anfang Dezember / 28.11.1952 |
3+ / 3++ |
4.- |
| Johnnie Ray & The Four Lads with Orchestra |
Cry + / The little white Cloud that cried + |
3362 |
Col DB 2995 |
GB |
8.11.1951 |
2-- / 2 |
6.- |
| Johnnie Ray with Orchestra Joe Reisman |
Hernando’s Hideaway + / Going-Going-Gone! + |
370 |
Phi 21748 |
NL |
ca. März 1954, Billboard No. 11 Hit |
3+ / 3++ |
4.- |
| Johnnie Ray with Orchestra Leo Reisman |
Paths of Paradise + / Parade of broken Hearts + |
3484 |
Phi PB 441 |
GB |
ca. April 1955, lscrs |
3+ / 2- |
5.- |
| Johnnie Ray with Orchestra Ray Conniff |
Just walking in the Rain + / In the Candlelight + |
346 |
Phi 21945 |
GB US |
Juli 1956, Number One Hit . . . |
2-- / 2- |
6.- |
| Johnnie Ray with the Fourt Lads and Orchestra Jimmy Carroll |
Love Me (Baby can't you love me) + / Don’t say Love has ended + |
2076 |
Col DB 3173 |
GB |
Juni 1952 |
2-- / 2-- |
5.- |
| Johnnie Ray, The Four Lads, Buddy Cole Quartet |
I‘m gonna walk and talk with my Lord + / The Touch of Gods Hand + |
2029 |
Col DB 3273 |
GB |
Mai 1953 |
2- / 2 |
7.- |
| Sugar „Chile“ Robinson with Rhythm Accompaniment |
Baby Blues + / The Donkey Song + |
934 |
Capitol C 1526 |
DK |
New York, 9.4.1951 |
2- / 2 |
5.- |
| Sugar „Chile“ Robinson with Rhythm Accompaniment |
Rudolph The Red Nosed Reindeer + / Christmas Boogie + |
1780 |
Cap 13393 |
GB |
ca. September 1950, Frank Isaac Robinson, known in his early musical career as Sugar Chile Robinson, is an American jazz pianist and singer. A Detroit native, Robinson became famous as a child prodigy in the mid-1940s, fluffig . . . |
3++ / 3++ |
8.- |
| Sugar „Chile“ Robinson with Rhythm Accompaniment |
Numbers Boogie + / Bouncin‘ Ball Boogie + |
863 |
Cap CL 13562 |
GB |
September 1951, Frankie „Sugar Chile“ Robinson (eigentlich Frank Isaac Robinson; * 28. Dezember 1938 in Detroit[1]) ist ein US-amerikanischer Blues- und Boogie-Woogie-Pianist und Sänger, der in den Vereinigten Staaten ab Mitte der 1940er-Jahre große Popularität als Wunderkind hatte. Robinsons Vater Clarence war Lastwagenfahrer, seine Mutter Elizabeth starb um 1943. Bereits als Kleinkind begann er autodidaktisch Piano zu spielen und wurde mit drei Jahren bei einem Talentwettbewerb im Paradise Theatre in Detroit entdeckt. 1945 trat er in diesem Theater mit Lionel Hampton auf, außerdem mit dem Frankie Carle Orchestra, ebenso in Radioshows mit Hampton und Harry „The Hipster“ Gibson sowie in dem Hollywood-Film No Leave, No Love (1946, Regie Charles Martin) an der Seite von Van Johnson, Pat Kirkwood und Keenan Wynn. 1945, gerade mal sechs Jahre alt, verdiente er 10.000 $ pro Woche. Die Zeitschrift Life widmete „Sugar Child“, dem „negro prodigy“ im November 1945 einen Bericht.
1946 trat er im Weißen Haus vor US-Präsident Harry S. Truman mit dem zu der Zeit durch Louis Jordan populären Song Caldonia auf. Während der Darbietung rief der 7-Jährige „How’m I Doin’, Mr President?“, was zu einer Art Schlagwort für ihn wurde. Qualle: Wikipedia |
2- / 2- |
9.- |
| Sugar „Chile“ Robinson with Rhythm Accompaniment |
After School Blues + / Caldonia + |
2226 |
Cap CL 13589 |
GB |
ca. September 1951 |
2- / 2- |
6.- |
| Bud Roman and the Toppers with Orch. Lew Raymond |
A Girl A Girl + / Here + |
1753 |
Tops 400 |
US |
|
2- / 2- |
8.- |
| Jerry Shard Orchester |
Ten Little Fingers And Ten Little Toes (Down in Tennessee) +
/ Alabamy Bound |
3277 |
Cap C 2422 |
D |
1953 |
3++ / 2- |
6.- |
| Somethin‘ Smith and the Redheads |
Pretty Baby + / Back in your own Back Yard + |
725 |
Phi PB 491 |
GB |
Juli 1955, lscrs, mini Ls |
2-- / 2-- |
6.- |
| Billy Star |
At the End of the Rainbow + / A Million lonely Years + |
286 |
Clarion C 101 |
US |
ca. 1957 Vinyl 78er Westernstyle |
2-- / 2- |
6.- |
| Tommy Steele Steelman |
A handful of Songs + / Water Water + |
2803 |
Decca F 10923 |
GB |
August 1957, S2 netter Calypso, lscrs |
3++ / 2- |
5.- |
| The Stylers / Kip Hale and the Hearties |
Believe it or not + / Don‘t say you love me + |
2331 |
Ronnex 1088 |
B |
|
2- / 2- |
9.- |
| Terry-Thomas ESQ. with His Rock 'N' Roll Rotters / R.S.M. Terry-Thomas And The Band Of The W.R.E.C.S. |
A Sweet Old-Fashioned Boy (A Sweet Old Fashioned Girl) + / Lay Down Your Arms + |
E 788 |
Decca F 10808 |
GB |
London, 1956, schräge Angelegenheit . . . einzige.
Each side is in a completely different style, with Terry Thomas providing various voices. The a-side is quite catchy, in a rock n’roll style Platte der britischen Künstlers.
Terry-Thomas (eigentlich Thomas Terry Hoar-Stevens; * 14. Juli 1911 in London; † 8. Januar 1990 in Surrey) war ein englischer Schauspieler und Komiker.
Sein Künstlername Terry-Thomas mit einem Bindestrich ist eine Anspielung auf sein Markenzeichen, die markante Zahnlücke. In vielen komischen Rollen war Terry-Thomas Prototyp und Karikatur des britischen Snobs, in Rollen tollpatschiger Trottel glänzte er auch als Slapstick-Komiker. Quelle: Wikipedia |
2 / 2 |
14.- |
| The The White House Band / Len Weinrib |
Theme from Prez Conference / Prez Conference + |
E 2 |
Capitol 4806 |
Pakistan |
1962, als 78er praktisch unbekannt . . ., beide flott, geht ganz schön zur Sache . . . Seite 2 kleines Nest lscrs nicht hörbar! |
3++ / 2- |
365.- |
| Top Hits Orchestra and Vocalists |
Zambesi / Mack the Knife / Rock and Roll Waltz + / Little Child / Rock Island Line / Seven Days + |
1692 |
Record Club EMO 21 |
GB |
1955 „Top Hits Of The Month Record Club“ nur teilweise mit Gesang |
3++ / 2 |
8.- |
| Frankie Vaughan with Wally Stott Orchestra & Chorus |
Priscilla + / The Garden of Eden + |
3383 |
Phi PB 660 |
GB |
Januar 1957, S1 flott . . ., lscrs |
3 / 3++ |
8.- |
| The Vipers Skiffle Group |
Don’t you rock me Daddy-O + / 10000 Years ago + |
3876 |
Odeon 29106 |
D |
ca. Januar 1957, “1957 Super Rhythm Style Series”, lscrs |
3 / 3++ |
6.- |
| The Weavers with instrumental Acc. |
True Love + / Clementine + |
737 |
Decca 28434 |
CAN |
ca. 1952, S1 nicht zu verwechslen mit der bekannten „Schmonzette“ !!! |
2- / 2- |
10.- |
| Slim Whitman |
I hate to see you cry + / The singing Hills + |
792 |
London HL 8091 |
GB |
November 1954 lscrs |
3+ / 2- |
6.- |
| Slim Whitman |
Rose Marie + / Standing at the Altar (We Stood At The Altar!)
+ |
2519 |
London HL 8061 |
GB |
Oktober 1954 Fehlpressung !? Titel auf Seite 2 abgeändert!!! Ist mir so nicht nicht untergekommen . . . Nirgends bekannt |
2-- / 2 |
7.- |
| Andy Williams with Orchestra Archie Bleyer |
I like your Kind of Love + / Stop teasin’ me + |
3432 |
London HLA 8437 |
GB |
Juni 1957, |
3++ / 2- |
8.- |
| Andy Williams with Orchestra Archie Bleyer |
Butterfly + / It doesn’t take very long + |
2626 |
London HLA 8399 |
GB |
April 1957, Jut! lscrs, kl. Ls |
3++ / 2- |
10.- |
Andy Williams with Orchestra Archie Bleyer
Butterfly September 4.7 Rate
B Andy Williams It Doesn't Take Very Long Goodrich, Feller |
I like your Kind of Love + / Stop teasin’ me + |
8 |
London HLA 8437 |
GB |
Juni 1957, mini Ls |
3++ / 2- |
7.- |
| Johnny Worth with Gordon Franks Orchestra |
Tom Dooley + / Hoots Mon |
3408 |
Embassy WB 312 |
GB |
November Oktober 1958 |
2-- / 2 |
5.- |
