| Musikername |
Musiktitel |
Feste Nummer |
Best.Nr. |
Land |
Erläuterungen |
Zustand |
Preis |
| q Metronome All Stars |
Leap here / Metronome Riff |
468 |
Tel/Cap 15039 |
D |
21.12.1947 Dizzy, Kenton u.a.Fst nicht hrb |
3+ / 3+ |
5.- |
| Don Byas Orch. |
Stormy Weather / Riffin‘ and Jivin‘ |
1676 |
Blue Star 39 |
F |
Paris, 12.6.1947, rein französische Besetzung, lscrs |
3+ / 2- |
12.- |
| Don Byas Quartet |
Body and Soul / I‘m beginning to see the Light |
1724 |
Swing 241 |
F |
Paris 4.12.1946, S1 langes, langes Solo der Kanne . . ., S2 SOL |
2 / 2 |
16.- |
| Tadd Dameron Sextet |
The Squirrel / Our Delight |
3775 |
J.S. 562 |
F |
New York, 26.9.1947, S1 Rs bis 1. Rille, außerdem Label zweimal verwendet, ergo auf Seite 1 falsch! |
2--/ 2 |
14.- |
| Art van Damme Quintet |
I‘ve got you under my Skin / If I had you |
506 |
Cap 10164 |
D |
1952 |
3++ / 3+++ |
7.- |
| Art van Damme Quintette |
Limehouse Blues / Ecstasy |
857 |
Cap 80061 |
D |
New York, 23.2.1949, Charlie Calzaretta good Vibes, immer wieder gut.... |
3++ / 2- |
8.- |
| Art van Damme Quintette |
The Man I love / I know that you know |
1285 |
Cap 15322 |
US |
New York, 5.12.1947, Klassik Modern Jazz Accordeon |
3+ / 2- |
10.- |
| Erroll Garner Trio |
How high the Moon / People will say we’re in Love |
1297 |
Col DW 5260 |
D |
7.10.1950, Nlf |
3+ / 3+ |
5.- |
| Fatty George and his Two Sounds Band |
Clarinet Marmalade F / Alexanders Ragtime Band |
3273 |
Col DW 5356 |
D |
Köln, 10.11.1954, A German Modern-Jazz record done by Austrian Saxophone and Clarinet-Player Fatty George. His real Name is Franz Pressler. Cool Euro-Jazz / Swing, lscrs |
3++ / 2- |
12.- |
| Stan Getz Quintet |
Yvette / Potters Luck |
3433 |
Vogue 2131 |
GB |
1951, die Roost Sessions, S2 Kollektiv Komposition der Band - Stan Getz - Jimmy Rainey - Horace Silver - Leonard Gaskin - Roy Haynes |
3++ / 2- |
14.- |
| Stan Getz Tenor Sax Stars |
Five Brothers / Four and one more |
3841 |
Melodisc 1109 |
GB |
New York, 8.4.1949 |
2 / 2 |
12.- |
| Dizzy Gillespie Orch. |
Oool - Ya - Koo + / Algo Bueno |
1101 |
Hmv B 9770 |
GB |
Juni 1949 |
2- / 2- |
7.- |
| Dizzy Gillespie Orch. |
Lover come back to me / Katy |
2127 |
Hmv B 9887 |
GB |
1949 ”Swing Music 1950 Series“ No. 8 / 7 more an Swing Item |
2- / 2 |
7.- |
| Dizzy Gillespie Orch. |
Two Bass Hit / Stay on it |
3282 |
Hmv B 9646 |
GB |
New York, ca. Dezember 1947 |
2- / 2- |
7.- |
| Dizzy Gillespie Orch. Alice Roberts |
Our Delight / Good Dues Blues + |
2098 |
Parl R 3034 |
GB |
New York, 10.6.1946, “1947 Super Rhythm Style Series” No. 19 / 20. 105 !!! dann super! |
2-- / 3+ |
7.- |
| Dizzy Gillespie Orchestra Vocal Refrain D.Gillespie, Kenneth Hagood and the Ensemble |
Ow! / Oop Pop A Da + |
3852 |
Hmv B 9612 |
GB? S? |
New York, ca. Ende 1947, wohl eine schwedische Ausgabe |
2- / 2- |
10.- |
| Dizzy Gillespie Sextet |
Ol‘ Man Rebop / Anthropology |
3844 |
Hmv B 9624 |
GB |
New York, 22.2.1946, beide Take 1 |
2- / 2 |
10.- |
| Dizzy Gillespie Sextet Alice Roberts |
Oop Bop Sh‘ Bam + / One Bass Hit No. 2 |
2088 |
Parl R 3069 |
GB |
New York, 15.5.1946. “1947 Super Rhythm Style Series” No. 53 / 54. 105 !!! |
2-- / 2-- |
7.- |
| Dizzy Gillespie Orch. |
Things to come / One Bass Hit |
2057 |
Odeon 28208 |
D |
9.7.1946, äußerst flott! |
3+ / 3++ |
6.- |
| Dizzy Gillespie Orchestra / Glenn Miller Orch. Ray Eberle, The Modernaires |
Algo Bueno / Elmers Tune F+ |
3618 |
RCA DJ 589 (203186 / 203185) |
US |
New York, ca. Juni 1949 / 11.8.1941, Promotion Sample - „Not For Sale“ Whitelabel |
2 / 2 |
10.- |
| Stan Hasselgard All Star Six with Red Norvo |
Swedish Pastry / Who sleeps |
3780 |
Cap 15062 |
US |
18.12.1947 |
2- / 2- |
10.- |
| Milt Jackson and his New Group / James Moody Swedish Crowns |
Junior / Out of Nowhere |
1414 |
Metronome 504 |
S |
23.2.1949 / 1949 minimal grau - no Problem |
3+ / 2- |
14.- |
| Moe Koffman‘s Main Stemmers |
Bop Beam + / Rockin‘ with the Bop + |
3642 |
Baronet TR 7 |
S |
1950, lscrs |
3+ / 3+ |
9.- |
| Vic Lewis Orchestra |
E Indayz / For you a Bone |
67 |
Esquire 10021 |
GB |
London, 1948 |
2- / 2- |
9.- |
| Machito and his Afro Cuboppers (Cubists) feat. Howard McGhee |
Cubop City / Dito - Part 2 |
3684 |
Vogue 2065 |
GB |
New York, 1949, Roost Records Session, strong, strong Stuff . . ., fett,
Das Schallplattenlabel Roost Records (bekannt auch unter dem Namen Royal Roost Records) wurde im Jahr 1949 in erster Linie als Jazzlabel gegründet. Der Name bezieht sich auf den New Yorker Club The Royal Roost, in dem viele bekannte Jazzgrößen dieser Zeit, wie Charlie Parker aufgetreten waren. Der bekannteste Musiker auf dem Roost-Label war der Saxophonist Stan Getz, der zu Beginn seiner Karriere in den frühen 1950er-Jahren, zum Teil mit dem Gitarristen Johnny Smith die legendären Roost Recordings einspielte. Auf dem Label erschienen auch Charlie Parkers Liveaufnahmen von 1953 aus dem Bostoner Club Storyville und Aufnahmen von Dizzy Gillespie. Weitere Musiker, die auf Roost Records Schallplatten aufnahmen, waren Johnny Hartman, Gene Quill, Sonny Stitt, Eddie Bonnemere, Seldon Powell, Johnny Smith, Tony Aless, Art Tatum, Ruth Price, Billy Taylor, Bud Powell, Shirley Scott, Terry Gibbs, Buddy Rich/Louie Bellson.
1968 wurde das Label von Morris Levy übernommen und in Roulette Records eingegliedert. |
3++ / 2- |
14.- |
| Joe Marsala Septet |
East of the Sun / Slightly Dizzy |
840 |
Musicraft 344 |
US |
30.11.1945, S1 eher slowly, S2 dafür . . . |
3++ / 2- |
6.- |
| Fats Navarro & Howard McGhee Boptet |
Double Talk Part 1 / Dito - Part 2 |
3247 |
J.S. 539 |
F |
New York, 11.10.1948, Übernahme Blue Note 557 Matr. 338 A/B |
3++ / 2- |
10.- |
| Metronome All Stars |
Early Spring / Local 802 Blues |
3845 |
Tel/Cap 80152 |
D |
New York, ca. April 1951, Getz, Shearing, Miles Davis, Chaloff, Roach u.a. das perlt . . . |
2 / 2 |
10.- |
| Metronome All Stars, u.A. Dizzy Gillespie, Stan Kenton, Nat Cole etc. |
Leap here / Metronome Riff |
622 |
Cap CL 13017 |
GB |
ca. Ende 1947 |
3+ / 3++ |
6.- |
| Modern Jazz Quartet |
Vendome / Rose of Rio Grande |
533 |
Esquire 10324 |
GB |
22.12.1952 |
2- / 2- |
12.- |
| Gerry Mulligan Quartet |
Loverman / Lady be good |
1954 |
Bru 82838 |
D |
25. / 30.1.1953, mini Rs - 3 mm. lscrs |
3+ / 2- |
10.- |
| Gerry Mulligan Quartet with Chet Baker |
Swing House / I may be wrong |
3743 |
Vogue 2258 |
GB |
1952 |
2-- / 2-- |
12.- |
| Charlie Parker New Stars / Sonny Berman Big Eight |
Stupendous / Curbstone Scuffle |
3850 |
Parl DO 6 |
DK |
Hollywood, 26.2.1947 / 21.9.1946, beides Dial Übernahmen, 105 ! |
2- / 2-- |
16.- |
| Charlie Parker Orchestra |
Star Eyes / Au Privave |
820 |
Austroton 5192 |
D |
New York 17.1.1951, paar sehr feine Bläschen - no Problem !!! lscrs |
3 / 3+ |
7.- |
| Bud Powell Trio |
Indiana / Everything happans to me |
3225 |
Vogue 2240 |
GB |
New York, 1947, |
3+ / 3+ |
9.- |
| George Shearing Quintet |
When your Lover has gone / Carnegie Horizons |
615 |
MGM 340 |
GB |
kl Ls |
2-- / 2-- |
6.- |
| George Shearing Quintet |
When your Lover has gone / Carnegie Horizons |
2535 |
MGM 10763 |
US |
1951 Vinyl lscrs |
3+ / 3++ |
5.- |
| George Shearing Quintet |
East of the Sun / The Continental |
496 |
MGM 256 |
GB |
ca. 1950 |
3++ / 2- |
7.- |
| George Shearing Quintet |
East of the Sun / The Continental |
487 |
MGM 256 |
GB |
Januar 1950 |
3++ / 3++ |
6.- |
| George Shearing Quintet |
When Lights are low / Lullaby of Birdland |
195 |
MGM 0127 |
D |
New York, 17.7.1952, lscrs |
3 / 3++ |
4.- |
| Reinhold Svensson Quintet |
On the Alamo / Always |
2998 |
Metronome 161 |
DK |
ca. Mitte 1950, mini Rs, 105!!! |
2-- / 3+ |
6.- |
| Billy Taylor Piano solo acc.by Duvuvier, Wayne, Bulkin |
Three little Words / Out of Nowhere |
1034 |
Coral 91045 |
D |
1.12.1953 Live |
2- / 2 |
12.- |
| Mel Torme with Orchestra |
Jeepers Creepers + / Mountain Greenery + |
3036 |
Vogue Coral Q 72150 |
GB |
1956 In that Time the Crooner with best Music behind!, kl. Ls. |
2-/ 2- |
7.- |
| Lennie Tristano Sextet |
Intuition / Yesterdays |
1836 |
Cap CL 13456 |
GB |
New York, 4.3. / 16.5.1949 |
2- / 2- |
7.- |
| Lennie Tristano Sextette |
Marionette / Sax of a Kind |
2967 |
Cap 5760013 |
US |
New York, 4.3.1949, lscrs |
3 / 3 |
6.- |
| Mary Lou Williams Orchestra with Pancho Hagood |
OO-BLA-DEE + / Knowledge |
999 |
Esquire 10322 |
GB |
ca. 1949, 105! |
2- / 2-- |
7.- |
| Mary Lou Williams Quartet |
Sometimes I’m happy / Monk’s Tune |
999 |
Esquire 10322 |
GB |
26.6.1953, 105! |
2-- / 2-- |
7.- |
| Mary Lou Williams Trio (Al Hall & Bill Coleman |
Night and Day / Persian Rug |
2263 |
Pol 580029 |
F |
New York, 10.8.1944, lscrs, You can tell from what’s going on here that the Swing Era was ending and the Bebop Era was about to begin. |
3+ / 3+ |
8.- |
