Musikername |
Musiktitel |
Feste Nummer |
Best.Nr. |
Land |
Erläuterungen |
Zustand |
Preis |
5/25 - Henry Allen & Coleman Hawkins with their Orchestra |
Hush my Mouth (If I ain’t Goin’ South) F+
/ My Galveston Gal F+ |
2723 |
Bru 01709 |
GB |
New York, 9.11.1933, 105! |
2-- / 3+ |
6.- |
Henry Allen jr. Orchestra |
Feeling Drowsy - Blues / Swing Out F |
2117 |
Hmv B 4970 |
GB |
New York, 17.7.1929, jut! |
2- / 2- |
7.- |
Henry Allen jr. Orchestra / Bennie Moten Kansas City Orchestra |
Patrol Wagon Blues F+ / Moten’s Swing F |
2497 |
Hmv B 6377 |
GB |
New York, 15.7.1930 / Camden 13.12.1932 |
3++ / 3++ |
6.- |
Red Allen Orchestra |
Body and Soul + / Get Rhythm in your Feet (and Music in your Soul) + |
1361 |
Parl R 2935 |
GB |
New York, 29.4.1935, “1944 Super Rhythm Style Series” No. 19 / 20 |
2 / 2 |
6.- |
Henry „Red“ Allen Orchestra with J. C. Higginbotham |
If it’s love you want (Baby, that’s me) + / Count me out |
1564 |
RCA 201956 |
US |
New York, 16.7.1946, S2 flott |
2 / 2 |
7.- |
Albert Ammons & M.L. Lewis & Pete Johnson on 3 Pianos |
Boogie Woogie Prayer / Dito - Part 2 |
2730 |
Parl R 2649 |
GB |
New York, 30.12.1938, „Boogie Woogie Series“ No. 1 / 2 |
2 / 2 |
6.- |
Ray Anthony Orchestra with unknown female Vocal |
Hurricane Anthony / Flip Flop + |
888 |
Cap CL 14525 |
GB |
1955, S2 nett und flott . . . |
3++ / 2- |
8.- |
Louis Armstrong All Stars |
That‘s a plenty / Lover |
1084 |
Bru 82722 |
D |
Pasadena, 30.1.51 / Boston, 30.11.47 Live! flott ! gepresst 14.11.1953 |
3++ / 2 |
9.- |
Louis Armstrong All Stars |
Basin Street Blues + / dito - Part 2 + |
3419 |
Decca 33756 |
NL |
New York, 19.3.1954, Redlabel, lscrs |
3+ / 2- |
5.- |
Louis Armstrong All Stars |
New Orleans Function (March, Parade und Stomp) (Free as a Bird)+ / Dito - Part 2 (Oh, didn’t he ramble)+ |
946 |
Decca 33162 |
NL |
New York 24.4.1950 , with talking by Louis |
2 / 2 |
8.- |
Louis Armstrong All Stars |
I‘m crazy ‘bout my Baby + / Keepin‘ out of Mischief now + |
3592 |
Phi 21936 |
NL |
27.4.1955 / 3.5.1955 |
3++ / 2- |
6.- |
Louis Armstrong All Stars and Jack Teagarden |
Jack Armstrong Blues + / Endie + |
2639 |
Hmv B 9819 |
DK |
New York, ca. Dezember 1946 ”Swing Music 1949 Series“ No. 35 / 36 Singing Duo Armstrong / Teagarden |
2-- / 2 |
6.- |
Louis Armstrong All Stars m. Jack Teagarden |
Some Day + / Fifty Fifty Blues + |
2612 |
Hmv B 9630 |
GB |
New York, 10.6.1947 S2 feines Gesangsduo Jack/Louis “different Blues” |
2- / 2- |
9.- |
Louis Armstrong Allstars |
Tiger Rag + / Der treue Husar + |
209 |
Phi 21815 |
D |
Mailand 20. / 21. 12. 1955 OH, lscrs |
3++ / 2- |
8.- |
Louis Armstrong die Commanders |
The Gypsy + / Cool yule + |
560 |
Bru 82829 |
D |
New York, 22.10.1953, Seite 2 Christmas Song written by Steve Allen, leicht grau - no Problem - spielt gut |
3 / 3+ |
4.- |
Louis Armstrong Dixieland Seven |
Mahogany Hall Stomp / Where the Blues were born in New Orleans + |
2940 |
Hmv B 9588 |
GB |
17.10.1946, „Swing Music 1947 Series“ No. 739 / 740, mini Rs / Ls |
3++ / 3++ |
5.- |
Louis Armstrong Hot Five |
Fire Works / Two Deuces |
3577 |
Parl R 2282 |
GB |
Chicago, 27. / 29.6.1928, “New Rhythm Style Series” No. 127 / 128, 105! |
3++ / 3++ |
8.- |
Louis Armstrong Hot Seven |
Potato Head Blues / Alligator Blues |
939 |
Parl R 2185 |
GB |
Chicago, 10.5.1927, “Second New Rhythm Style Series” No. 115 / 116 |
2- / 2- |
9.- |
Louis Armstrong Orch. |
Where the Blues were born in New Orleans + / Mahogany Hall Stomp |
1707 |
Hmv B 9588 |
GB |
„Swing Music 1947, Series“ No. 739 |
3++ / 2 ! |
7.- |
Louis Armstrong Orchester |
When the Saints go Marching in + / Bye and Bye + |
608 |
Bru 82759 |
GB |
New York, 13.5.1938 / 18.12.1939, lscrs |
3 / 3+ |
4.- |
Louis Armstrong Orchestra |
Thanks a Million F+ / Solitude |
1113 |
Decca F 5868 |
GB |
New York, 19.12.1935 OH Seite 2 etwas grau nur 3/3 !!! |
3+ / 3+ |
5.- |
Louis Armstrong Orchestra |
I‘ll walk alone + / Kiss of Fire + |
1498 |
Bru 82646 |
D |
Denver, Colorado, 19.3.1952, gepresst 23.3.1952, lscrs, 105! |
3 / 3 |
4.- |
Louis Armstrong Orchestra |
Leap Frog / I used to love you |
961 |
Decca F 8163 |
GB |
Chicago, 16.11.1941, spielt Top mit 105 !!! |
2- / 2- |
6.- |
Louis Armstrong Orchestra |
Got no Blues / Sugar Foot Strut + |
3412 |
Parl R 2449 |
GB |
Chicago, 9.12.1927 / 28.6.1928 “Second New Rhythm Style Series” No. 152 / 151, Seite 2 Scat Gesang ! |
3++ / 3++ |
9.- |
Louis Armstrong Orchestra |
Lazy River F+ / Georgia On My Mind F+ |
1166 |
Parl R 1127 |
GB |
Chicago, 3. / 5.11.1931, “New Rhythm Style Series” No. 111 / 112, Darkbluelabel |
2 / 2 |
12.- |
Louis Armstrong Orchestra |
On the sunny Side of the Street + / Satchel Mouth Swing F+ |
2773 |
Decca 3794 |
US |
Los Angeles, 15.11.1937 / 12.1.1938, lscrs |
3+ / 3+ |
7.- |
Louis Armstrong Orchestra / Hot Five |
Sweethearts on Parade F+ / Savoy Blues |
3719 |
Parl DO 9 |
DK |
Los Angeles, 23.12.1930 / Chicago, 13.12.1927, 105 ! |
2- / 2- |
7.- |
Louis Armstrong Orchestra & Sy Oliver Choir |
C‘est ci bon + / That‘s what the Man said + |
3764 |
Bru 04674 |
GB |
New York, 26.6. / 31.8.1950 |
2-- / 2-- |
7.- |
Louis Armstrong Orchesttra |
You can depend on me F+ / Keeping out of Mischief F+ |
2481 |
Odeon 31748 |
D |
Chicago 5.11.1931 / 11.3.1932, NK |
3+ / 3+ |
3.- |
Louis Armstrong with Gordon Jenkins Orchester |
Jeannine (I dream of lilac Times) + / Indian Love Call + |
1737 |
Bru 82703 |
D |
Los Angeles, 28.11.1951, gepresst 18.2.1953 |
2 / 2 |
6.- |
Louis Armstrong with Sy Oliver
Orchestra |
Takes two to Tango + / I laughed at Love + |
607 |
Decca 28394 |
US |
Decca Recording Session, New York, 25.8.1952, gepresst 21.11.1952, 105! |
2- / 2- |
5.- |
Louis Armstrong with Sy Oliver Orch. |
I get Ideas + / A Kiss to build a Dream on + |
2550 |
Decca BM 04777 |
GB |
New York, 24.7.1951 |
2-- / 2-- |
5.- |
Svend Asmussen Sekstet |
Sweet Sue + / Limehouse Blues + |
748 |
Odeon D 448 |
D |
Kopenhagen, 1940, S2 Klasse! lscrs |
3++ / 3++ |
7.- |
Mildred Bailey and her Alley Cats |
Squeeze Me F+ / Down-Hearted Blues F+ |
1647 |
Decca 18109 |
US |
New York, 6.12.1935, 105! |
2- / 2-- |
5.- |
The Band Waggoners Cond. Phil Cardew with Miff Ferrie‘s Jakdauz |
I’m away up High - Swing-Foxtrot + / Plastered in Paris F+ |
2218 |
Parl F 1395 |
D |
London, ca. Anfang 1939, mini Ls |
2-- / 2-- |
|
Billy Banks Orchestra |
Margie + / Oh Peter (You’re so nice) + |
1264 |
Parl R 2929 |
GB |
New York, 18.4. / 23.5.1932, “1944 Super Rhythm Style Series” No. 9 / 10 |
2- / 2- |
5.- |
Billy Banks Rhythm Makers |
Yellow Dog Blues + / Mean Old Bedbug Blues + |
1032 |
Parl V 1021 |
GB |
New York, 28.7.1932 “Origins of Jazz” Series spielt gut mit 105 ! |
2- / 3+ |
8.- |
Chris Barber‘s Jazz Band |
Ice Cream / Saratoga Swing |
4 |
Tempo A 132 |
GB |
London, ca. März 1956, lscrs S1 Wol |
3 / 3+ |
7.- |
Charlie Barnet Orchestra |
Cherokee / The Duke‘s Idea |
1431 |
Hmv B 9410 |
GB |
New York, 17.7.1939 / Hollywood, 10.9.1939, ”Swing Music 1944 Series“ No.623 / 624, 105! |
3+ / 3+ |
4.- |
Charlie Barnet Orchestra |
Things ain’t what they used to be / The Victory Walk |
1433 |
Decca BM 03451 |
GB |
New York, 17.7.1942, SOL, 105! |
3++ / 3+ |
5.- |
Count Basie All American Rhythm Section |
„Blues by Basie“ - Bugle Blues / „Blues by Basie“ - Sugar Blues |
1249 |
Col BF 584 |
F |
1944 SOl kl. Rs |
2-- / 2 |
8.- |
Count Basie Orch. |
Feather merchant / High Tide ( Short kick ) |
188 |
Col DS 1668 |
GB |
New York, 17.11.1941 „Swing Series“ lscrs |
3+ / 3++ |
6.- |
Count Basie Orch. |
Blue And Sentimental / Doggin' Around |
3754 |
Decca BM 02644 |
GB |
New York, 6.6.1938 |
3++ / 3++ |
5.- |
Count Basie Orch. Jimmy Rushing |
Blues in the Dark + / Georgianna + |
3000 |
Bru A 81502 |
GB |
New York, 3.1.1938, grau, mini Ls |
4+/3- / 3-/3 |
3.- |
Count Basie Orch. Jimmy Rushing / Lynne Sherman |
Rusty Dusty Blues + / All Of Me + |
2953 |
Col 36675 |
US |
Hollywood 27.7.1942 / New York 3.11.1941, S1 good Blues, 105 !!! |
3++ / 3++ |
6.- |
Count Basie Orchestra |
The Mad Boogie / Bambo |
3627 |
Col DC 370 |
GB |
6.1. / Januar 1946, |
3+ / 3++ |
5.- |
Count Basie Orchestra / All American Rhythm Section |
The Jitters / Royal Garden Blues |
1074 |
Parl R 2982 |
GB |
New York, 28.1.1941 / 24.7.1942, “1945 Super Rhythm Style Series” No. 41/42, lscrs |
3++ / 3++ |
6.- |
Count Basie Orchestra / All American Rhythm Section |
Royal Garden Blues / The Jitters |
601 |
Parl R 2982 |
GB |
Hollywood, 24.7.1942 / New York, 28.1.1941, “1945 Super Rhythm Style Series” No. 41 / 42, 2 x flott, nur Seite 2 Randschaden 1/ 2 cm |
3+ / 2- |
3.- |
Count Basie Orchestra Jimmy Rushing |
Harvard Blues + / Coming Out Party |
3564 |
Parl R 2847 |
GB |
New York, 17.11.1941, “1942 Super Rhythm Style Series” No. 37 / 38, 105! |
2-- / 2-- |
5.- |
Count Basie Orchestra with James Rushing / Joe Turner & Pete Johnson |
Boogie Woogie + / Roll ’Em Pete - Boogie Woogie + |
2920 |
Col 35959 |
US |
Chicago 9.10.1936 / New York, 30.12.1938, lscrs |
3 / 3+ |
6.- |
Sidney Bechet New Orleans Feetwarmers |
Baby won‘t you please come home? / I know that you know |
2757 |
Hmv B 9385 |
GB |
New York, 8.1. / 28.4.1941 |
2-- / 2-- |
5.- |
Sydney Bechet & Claude Lutters Crescent City Jazz Band |
Bechet’s Creole Blues / Anita’s Birthday |
3558 |
Esquire 10058 |
GB |
14.10.1949 |
3++ / 2- |
5.- |
Sidney Bechet Blue Note Jazz Men |
When the Saints go marching in / Basin Street Blues |
765 |
Climax 563 |
D |
Best.Nr. nähe Mittelloch |
3+ / 3+ |
6.- |
Sidney Bechet Blue Note Jazz Men |
Tin Roof Blues / At the Jazz Band Ball |
635 |
Climax 561 |
D |
New York, 21.1. / 23.3.1949 |
2-- / 2- |
6.- |
Sidney Bechet Blue Note Jazz Men |
Blue Horizon / Muskrat Ramble |
436 |
Climax 43 |
D |
New York, 20.12.1944, S2 Titel schön falsch geschrieben: „Muskrat Bamble“, SOL, lscrs |
3+ / 3+ |
5.- |
Sidney Bechet Blue Note Jazz Men / Art Hodes Hot Five |
Way down yonder in New Orleans / St. James Infirmary + |
3638 |
Climax 533 |
D |
New York, 12.10.1945, kleines Kuriosum - Matrix Nr. in Label falsch angegeben |
3++ / 2- |
7.- |
Sidney Bechet Blue Note Jazzmen |
Joshua fit the Battle of Jericho / Tailgate Ramble |
76 |
Vogue 2246 |
GB |
ca. 1945, Blue Note Über nahme und dort scheinbar nicht erschienen. |
3++ / 2- |
7.- |
Sidney Bechet Feetwarmers |
Margie / Wrap your Troubles in Dreams |
3407 |
Blue Star 152 |
F |
New York, 15.11.1949 |
2- / 2 |
5.- |
Sidney Bechet Jazz Men |
Who’s sorry now / I tell you once, I tell you twice |
2689 |
J.S. 561 |
F |
1950, lscrs, kl. Ls |
3+ / 2- |
5.- |
Sidney Bechet Jazzband (Sextett) with Bunk Johnson |
Lord let me in the Lifeboat / Up in Sidney‘s Flat |
1177 |
J.S. 800 |
F |
New York, 3.10.1945 Übernahme von Blue Note 565 |
2- / 2 |
6.- |
Sidney Bechet New Orleans Feetwarmers |
When it‘s sleepy time down South / Stompy Jones - |
788 |
Hmv B 9329 |
GB |
New York, 28.4.1941 / Chicago, 6.9.1940 lscrs Nlf |
3++ / 3+ |
5.- |
Sidney Bechet New Orleans Feetwarmers |
I'm Coming, Virginia F / Georgia Cabin F |
159 |
Victor 27904 |
US |
New York, 13.9.1941 |
2 / 2 |
6.- |
Sidney Bechet New Orleans Feetwarmers |
Save it pretty Mama / Swing Parade |
712 |
Hmv B 9402 |
GB |
New York, 6.9.1940 / 28.4.1941 |
2- / 2- |
4.- |
Sidney Bechet New Orleans Feetwarmers |
Slippin’ And Slidin’ / I Ain’t gonna give Nobody none O’ This Jelly-Roll |
2677 |
Hmv B 9368 |
GB |
New York 8.1. / 28.4.1941 “Swing Music 1944 Series” No. 571 / 572 |
2-- / 2-- |
5.- |
Sidney Bechet New Orleans Feetwarmers |
One O‘Clock Jump / Blues in Thirds |
3578 |
Hmv B 9340 |
GB |
New York, 5.2 / 6.9.1940, 105! |
3++ / 3+ |
5.- |
Sidney Bechet New Orleans Feetwarmers |
Egyptian Fantasy / Coal Black Shine |
553 |
Hmv B 9378 |
GB |
New York 8.1.1941, “Swing Music 1944 Series” No. 581 / 582 |
3+ / 3++ |
5.- |
Sidney Bechet New Orleans Feetwarmers |
Swing Parade F / I Know that you now F |
389 |
Victor 27574 |
US |
New York, 28.4.1941 |
2-- / 2-- |
5.- |
Sidney Bechet New Orleans Feetwarmers |
Indian Summer / Preachin’ Blues |
1721 |
Bluebird 10623 |
US |
New York, 5.2.1940 |
2 / 2 |
6.- |
Sidney Bechet New Orleans Feetwarmers with Herb Jeffries |
Blue For You, Johnny F+ / Ain‘t Misbehavin‘ |
2794 |
Victor 26746 |
US |
Chicago, 6.9.1940 |
2- / 2- |
6.- |
Sidney Bechet with Bob Wilber’s Wild Cats |
I had it, but it‘s all gone / Spreadin Joy |
215 |
Col 38320 |
US |
|
2- / 2- |
7.- |
Sidney Bechet with Humphrey Lyttelton Band |
Some of these Days / Black and Blue |
3830 |
Melodisc 1103 |
GB |
London, 13.11.1949 |
2- / 2- |
6.- |
Sydney Bechet, Bob Scobey‘s Frisco Band |
Muskrat Ramble / St. Louis Blues |
2491 |
Bru 82858 |
D |
3.10.1953, Live! S1 flotti, flotti |
3+ / 2- |
6.- |
Bix Beiderbecke Orchester |
Louisiana / Margie |
1457 |
Parl R 2833 |
GB |
New York, 21.9.1928, “Jazz Classics Series” No. 27 / 28 |
3+ / 3++ |
7.- |
Bix Beiderbecke Orchestra |
Sorry F / Since my best Girl turned me down F |
2747 |
Vocalion 3149 |
US |
New York, 15. / 25.10.1927 |
3+ / 3++ |
8.- |
Bix Beiderbecke Orchestra / Frankie Trumbauer Orchestra |
Since my best Girl turned me down F / Jubilee F |
2443 |
Parl R 2054 |
GB |
New York, 25.10.1927 / 9.1.1928, “Second New Rhythm Style Series” No. 97 / 98 |
2-- / 2-- |
6.- |
Graeme Bell Dixieland Jazz Band |
It’s right here for you / Come back sweet Papa |
3316 |
Nixa PC 517 |
S |
3.7.1948, kl. Nl 3 clicks |
2-- / 2-- |
5.- |
Graeme Bell Dixiland Jazz Band |
Get it fixed / Organ Grinder |
3327 |
Supraphon 18170 |
CZ |
Prag, 12.11.1947 |
3++ / 2- |
4.- |
Tex Beneke Orch. |
Meadowland (Russian Patrol - Kosakenpatrouille) / Makin‘ Love Mountain Style + |
605 |
Hmv MH 76 |
GB |
ca. 1946 |
2- / 2- |
6.- |
Tex Beneke Orchestra |
St. Louis Blues March / Cherokee Canyon + |
808 |
Hmv BD 6020 |
GB |
Februar 1948 |
3++ / 3++ |
4.- |
Tex Beneke Orchestra with Garry Stevens and The Moonlight Serenaders |
Sunrise Serenade / An Old Sombrero (And an old Spanish Shawl) + |
1464 |
Hmv BD 1198 |
GB |
1947 |
2- / 2- |
5.- |
Tex Beneke with the Glenn Miller Orch. Artie Malvin |
One more Tomorrow + / Strange Love + |
1140 |
Hmv HE 2451 |
CH ! |
ca. März 1946 mehrere lscrs |
3+ / 3++ |
7.- |
Tex Beneke with the Glenn Miller Orch. Artie Malvin |
One more Tomorrow + / Strange Love + |
3479 |
Hmv BD 5946 |
GB |
ca. März 1946, 105 !!! |
2--/ 3+ |
6.- |
Bunny Berigan Blue Boys |
Blues / I’m coming Virginia |
1491 |
Parl R 2316 |
GB |
New York, 13.12.1935, “1937 Super Rhythm Style Series” No. 5 / 6 |
3++ / 3++ |
5.- |
Bunny Berigan Orch. |
Little Gates Special / Sobbin´ Blues |
707 |
Hmv B 9363 |
GB |
New York, 22.11.1938 |
2 / 2 |
6.- |
Bunny Berigan Orchestra with Kathleen Lane |
Sobbin’ Blues / I cried for you + |
829 |
RCA 26116 |
D |
New York, 22.11.1938, lscrs, mini Ls |
3 / 3+ |
4.- |
Barney Bigard Orchestra |
Just annother Dream / Barney goin‘ easy |
3807 |
Parl R 3039 |
GB |
New York, 8.6.1939, lscrs, 105! |
2-- / 3+ |
5.- |
Barney Bigard Orchestra |
Charlie the Chulo / A Lull at Dawn |
2415 |
Hmv B 9185 |
GB |
Chicago, 11.11.1940 |
3++ / 3++ |
5.- |
Earl Bostic Orchestra |
Sweet Lorraine / Melody of Love |
3038 |
Odeon 29014 |
D |
8.10.1954 / 27.1. 1955 |
3+ / 2- |
4.- |
Connie Boswell with Orchestra |
One dozen Roses + / Sweet Eloise + |
3171 |
Bru 03338 |
GB |
New York, 4. / 24.3.1942, 105 !!! |
2 / 2-- |
6.- |
Connie Boswell with Bob Crosby Bob Cats |
Martha + / Home on the Range + |
64 |
Bru 02566 |
GB |
Los Angeles, 13.11.1937, bei Rust gelistet . . . |
3++ / 2- |
7.- |
Pete Brown Jump Band |
Ocean Motion F / Men of Harlem (Tempo di Jump) F |
2191 |
Decca 18118 |
US |
New York, 20.4.1939 |
2-- / 2-- |
5.- |
Willie Bryant Orchestra |
Long Gone (From Bowlin’ Green) F+ / Voice of old Man River F+ |
3084 |
Hmv JF 50 |
GB |
New York, 1.8.1935, 2 x dufte . . ., beidseitig geringe Spuren von alten Aufklebern in Label, mini Ls |
3++ / 3++ |
10.- |
Billy Butterfield Orch. |
Steamroller + / Satrdust |
2118 |
Capitol 80017 |
D |
mini Ls |
2- / 2- |
5.- |
Billy Butterfield Orch. |
Steamroller + / Stardust |
1198 |
Capitol 80017 |
D |
1946 |
3++ / 3++ |
6.- |
Cab Calloway Orchestra |
All, at Once F+ / Dawn Time F+ |
429 |
Col 36816 |
US |
New York, 19.4.1945 |
2-- / 2-- |
5.- |
Cab Calloway Orchestra |
When you’re smiling F+ / Are you in Love with me again? F+ |
948 |
Rex 8885 |
GB |
New York, 21.5.1936, mehrere lscrs |
3+ / 3+ |
7.- |
Cab Calloway Orchestra |
A Ghost of a Chance / Willow weep for me |
1483 |
Parl R 2941 |
GB |
Chicago, 27.6.1940 / 16.1.1941, “1944, Super Rhythm Style Series” No. 31 / 32, 105! |
2-- / 2-- |
6.- |
Cab Calloway Orchestra & The Palmer Brothers |
Blues in the Night F+ / Says who? Says you, says ! F+ |
1908 |
Okeh 6422 |
US |
New York, 10.9. 1941, 105! |
3+ / 3+ |
8.- |
Capitol Jazzmen Teagarden, Singleton u.a. |
Solitude / Casanovas Lament + |
3779 |
Cap 10010 |
US |
16.11.1943, 2 gute Blues! |
2 / 2 |
6.- |
Capitol Jazzmen with Peggy Lee |
Someday Sweetheart / That old Feeling + |
475 |
Tel/Cap 10011 |
US |
7.1.1944 |
2- / 2- |
5.- |
Capitol Jazzmen with Peggy Lee |
Sugar / Ain‘t goin‘ no Place + |
167 |
Cap 10012 |
US |
7.1.1944 |
2- / 2- |
5.- |
Hoagy Carmichael with the Chickadees, Orch. Vic Schoen |
Huggin‘ and Chalkin‘ + / Old Butermilk Sky + |
2525 |
Bru 03709 |
GB |
1947 |
3++ / 3 |
5.- |
Hoagy Carmichael with the Chickadees, Orch. Vic Schoen / with Orch. Billy May |
I‘m comin‘ a courtin‘ corabelle + / A Tune for Humming + |
2486 |
Bru 03861 |
GB |
April 1948 Seite 1 flott |
2- / 2- |
5.- |
Wingy Carpenter Wingies / Jay McShann Orchestra |
Preachin’ Trumpet Blues + / Dexter Blues |
1344 |
Bru 03401 |
GB |
New York, 25.10.1940 / Dallas, 30.4.1941, S1 jut, Klassiker, his Specialty . . ., 105! |
2 / 2- |
7.- |
Benny Carter Club Harlem Orchestra |
Devil’s Holiday F / Symphony in Riffs F |
3890 |
Col CB 698 |
GB |
New York, 16.10.1933, lscrs |
3+ / 3+ |
9.- |
Bennie Carter met The Ramblers |
Black Bottom (Zwarte Bodem) / I’ll never give in (Ik zal nooit toegeven) |
2917 |
Decca F 42121 |
NL |
Casino Hamdorff in Laren, 24.3.1937, S1 flott ! S2 mini Ls |
2-- / 2-- |
12.- |
Benny Carter Orchestra |
Midnight + / My favourite Blues |
3477 |
Hmv B 9327 |
GB |
New York, 1.4.1941, ”Swing Music 1943 Series“ No. 521 / 522, 105! |
3++ / 3+ |
5.- |
Benny Carter Orchestra |
Cocktails for Two F / Takin’ my Time F |
2128 |
Bluebird 10998 |
Can |
New York, 19.11.1940 |
3+ / 3+ |
5.- |
Benny Carter Orchestra |
The Favor of a Fool F / Riff Romp F |
2150 |
Vocalion 5294 |
GB |
New York, 31.8.1939, S1 flott, KAV, leicht grau - no Problem - spielt gut |
3 / 3+ |
5.- |
Benny Carter Orchestra |
Blue Mountain / Sunday Afternoon |
2177 |
Hmv B 10644 |
GB |
New York, ca. Anfang 1954 |
2- / 2- |
5.- |
Benny Carter Orchestra |
Flamingo / Can’t we be Friends |
2192 |
Blue Star 603 |
F |
1954 |
3++ / 2- |
5.- |
Benny Carter Orchestra |
Babalu +
BB B-11090, HMV B-9230, EA-3193
060354-1 - vRF
BB B-11090, HMV B-9230 / There I’ve said it again + |
2261 |
Hmv B 9230 |
GB |
New York, 21.1.1941 |
3++ / 3++ |
5.- |
Benny Carter Orchestra with Roy Felton |
The very Thought of you F+ / All of me F |
747 |
Bluebird 10962 |
US |
New York, 19.11.1940, mini Ls, 105!!! |
3++ / 3+ |
5.- |
Benny Carter Orchestra with Roy Felton |
The very Thought of you + / All of me |
2375 |
Hmv B 9180 |
GB |
New York, 19.11.1940, 105! |
2- / 2-- |
5.- |
Page Cavanaugh Trio |
I want a little Girl + / California is wonderful + |
405 |
RCA DJ 600 |
US |
Promotion Record - Not For Sale |
2- / 2- |
6.- |
Oscar Celestin Tuxedo Jazz Band |
Careless Love / Black Rag |
1378 |
Jazz Classics 510 |
US |
New Orleans, 23.1.1925, Dub von Okeh 8198, Vinyl 78er |
2 / 2 |
7.- |
Noel Chiboust Orchestre |
Tigasso / Riff 41 |
1518 |
Swing 142 |
F |
Paris, 13.2. / 14.10.1941, kl. Ls, lscrs, leicht grau - no Problem - spielt gut |
4+ / 3- |
10.- |
The Chicago Rhythm Kings Vocal Henry Allen |
Someone stole Gabriels Horn + / Who stole the Lock (On The Hen House Door) + |
3745 |
Parl R 2812 |
GB |
New York, 8.10.1932, flott “Jazz Classics Series” No. 14 |
2- / 2-- |
9.- |
The Chocolate Dandies |
Blue Interlude sF / Once upon a Time F |
2193 |
Decca 18255 |
US |
New York 10.10.1933, 105! |
3++ / 3++ |
8.- |
The Chocolate Dandies / Horace Henderson Orchestra |
Krazy Kapers Qs / Rhythm crazy (I’m Rhythm crazy now) |
3893 |
Parl R 1743 |
GB |
New York, 10. / 3.10.1933, great Stuff, “1934 Super Rhythm Style Series” No. 7 / 8, leicht grau - no Problem, lscrs |
3 / 3 |
8.- |
Larry Clinton Orchestra with Mary Dugan |
Still the Bluebird Sings F+ / An Apple for the Teacher F+ |
3345 |
Hmv BD 5535 |
GB |
New York, 28.7.1939, 105! |
2-- / 3+ |
5.- |
King Cole Trio / Snub Mosley‘s Band |
Sweet Lorraine + / Snubs Blues |
3562 |
Bru 03449 |
GB |
Los Angeles 6.12.1940 / New York, 21.10.1941 |
3++ / 3++ |
5.- |
Bill Coleman Swing Stars |
Drum Face / Muskrat Ramble |
2984 |
Phi 70900 |
D |
18.10.1952, lscrs |
3+ / 3++ |
5.- |
Alix Combelle Orchestre |
La Da Da La La / Fariboles |
1609 |
Swing 144 |
F |
Paris, 3.7.1942, Whitelabel, lscrs |
3+ / 3++ |
16.- |
Alix Combelle Orchestre |
Ecoutez ca + / Oui + |
1869 |
Swing 148 |
F |
Paris 8.9.1942, Whitelabel |
3+ / 3+ |
16.- |
Eddie Condon Chicagoans |
Someday Sweetheart F / There‘ll be some Changes made F |
1351 |
Bru 03056 |
GB |
New York, 11.8.1939 |
2- / 2- |
4.- |
Eddie Condon Orchestra |
The Way you look tonight F / Some sunny Day F |
3390 |
Decca 23721 |
US |
New York, 17.7.1946, lscrs |
3++ / 2- |
6.- |
Eddie Condon Orchestra |
Farewell Blues F / Stars fell on Alabama F |
3806 |
Decca 23719 |
US |
New York, 27.3.1946 |
3+ / 3+ |
5.- |
Eddie Condon Orchestra |
Whereever there’s Love (There’s you and I) F+ / When your Lover has gone F |
2351 |
Decca 23393 |
Can |
New York, 13.12.1944 |
2 / 2- |
4.- |
Eddie Condon Orchestra |
Down among the sheltering Palms F / Ida ! Sweet as Apple Cider F |
2547 |
Bru 03964 |
GB |
New York, 6.8.1947 |
2 / 2 |
4.- |
Eddie Condon Orchestra |
The Eel F / Home Cooking |
1200 |
Parl R 2807 |
GB |
New York, 17.11.1933, S1 flott, “Jazz Classics Series” No. 17 / 18 |
2 / 2 |
8.- |
Eddie Condon Orchestra |
I’ll build a Stairway to Paradise F / Swanee F |
2661 |
Decca 23433 |
US |
New York, 17.5. / 14.6.1945 |
2- / 2- |
4.- |
Eddie Condon Orchestra with Jack Teagarden |
Impromptu Ensemble No. 1 + / The Sheik of Araby + |
3629 |
Decca 23718 |
US |
New York, 13. / 14.12.1944 |
3++ / 2- |
7.- |
Eddie Condon Orchestra with James P. Johnson / John W. Bubbles |
Just you just me F / Atlanta Blues F+ |
955 |
Bru 03793 |
GB |
New York, 17.7.1946 |
2- / 2- |
5.- |
Eddie Condon’s Quartet |
Oh Baby (Rain or Shine) + / Indiana |
2697 |
Parl R 2932 |
GB |
New York, 28.7.1928, jut..., seine ersten Aufnahmen . . ., S1 Scat Intro by the Band, “Jazz Classics Series” No. 31 / 32 |
2- / 2- |
9.- |
Billy Cotton Band Vocal by Teddy Foster |
Some of these Days F+ / Dinah F+ |
1295 |
Regal MR 1946 |
GB |
London, 18.9.1935, 105!!! |
2-- / 3+ |
6.- |
Billy Cotton Band with Alan Breeze |
All the Things you are F+ / Never took a Lesson in my Life F+ |
2711 |
Rex 9873 |
GB |
London, 28.10.1940, 105! |
3+ / 3 |
4.- |
Billy Cotton Band with Alan Breeze |
Let the People sing Qs+ / You’ve done something to my Heart sF+ |
457 |
Rex 9716 |
GB |
London, Anfang Dezember 1939, 105! |
3+ / 3+ |
4.- |
Billy Cotton Band with Alan Breeze |
Rhapsody in Blue / Dito - Part 2 |
2951 |
Regal MR 957 |
GB |
London, 19.5.1933, 105! |
3+ / 3+ |
6.- |
Billy Cotton Band with Edna Kay / Alan Breeze |
Love flies out of the Window F+ / Mary Lou F+ |
3313 |
Rex 10233 |
GB |
London, 1945 |
3++ / 3++ |
5.- |
Bing Crosby & Louis Armstrong mit John Scott Trotter Orchestra / S2 mit Cary Crosby und Matty Matty Matlock All Stars |
Gone Fishin‘ + / Moonlight Bay + |
2018 |
Bru 04781 |
GB |
Los Angeles, 25.4. / 22.3.1951 |
2- / 2- |
5.- |
Bob Crosby Bob Cats |
March of the Bob Cats / Who‘s sorry now |
2083 |
Decca F 6790 |
GB |
New York, 14.3.1938 / Los Angeles, 13.11.1937 mini Ls |
3++ / 2- |
5.- |
Bob Crosby Bob Cats |
You‘ll be sorry F+ / Tears on my Pillow F+ |
2857 |
Bru 03723 |
GB |
Los Angeles, 5.2.1942, lscrs |
3+ / 3++ |
5.- |
Bob Crosby Orch. |
The Dixieland Band F+ / In a little Gypsy Tea Room F+ |
861 |
Bru 02041 |
GB |
New York, 1.6.1935, 105 !! |
3++ / 3+ |
5.- |
Bob Crosbys Bob Cats |
The Big Crash from China F / Five Point Blues F |
2724 |
Decca F 7152 |
GB |
New York, 14.3.1938 |
3++ / 3++ |
6.- |
Joe Daniels Hot Shots |
Tiger Rag / Arkansas Blues |
2496 |
Odeon 31736 |
D |
London, 6.5.1938 NK mini Ls S2 |
3+ / 2- |
5.- |
Joe Daniels Hot Shots in Drumnasticks |
King for a Day Qs / Clarinet Marmalade Qs |
2973 |
Parl F 2084 |
GB |
London ca. August 1945, lscrs |
3+ / 2- |
6.- |
Joe Daniels Hotshots in “Drumnasticks” |
Beat me Daddy F / Missouri Scrambler F |
915 |
Parl F 1805 |
GB |
London 6.1.1941 lscrs
Joe Daniels 9.3.1908 in Zeerust, Südafrika - 2.7.1993 in Northwood, Middlesex, England.
Britischer Jazz-Schlagzeuger und Bandleader.
Daniels wuchs in England auf und lernte mit elf Jahren Schlagzeug; er spielte bereits im selben Jahr im Frascati's Restaurant in London. Er begann Anfang der 1920er Jahre als Profimusiker zu arbeiten, spielte mit 14 Jahren bei Harry and Burton Lesters Cowboy Syncopators und auf Kreuzfahrtschiffen der Cunard Liners, danach bei Al Kaplan und Sid Roy (dem Bruder von Harry Roy). Schließlich gründete er 1926 mit dem Trompeter Max Goldberg eine eigene Band. Außerdem arbeitete er in dieser Zeit mit Fred Elizalde und Al Tabor, sieben Jahre bei Harry Roy. Um 1930 nahm er unter der Bandbezeichnung Joe Daniel's Hot Shots erfolgreich mit Billy Mason auf, u. a. mit dem Song Avalon. Mit der Band war er auch häufig in BBC-Radioshows zu hören, 1938 ging er mit den Hot Shots auf eine Skandinavien-Tournee.
Nach Ausbruch des Zweiten Weltkriegs wurde er zur Royal Air Force eingezogen, wo er eine Air-Force-Band und Shows zur Truppenunterhaltung organisierte. Nach Kriegsende und während der 1950er bis in die 1970er Jahre spielte er sowohl mit kleineren Ensembles als auch in Big Bands.
Platten seiner "Joe Daniels Hotshots in “Drumnasticks”" sind immer ein „heißer“ Tip |
3++ / 3++ |
6.- |
Joe Daniels Hotshots in “Drumnastics” |
Buggle Call Rag / Stardust |
1951 |
Parl F 1077 |
GB |
London, 3.3.1938 |
2- / 2- |
6.- |
Joe Daniels Hotshots in Drumnasticks |
Boogie for Googie / Who‘s sorry now |
996 |
Parl F 2452 |
NL |
London, ca. 1948, 1 x Boogie 1 x Dixie |
2-- / 2-- |
4.- |
Joe Daniels Hotshots in “Drumnasticks” |
Dinah F / I ain‘t got nobody sF |
2071 |
Parl F 405 |
GB |
London 5.2.1936, lscrs, 105! |
3 / 3+ |
5.- |
Joe Daniels Hotshots in “Drumnasticks” |
Drum Boogie / At the Woodchopper’s Ball Qs |
2396 |
Parl A 7416 |
Aus |
London, 13.1. / 11.9.1941, lscrs,
Joe Daniels 9.3.1908 in Zeerust, Südafrika - 2.7.1993 in Northwood, Middlesex, England.
Britischer Jazz-Schlagzeuger und Bandleader.
Daniels wuchs in England auf und lernte mit elf Jahren Schlagzeug; er spielte bereits im selben Jahr im Frascati's Restaurant in London. Er begann Anfang der 1920er Jahre als Profimusiker zu arbeiten, spielte mit 14 Jahren bei Harry and Burton Lesters Cowboy Syncopators und auf Kreuzfahrtschiffen der Cunard Liners, danach bei Al Kaplan und Sid Roy (dem Bruder von Harry Roy). Schließlich gründete er 1926 mit dem Trompeter Max Goldberg eine eigene Band. Außerdem arbeitete er in dieser Zeit mit Fred Elizalde und Al Tabor, sieben Jahre bei Harry Roy. Um 1930 nahm er unter der Bandbezeichnung Joe Daniel's Hot Shots erfolgreich mit Billy Mason auf, u. a. mit dem Song Avalon. Mit der Band war er auch häufig in BBC-Radioshows zu hören, 1938 ging er mit den Hot Shots auf eine Skandinavien-Tournee.
Nach Ausbruch des Zweiten Weltkriegs wurde er zur Royal Air Force eingezogen, wo er eine Air-Force-Band und Shows zur Truppenunterhaltung organisierte. Nach Kriegsende und während der 1950er bis in die 1970er Jahre spielte er sowohl mit kleineren Ensembles als auch in Big Bands.
Platten seiner "Joe Daniels Hotshots in “Drumnasticks”" sind immer ein „heißer“ Tip |
3 / 3+ |
5.- |
Joe Daniels Hotshots in “Drumnasticks” |
Way down yonder in New Orleans Qs / In a little Spanish Town Qs |
1341 |
Parl A 7672 |
Aus |
London, ca. Februar 1947 |
3++ / 3++ |
5.- |
Johnny Dankworth Orchestra |
My Buddy / The Jerky Thing |
2759 |
Parl R 3836 |
GB |
London, ca. April 1954, “1954 Super Rhythm Style Series” No. 15 / 16, Swing . . . |
2- / 2- |
4.- |
Johnny Dankworth Orchestra |
Experiments with Mice + / Applecake + |
2836 |
Parl R 4185 |
GB |
London, ca. Juni 1956, S1 Interessante Persiflage auf Kenton, Mulligan, May u.a., “1956, Super Rhythm Style Series” |
2- / 2- |
6.- |
Delta Four (Eldridge,Marsala,Weiss, Mastren |
Farewell Blues / Swingin‘ on that famous Door |
2248 |
Bru 02273 |
GB |
New York, 20.12.1935, endlich mal ein flotter Blues . . . |
2 / 2 |
6..- |
The Denza Dance Band (Harry Reser Band) |
Black Bottom F + / A Night of Love W |
1991 |
Col 4153 |
GB |
New York, ca. Mai 1926, Charleston |
2-- / 2 |
16.- |
The Denza Dance Band = Ace Brigode‘s 14 Virginians / S2 Harry Resers Syncopators |
Yes Sir that‘s my Baby F+ / Ukulele Lady F+ |
1970 |
Col 3730 |
GB |
New York, 30.4.1925 / Ende 1925 Charleston - Hot. lscrs,Schöne Platte mit gutem Sound!
DENZA DANCE BAND
This name was chosen in 1925 by Herbert C. Ridout, publicity manager of the Columbia Graphophone Company in London, to mask the identities of American dance bands whose first electric recordings it was desired to issue without public announcement of the new recording technique. (Ted Lewis, in London at the time and easily recognizable anyway, was not renamed.) Lot of the Sides containing jazz solos. |
3 / 3+ |
18.- |
Johnny Dodds Black Bottom Stompers |
Weary Blues / New Orleans Stomp |
1388 |
Bru 80073 |
US |
Chicago, 21.4.1927, Dub von Vocalion 15632, außer dieser nur Dubs bekannt! |
2 / 2 |
9.- |
Johnny Dodds Chicago Footwarmers |
Get ’em again Blues / Brush Stomp |
2056 |
Jazz Society AA 611 |
F |
Chicago, 2.7.1928, DUB von Okeh 8599, |
2- / 2 |
6.- |
Johnny Dodds Chicago Footwarmers |
Brown Bottom Bess / Lady Love |
2064 |
AFCDJ A 049 |
US |
Chicago, 4.7.1928, Dub von Okeh 8613, mini Ls |
2- / 2- |
6.- |
Baby Dodds Drum Solo |
Maryland my Maryland / Rudiments with Drumstick Nerve-Beat |
3167 |
Ash Disc 6006 |
US |
1946, |
2 / 2 |
10.- |
Johnny Dodds Hot Six |
Sweet Lorraine / Pencil Papa |
1772 |
HJCA HC 12 |
US |
Chicago. 30.1. / 7.2.1929, Dub von Victor V 38038 |
2- / 2- |
8.- |
Johnny Dodds Orchestra |
My little Isabel / Heah Me Talkin’ |
2050 |
Biltmore 1092 |
US |
Chicago, 30.1. / 7.2.1929, Dub von Victor V 38541 |
2-- / 2 |
7.- |
Baby Dodds, Drums solo / Baby Dodds
Trio |
Drum Improvisation No. 1 / Wolverine Blues |
2607 |
Blue Star 95 |
F |
wohl New Orleans, 6.1.1946, 105! |
2 / 2- |
5.- |
Tommy Dorsey Clambake Seven |
(Ah-Yes) There’s good Blues Tonight + / There’s no one but you + |
3472 |
HMV BD 5944 |
US |
New York, 2.3.1946 |
2-- / 2-- |
5.- |
Tommy Dorsey Orch. / Clambake Seven |
Stop it‘s wonderful F+ / Alla En El Rancho Grande F+ |
1288 |
Hmv K 8475 |
GB |
New York, 20.7. / 28.8.1939, lscrs |
3 / 3 |
4.- |
Tommy Dorsey Orch. with Audrey Young / Gordon Polk |
On the painted Desert + / Mississippi Mud + |
2239 |
Victor 202852 |
US |
New York, ca. Dezember 1947 |
2-- / 2-- |
6.- |
Tommy Dorsey Orchestra |
I concentrate on you + / I´ve got my Eyes on you + |
907 |
Hmv X 6466 |
S |
Chicago 29.12.1939 mini Ls |
3+ / 2- |
7.- |
Tommy Dorsey Orchestra |
Oh promise me F / Shine on harvest Moon F |
2296 |
Victor 201576 |
US |
New York, 3.2.1938 lscrs |
3 / 3+ |
6.- |
Tommy Dorsey Orchestra |
Dark Eyes / Blue Danube |
3724 |
Victor 25556 |
US |
New York, 10.3.1937 |
3+ / 3+ |
5.- |
Tommy Dorsey Orchestra featuring Jimmy Dorsey with Lyn Roberts / Billy Raymond |
Wanted + / I speak to the Stars + |
3531 |
Ronnex RB 21 |
B |
Mai 1954 |
3++ / 2- |
5.- |
Tommy Dorsey Orchestra The Sentimentalists |
On the sunny Side of the Street + / Ther‘s no you + |
3482 |
Hmv BD 5909 |
GB |
New York, November 1945, always nice, 105! |
2- / 2-- |
5.- |
Tommy Dorsey Orchestra Vocal S2 Stuart Foster and the Town Griers |
Trombonology / Deep Valley + |
745 |
Victor 202419 |
US |
September 1947 S2 Nlf „Property of Special Services“ - Army Exemplar! |
3++ / 2- |
7.- |
Tommy Dorsey Orchestra with Charlie Shavers / Marcy Lutes |
The Huckle-Buck + / Again + |
2972 |
Hmv X 7259 |
S |
ca. Februar 1949, S1 Vocal by Charlie Shavers |
3++ / 3++ |
4.- |
Tommy Dorsey Orchestra with Denny Dennis |
So in Love + / While the Angelus was ringing (Les trois Cloches) + |
1015 |
RCA 203331 |
US |
New York, Dezember 1948 |
3+ / 3+ |
5.- |
Tommy Dorsey Orchestra with Jack Leonard / Artie Shaw Orch. with Helen Forrest |
All The Things You Are F+ / All The Things You Are F+ |
925 |
Victor 201561 |
US |
Chicago, 20. / 26.10.1939 Ja, zwei mal same Title ! mit Originalhülle, lscrs |
3+ / 3++ |
7.- |
Tommy Dorsey Orchestra with Jo Stafford |
Manhattan Serenade F+ / Blue blazes F |
217 |
Decca 27962 |
US |
New York, 2.7.1942, kl. Rs, lscrs |
3 / 3 |
5.- |
Tommy Dorsey Orchestra with Johnny Amoroso |
Nice to know you care + / Puddle Wump |
1514 |
RCA 203626 |
US |
New York, ca. Mai 1949, two fine Swing Tunes . . ., lscrs |
3 / 3+ |
5.- |
Tommy Dorsey Orchestra with Sy Oliver & Jo Stafford |
Yes, Indeed! + / Loose Lid Special |
3271 |
Hmv B 9344 |
GB |
New York, 17.2. / 15.7.1941, 105! |
2- / 2-- |
5.- |
Tommy Dorsey with Victor Young Orchestra |
Smoke gets in your Eyes / Body and Soul |
523 |
Bru 82449 F |
A |
Los Angeles, 2.1.1951 Bearbeitet 30.6.1951 |
3+ / 3++ |
4.- |
Jimmy Durante with Six Hits and a Miss |
Inka Dinka Doo + / Umbriago + |
1338 |
Decca M 2024 |
India |
Los Angeles, 26.4.1944, lscrs |
3+ / 3+ |
5.- |
Roy Eldridge Trumpet Solo with Pierre Michelot, Dick Hyman & Ed Shaughnessy |
Wrap your Troubles in Dreams / Undecided |
1346 |
Vogue 5042 |
F |
Paris, 9.6.1950, kl. Ls, mehrere lscrs |
3 / 3 |
4.- |
Duke Ellington Orchestra (Cotton Club Orchestra) |
Black and Tan Fantasy / The Mooche |
2119 |
Bru 80002 |
US |
New York, 17.10.1928, 105! |
2-- / 2-- |
8.- |
Duke Ellington Orchestra with Ray Nance |
Flippant Flurry / Tulip or Turnip + |
3410 |
Parl R 3070 |
GB |
New York, ca. November 1947, “1947 Super Rhythm Style Series” No. 55 / 56, |
3++ / 3++ |
5.- |
Duke Ellington Orchester |
Black and Tan Fantasy / Mood Indigo |
3555 |
EL EG 7623 |
D |
New York, 11.5.1945 |
3 / 2- |
6.- |
Duke Ellington Orchester |
Black and Tan Fantasy / Ring dem Bells |
2014 |
Odeon 279712 |
F |
New York, 3.11.1927 / 30.10.1930, hervorragendes Dub von Okeh 8521 / 41468 |
2- / 2- |
7.- |
Duke Ellington Orchester |
Sultry Sunset / Jam-A-Ditty (Concerto for 4 Jazz Horns |
3401 |
Parl R 3052 |
GB |
New York, 26.11. / 11.12.1946, “1947 Super Rhythm Style Series” No. 41 / 42, Musicraft recording session, dufte S 2 . . . |
2- / 2- |
8.- |
Duke Ellington Orchestra |
Bluejean Beguine / Warm Valley |
3803 |
Cap CP 229 |
Australia |
Chicago, 5.9.1940 |
2- / 2- |
7.- |
Duke Ellington Orchestra with Herb Jeffries |
My little brown Book F+ / Someone F |
1384 |
Victor 201584 |
US |
Los Angeles, 26.6. / Chicago, 26.2.1942 |
2- / 2- |
6.- |
Duke Ellington and The Coronets |
She / The Happening |
1242 |
Vogue 2087 |
GB |
New York, 17.4.1951, flottes Happening . . . good Stuff . . . |
2- / 2- |
10.- |
Duke Ellington and the Coronets |
Cat (Night) Walk / Moonlight Fiesta |
2314 |
J.S. 780 |
F |
New York, 17.4.1951, great ! Mercer Recording Session, mini Ls - kaum zu sehen |
2- / 2- |
10.- |
Duke Ellington and the Coronets |
Hoppin’ John / Jumpin’ with Symphony Sid |
2325 |
J.S. 808 |
F |
New York, 19.6.1951, Mercer Recording Session |
2- / 2 |
8.- |
Duke Ellington Coronets |
Caravan / Indian Summer |
2903 |
J.S. 782 |
F |
New York, 1.6.1951 / Boston, 18.5.1951, Klasse! - immer wieder . . . |
2-- / 2-- |
8.- |
Duke Ellington Orch. |
Jazz Convulsions F
/ Rockin‘ In Rhythm F |
3179 |
Bru 02309 |
GB |
New York, 13.9.1929 / 14.1.1931, 105 !!! |
2 / 2- |
8.- |
Duke Ellington Orchestra |
Jack the Bear F / Morning Glory F |
489 |
Hmv SG 196 |
F |
Chicago, 7.3.1940, OH |
2- / 2- |
6.- |
Duke Ellington Orchestra |
Solitude F / Black Beauty |
3574 |
Hmv K 8304 |
F |
Chicago 10.1.1934 / New York, 26.3.1928, lscrs |
3++ / 2- |
6.- |
Duke Ellington Orchestra |
Riding on a Blue Note / Magenta Haze |
3805 |
Parl A 7693 |
Australia |
New York, 2.2.1938 / 11.12.1946, 105! |
2- / 2- |
7.- |
Duke Ellington Orchestra |
Drop me off at Harlem / Clarinet Lament |
1766 |
Parl R 2876 |
GB |
New York, 27.2.1936, “1943 Super Rhythm Style Series” No. 89 / 90 |
3++ / 3++ |
6.- |
Duke Ellington Orchestra |
The Mooche + / Sweet Chariot + |
1751 |
Parl R 1615 |
GB |
New York, 1.10.1928 / 30.10.1930, S2 als “Harlem Footwarmers”, “Second New Rhythm Style Series” No. 63 / 64 |
3++ / 3++ |
7.- |
Duke Ellington Orchestra |
Harlem Speaks F / Chicago F |
2526 |
Decca M 438 |
GB |
London, 13.7.1933, mini Ls, 105! |
2- / 2- |
8.- |
Duke Ellington Orchestra |
Cotton Tail (Shuckin’ And Stiffin’) F / Never No Lament (Don’t get around much any more) F |
1094 |
Victor 26610 |
US |
Hollywood, 4.5.1940, flott, Randschaden bis 2. Rille |
2-- / 2- |
4.- |
Duke Ellington Orchestra |
The “C” Jam Blues / Moon Mist |
1971 |
Hmv B 9292 |
GB |
Chicago 21.1.1940, ”Swing Music 1942 Series“ No. 529 / 530 |
2 / 2- |
9.- |
Duke Ellington Orchestra |
The Sidewalks of New York F / Never No Lament (Don't Get Around Much Any More) F |
2002 |
Hmv SG 165 |
F |
Chicago, 28.12.1940 / Hollywood, 4.5.1940, mini Ls |
2- / 2- |
6.- |
Duke Ellington Orchestra |
Double Check Stomp / Sweet Papa |
2017 |
Jazz Society AA 547 |
F |
New York, 12.6.1930 / finde nix . . . |
2-- / 2- |
8.- |
Duke Ellington Orchestra |
Daybreak Expreß F / Dear old Southland F |
2040 |
Hmv B 6468 |
GB |
Chicago 4.12.1933, Tolle Eisenbahn-Nummer, MIN I LS |
3 / 3+ |
6.- |
Duke Ellington Orchestra |
Just A-Settin‘ and A‘ Rockin / Moon over Cuba (Puerto Rican Gal) |
2041 |
Hmv B 9268 |
GB |
Hollywood, 5.6. / 2.7.1941 |
2 / 2 |
5.- |
Duke Ellington Orchestra |
Morning Glory / Jack the Bear |
2084 |
Hmv SG 196 |
F |
Chicago, 7.3.1940 |
2 / 2 |
6.- |
Duke Ellington Orchestra |
Diminuendo In Blue / Magenta Haze |
2090 |
Parl R 3033 |
GB |
New York, 23.10.1946, “1947 Super Rhythm Style Series” No. 17 / 18, Musicraft Recording Session, 105! SOL |
2- / 2- |
6.- |
Duke Ellington Orchestra |
Hot and bothered QS / Black and Tan Fantasy |
2308 |
Jazz Society AA 533 (553) |
D |
New York, 12.6.1930, “ S1 wie der Name schon sagt ..., Rust gibt Jazz Society AA 553 an, wohl ein Zahlendreher . . ., lscrs |
2-- / 2-- |
7.- |
Duke Ellington Orchestra |
Jubilesta / Moonlight Fiesta (Porto Rican Chaos) |
1569 |
Special Editions 5007 |
US |
New York, 20.9.1937 / 5.3.1935, Originalausgabe, wohl keine andere Veröffentlichung, 105! |
2- / 2- |
6.- |
Duke Ellington Orchestra |
On a turquoise Cloud / Hy’a Sue |
3842 |
Col 38234 |
US |
New York, 22.12.1947 / Los Angeles 14.8.1947 |
2- / 2- |
5.- |
Duke Ellington Orchestra |
Yellow Dog Blues / Louisiana |
427 |
Bru 02650 |
GB |
New York, 5.6.1928 / 17.10.1928, 105 ! |
2 / 2 |
9.- |
Duke Ellington Orchestra |
Braggin‘ in Brass / Carnival In Caroline |
1741 |
Bru 8099 |
US |
New York, 3.3.1938 |
2 / 2 |
10.- |
Duke Ellington Orchestra featuring Louis Bellson, Drums |
Skin Deep / Dito - Part 2 |
2304 |
Phi B 21204 |
NL |
ca. Ende 1953, Seite 1 komplett fettes Drum Solo,
diese Louis Bellson Komposition, wohl in 1951 enstanden, hat Ellington nach dem Weggang von Bellson noch bis 1966 auch für die Nachfolger als „Drum-Showcase“ benutzt |
2- / 2 |
8.- |
Duke Ellington Orchestra with Ethel Waters |
I can’t give you anything but Love + / Porgy + |
1929 |
Bru 01731 |
GB |
New York, 22.12.1932, lscrs |
3++ / 3++ |
7.- |
Duke Ellington Orchestra with Al Hibbler / Kay Davis |
You of all People + / The Creole Love Call + |
2882 |
Col DCH 7 |
NL |
New York, 1.9.1949 |
2- / 2- |
5.- |
Duke Ellington Orchestra with Ivy Anderson |
It don‘t mean a Thing if it ain‘t got that Swing + / Rose Room (In sunny Roseland) F |
2309 |
Bru 01292 |
GB |
New York, 2.2. bzw. 11.2.1932 |
3+ / 3+ |
7.- |
Duke Ellington Orchestra with Ivy Anderson |
A lonely Co-Ed +
Col 35240, BA 257 / Bouncing Buoyancy |
1030 |
Blue Ace 257 |
US |
New York, 6.6.1939 / 28.8.1939 |
2 / 2 |
6.- |
Duke Ellington Orchestra with Joya Sherrill |
Come to Baby, do! + / The Wonder of you + |
1343 |
Hmv B 9492 |
GB |
New York, 8.10. / 26.11.1945, kl., Ls |
3++ / 2- |
5.- |
Duke Ellington Orchestra with Kay Davis |
The beautiful Indians / Dito - Part 2 - Minnehaha + |
1362 |
Odeon 279782 |
F |
New York, 5.12.1946 |
2- / 2- |
8.- |
Duke Ellington Orchetra |
Blackbirds Medley - Part 1 (intro: I can’t give you anything but Love / Doin’ the new Low-
Down / I must have that Man / Baby) / Dito - Part 2 (intro: Dixie / Diga Diga Doo / Porgy / I Can't Give You Anything But Love) |
2574 |
Bru 01517 |
GB |
New York, 17.2.1933, 105! |
2 / 2- |
6.- |
Will Ezell |
Just can‘t stay here + / Pitchin’ Boogie |
2341 |
Jazz Collector 46 |
GB |
Chicago Sept. 1929 dub |
2- / 2- |
5.- |
Will Ezell Piano Solo with Cornet & Banjo |
Just can‘t stay here + / Pitchin‘ boogie + |
1673 |
Jazz Collector L 46 |
GB |
Chicago, Sept. 1929, Dub von Paramount 12855 |
2 / 2 |
7.- |
Paul Fenoulhet with The Skyrockets Dance Orchestra & Doreen Lundy & Quartet |
The Trees in Crossvenor Square sF+ / A Door will open sF+ |
1699 |
Hmv BD 5921 |
GB |
London, ca. Mitte 1946 |
2- / 2- |
5.- |
Maynard Ferguson with Stan Kenton Orchestra |
The hot Canary / What‘s new ? |
1368 |
Tel/Cap 80241 |
D |
31.5.1951 |
2-- / 2 |
6.- |
Herbie Fields Quintet |
Rainbow Mood / Dardanella |
2451 |
Hmv B 9594 |
GB |
”Swing Music 1940 Series“ No. 745/46 lscrs |
3+ / 3++ |
5.- |
Pierre Fouad Orchestre |
Palm Beach / Divertissement |
844 |
Swing 149 |
F |
Paris, 8.7.1942, mehrere lscrs - spielt gut |
4+ / 3- |
5.- |
Pierre Fouad Orchestre |
Palm Beach / Divertissement |
1153 |
Swing 149 |
F |
Paris, 8.7.1942, lscrs |
3++ / 3++ |
16.- |
Four of the Bob Cats |
Call me a Taxi F / I hear you talking F |
626 |
Decca F 7003 |
GB |
Chicago 14.10.1938, S2 flott . . . |
2- / 2- |
5.- |
Bud Freeman Chicagoans |
Prince of Wales / Muskat Ramble |
2015 |
Parl R 2809 |
GB |
New York, 23.7.1940, “Jazz Classics Series” No. 11 / 12 |
2- / 2- |
6.- |
Bud Freeman Chicagoans |
At the Jazz Band Ball / After Awwhile |
425 |
Parl R 2877 |
GB |
New York, 23.7.1940, “ 1943 Super Rhythm Style Series” No. 91 / 92 |
2-- / 2-- |
6.- |
Bud Freeman Chicagoans |
Prince of Wales / Muskat Ramble |
2409 |
Parl R 2809 |
GB |
New York, 23.7.1940, “Jazz Classics Series” No. 11 / 12 |
2- / 2- |
4.- |
Bud Freeman Chicagoans |
Prince of Wales / Muskat Ramble |
298 |
Parl R 2809 |
GB |
New York, 23.7.1940, “Jazz Classics Series” No. 11 / 12 |
2- / 2- |
5.- |
Bud Freeman Chicagoans |
Prince of Wales / Muskat Ramble |
2623 |
Parl R 2809 |
GB |
New York, 23.7.1940, “Jazz Classics Series” No. 11 / 12, lscrs Rs |
3+ / 3+ |
5.- |
Bud Freeman Chicagoans, Jack Teagarden |
That Da-Da Strain / Jack hits the Road + |
3857 |
Parl R 2820 |
GB |
New York, 23.7.1940 “Jazz Classics Series” No. 15 / 16 105 ! |
2- / 2- |
6.- |
Bud Freeman Summa cum Laude Orch. |
The Eel F / China Boy F |
1777 |
Hmv B 9007 |
GB |
New York 19.7.1939, flotti - cannotti... ”Swing Music 1940 Series“ No. 351/52 |
2- / 2- |
7.- |
Bud Freeman Summa Cum Laude Orchestra |
Susie F / Fidgety Feet F |
3858 |
Bru 03228 |
GB |
New York, 25.3. / 4.4.1940 |
2 / 2 |
7.- |
Bud Freeman Summa Cum Laude Orchestra |
I Need Some Pettin’ F / Tia Juana F |
3859 |
Bru 03227 |
GB |
New York, 25.3. / 4.4.1940 |
2- / 2- |
7.- |
Bud Freeman Windy City Five |
Tillie‘s Downtown Now / The Buzzard |
275 |
Parl R 2210 |
GB |
New York, 4.12.1935, “1936 Super Rhythm Style Series” No. 8 |
2 / 2 |
6.- |
Slim Gaillard Trio |
Tip Light + / Arabian Boogie + |
825 |
MGM 107 |
GB |
Ende 1947, S2 interessant, 105! |
2-- / 2-- |
5.- |
Carroll Gibbons Savoy Hotel Orpheans |
Kiss me (Besame Mucho) - Rumba-Fox + / Paper Doll F+ |
3214 |
Col FB 2992 |
GB |
London, 19.1.1944 , 105 ! |
3+ / 3 |
4.- |
Carroll Gibbons Savoy Hotel Orpheans |
Here comes the Sandman F+ / Remember me F+ |
3608 |
Col FB 1855 |
GB |
London 23.11. / 14.12.1937 |
2-- / 2-- |
5.- |
Carroll Gibbons Savoy Hotel Orpheans Leslie Douglas |
Swinging on a Star F+ / San Fernando Valley F+ |
592 |
Col DF 3000 |
F |
London, 10.2.1944 |
3+ / 3++ |
5.- |
Benny Godman Sextet |
China Boy / Ain‘t missbehavin‘ |
3444 |
Parl R 3014 |
GB |
24. / 18.9.1945 “1945 Super Rhythm Style Series” No. 43 / 44, S1 flott |
3+ / 3+ |
6.- |
Nat Gonella and his Trumpet with instrumental Accomp. |
Rockin‘ Chair + / When you‘re smiling |
2187 |
Decca F 3292 |
GB |
London, 15.11.1932, 105! |
3++ / 3+ |
5.- |
Nat Gonella Georgians |
I‘m gettin‘ sentimental over you F+ / Georgianna sF+ |
1412 |
Odeon 31737 |
D |
London, 1.12.1937, lscrs, NK |
3+ / 3+ |
6.- |
Nat Gonella Georgians |
Oh! Peter (you‘re so nice) F+ / Pidgin English Hula sF+ |
638 |
Odeon 25610 |
D |
London, 6.10.1935, NK |
3 / 3+ |
5.- |
Nat Gonella Georgians |
Black Coffee F+ / Lazy River F+ |
649 |
Odeon 25640 |
D |
London, 24.7.1935, NK |
3 / 3 |
5.- |
Nat Gonella Georgians |
You Rascal you Qs+ / Just a crazy Song F+ |
3071 |
Parl F 393 |
GB |
London, 29.1.1936, S2 Nlf 4 Knackser |
3+ / 3+ |
4.- |
Nat Gonella Georgians |
Ferdinand The Bull F+
/ Penny Serenade F+ |
3147 |
Odeon 31463 |
D |
London, 16.12.1938, mehrere lscrs - spielt gut |
3-- / 3 |
4.- |
Nat Gonella Georgians |
Chopsticks F+ / Patty-Cake, Patty-Cake (Baker Man) F+ |
3151 |
Odeon 279619 |
F |
London, 2.5.1939, lscrs, mini Rs |
3+ / 3+ |
4.- |
Nat Gonella Georgians |
The Ghost of Dinah F+ / Truckin‘ F+ |
432 |
Parl F 283 |
GB |
London, 6.10.1935, lscrs, mini Rs |
3 / 3+ |
4.- |
Nat Gonella Georgians |
The Dipsy Doodle F+ / Big Apple F+ |
643 |
Odeon 31744 |
D |
London, 27.1.1938 / 24.9.1937, NK, lscrs |
3 / 3 |
5.- |
Nat Gonella Georgians |
He ain’t got Rhythm F+
Par F-852, Od A-272117, OF-5479
CE-8509-1 / All God’s Chillun got RhythmF+ |
3115 |
Parl F 852 |
GB |
London, 19.7.1937, 105! |
2- / 3+ |
4.- |
Nat Gonella Georgians |
Capri Caprice F+ / The Sheik of Araby F+ |
713 |
Odeon 31009 |
D |
London, 30. / 29.10.1935, leicht grau - no Problem spielt gut |
4+/3- / 3-/3 |
4.- |
Nat Gonella Georgians & Stella Moya (S1) |
Lambeth Walk + / The Blackpool Walk + |
3141 |
Odeon 279503 |
F |
London, 16.7.1938, lscrs |
3++ / 3++ |
6.- |
Nat Gonella Georgians & Stella Moya (S1) |
Lambeth Walk + / The Blackpool Walk + |
2681 |
Odeon OF 5765 |
GB |
London, 16.7.1938, lscrs |
3 / 3+ |
5.- |
Nat Gonella Orchestra |
Swinging to those Lies (It’s a Sin to tell a Lie) F+ / I’ll swing you a thousand Love Songs F+ |
3113 |
Odeon OF 5322 |
GB |
New York, 2.12.1936, 105! |
3++ / 3+ |
4.- |
Benny Goodman / Tommy Dorsey Orchestra with Edythe Wright |
Star Dust F / Star Dust F+ |
1976 |
Hmv B 8468 |
GB |
Chicago, 23.4.1936 / New York, 15.4.1936 |
3++ / 3++ |
5.- |
Benny Goodman All Star Band |
The Blues F / Blue Lou F |
2806 |
Hmv B 8896 |
GB |
New York, 11. - 12.1.1939, 105! mini Rs |
2- / 2- |
5.- |
Benny Goodman Orch. |
Swing Angel / Lucky |
2802 |
Col DB 2443 |
GB |
New York, 30.1.1946 / ?, mehrere lscrs |
3+ / 3++ |
5.- |
Benny Goodman Orch. |
Sweet and lovely / Ooh, look there, Ain‘t she pretty ? + |
510 |
Tel/Cap 15020 |
D |
New York, 23.10.1944, lscrs |
3 / 3++ |
5.- |
Benny Goodman Orch. Art Lund Vocalist |
On the Alamo + / Blue Skies + |
3696 |
Parl R 3018 |
GB |
15.1.1941, “1946 Super Rhythm Style Series” No. 49 / 50, 105! |
2- / 2-- |
5.- |
Benny Goodman Orch. Dottie Reid |
It‘s only a Paper Moon F+ / I‘m gonna love that Guy F+ |
690 |
Col 36843 |
US |
New York, 18.6.1945 lscrs |
3++ / 2- |
6.- |
Benny Goodman Orch. Vocal by Martha Tilton |
My melancholy Baby F / Blue Interlude F+ |
194 |
Hmv B 8841 |
GB |
New York, 28.5. / 8.8.1938, lscrs |
3 / 3+ |
5.- |
Benny Goodman Orch. with Jane
Harvey / Peggy
Mann |
Only another Boy and Girl F+ / Every Time we say Goodbye F+ |
3190 |
Col 36767 |
US |
New York, 21.12. / 16.11.1944, 105 !!! |
3++ / 3+ |
5.- |
Benny Goodman Orchestra |
Louise F / Whispering |
1919 |
Hmv B 8878 |
GB |
New York, 12. / 15.12.1938, 105! |
3+ / 3+ |
5.- |
Benny Goodman Orchestra |
Stealin’ Apples F / Opus Local 802 F |
445 |
Parl R 2749 |
GB |
Los Angeles, 11.8.1939 / New York, 27.12.1939, „1040 Super Rhythm Style Series” No. 101 / 102, SOL, Ls, 105! |
3++ / 3++ |
5.- |
Benny Goodman Orchestra |
The Birth Of The Blues / Caprice XXIV Paganini |
838 |
Parl R 2830 |
GB |
Chicago 20.8.1941 / New York, 2.10.1941, “1942 Super Rhythm Style Series” No. 7 / 8 |
3+ / 3+ |
5.- |
Benny Goodman Orchestra |
Basin Street Blues F / When Buddha Smiles F |
2530 |
Hmv B 8461 Victor 25258 |
GB |
Chicago, 22.11.1935, 105! |
2-- / 2-- |
6.- |
Benny Goodman Orchestra |
Night And Day / Beyond The Moon |
3408 |
Col 35410 |
US |
Los Angeles, August 16.8. 1939 / New York, 22.11.1939, 105! |
2- / 2-- |
6.- |
Benny Goodman Orchestra |
Caravan / Stardust |
3869 |
Phi PB 254 |
GB |
Los Angeles, 17.8.1937 / New York, 19.11.1937, Dub, beide Sessions nur als Dubs erschienen! lscrs |
3 / 3++ |
7.- |
Benny Goodman Orchestra |
Changes F / Minnie the Moocher’s Wedding Day F |
3595 |
Hmv B 8683 |
GB |
Hollywood, 7.7. / 6.9.1937, S1 kl. Verschmutzung 3 x leise bis nicht hörbar |
3 / 3+ |
5.- |
Benny Goodman Orchestra |
Time on my Hands / Scarecrow |
3641 |
Parl R 2835 |
GB |
New York, 21.1. / 19.2.1941, “The 1942 Super Rhythm Style Series” No. 15 / 16 |
2-- / 2-- |
5.- |
Benny Goodman Orchestra with Eve Young |
Hora Stacato F / Man here plays fine Piano F+ |
101 |
Col 37207 |
US |
15. / 22.10.1946 |
2- / 2- |
6.- |
Benny Goodman Orchestra with Helen Forrest |
(When your Heart’s on Fire) Smoke gets in your Eyes F+ / La Rosita F |
1254 |
Col 36284 |
US |
New York, 4. / 11.6.1941, mini Ls |
3+ / 3+ |
7.- |
Benny Goodman Quartet |
Avalon / The Man I love |
3424 |
Hmv B 8617 |
GB |
Hollywood 30.7.1937, lscrs |
3 / 3+ |
5.- |
Benny Goodman Quartet |
Opus Three Quarters / Sugar |
1221 |
Hmv K 8374 |
F |
New York, 6.4.1939 / 25.3.1938 |
2- / 2- |
7.- |
Benny Goodman Quartet |
Opus Three Quarters / Sugar |
163 |
Hmv B 8957 |
GB |
New York, 6.4.1939 / 25.3.1938 |
3+ / 3+ |
5.- |
Benny Goodman Quartet |
Tiger Rag / Sweet Sue |
2179 |
Hmv B 8531 |
GB |
New York, 2.12.1936 / 18.11.1936, 105! |
3++ / 3++ |
6.- |
Benny Goodman Sextet |
Six Appeal (My Daddy Rocks Me)
/ These Foolish Things |
688 |
Parl R 2770 |
GB |
Los Angeles, 20.6.1940,105! “Super Rhythm Style Series” |
3++ / 3+ |
4.- |
Benny Goodman Sextet |
A Smo-o-o-oth one
/ Good Enough To Keep (Air Mail Special on some later issues) |
22 |
Parl R 2816 |
GB |
New York, 13.3.1941, “1941 Super Rhythm Style Series” No. 59 / 60 |
2-- / 2-- |
6.- |
Benny Goodman Sextet |
Gone with „What“ Wind / Till Tom Special |
3491 |
Parl R 2752 |
GB |
New York, 7.2.1940, “1940 Super Rhythm Style Series” No. 107 / 108 |
3++ / 3++ |
5.- |
Benny Goodman Sextet |
I can‘t give you anything but Love Baby / Lullaby of The Leaves |
2579 |
Col DB 3350 |
GB |
New York, 19.12.1940 / ?, 105! |
2 / 2- |
5.- |
Benny Goodman Sextet / Quartet |
Shine / The World is waiting for the Sunrise |
1600 |
Parl R 3002 |
GB |
??? 29.5.1945, New York, 10.3.1942, “The 1946 Rhythm Style Series” No. 21 / 22 |
2- / 2 |
6.- |
Benny Goodman Sextet Featuring Count Basie |
As Long As I Live F / I found a new Baby F |
3237 |
Col DCH 301 |
NL |
New York, 7.11.1940 / 15.1.1941, 105! |
2-- / 3+ |
5.- |
Benny Goodman Sextet with Count Basie |
On The Alamo / Gone With What Draft |
2970 |
Parl R 2798 |
GB |
New York, 15.1.1941 “1941 Super Rhythm Style Series” No. 41 / 42, lscrs |
3+ / 3+ |
6.- |
Benny Goodman Sextet with Peggy Lee |
The Wang-Wang Blues / The Way You Look Tonight + |
2704 |
Col 36594 |
US |
New York, 10.3.1942, 105! |
3++ / 3++ |
6.- |
Benny Goodman Sextet with Peggy Lee |
Limehouse Blues / On The Sunny Side Of The Street + |
524 |
Parl DK 1103 |
DK |
New York, 28.10. / 24.12.1941, lscrs |
3+ / 3+ |
5.- |
Benny Goodman Trio Teddy Wilson, Gene Krupa |
Sweet Leilani / Time on my Hands |
378 |
Phi 21093 |
NL |
1938, From Carnegie Hall Concert No. 2, NK |
3+ / 3+ |
6.- |
Benny Goodman Trio (Teddy Wilson, Gene Krupa) |
After you‘ve gone / Body and Soul |
2813 |
Hmv B 8381 |
GB |
New York, 13.7.1935, spielt gut mit 105! |
2-- / 3+ |
5.- |
Benny Goodman Trio (Teddy Wilson, Gene Krupa) |
After you‘ve gone / Body and Soul |
3734 |
Victor 25115 |
US |
New York, 13.7.1935, mini Ls |
2- / 2- |
7.- |
Benny Goodman Trio / Quintet |
I know that you know / I cried for you |
3790 |
Hmv K 8284 |
F |
New York, 29.12.1939, Interessante Soli, lscrs, 105! |
2- / 2-- |
7.- |
Benny Goodmann Sextett |
Six Appeal / These foolish Things |
10 |
Odeon 26922 |
D |
Los Angeles, 20.6.1940, NK |
3++ / 3++ |
5.- |
Stephane Grappelly Quartet with George Shearing & Beryl Davis |
Don’t you know that I care + / No one else will do + |
1197 |
Decca F 8492 |
GB |
London, ca. Januar 1945, 105! |
2- / 2-- |
12.- |
Stephane Grappelly Quartet with George Shearing, Piano & Beryl Davis |
Star Eyes sF+ / Heavenly Music sF+ |
3050 |
Decca F 8375 |
GB |
London, ca. November 1943, lscrs |
3+ / 3+ |
6.- |
Glen Gray Casa Loma Orch. Kenny Sargent |
Tears from my Inkwell F+ / You grow sweeter as the Years go by F+ |
3080 |
Decca 2388 |
US |
New York, 24.3.1939, 105 !!! |
2 / 2- |
6.- |
Glen Gray Casa Loma Orchestra |
Whoa, Babe! F+ / A Study in Brown F |
822 |
Decca 1159 |
US |
New York, 4.2.1937, mehrere lscrs - spielt gut |
3- / 3 |
4.- |
Glen Gray Casa Loma Orchestra |
Panama F / You ain’t been living right F |
515 |
Bru 500478 |
F |
New York, 19.7.1934, 2 x flott, Rs, lscrs, lscrs - spielt gut! |
4+ / 3- |
4.- |
Glen Gray Casa Loma Orchestra with The Merry Macs |
Moon Country F+ / Lazy River + |
895 |
Decca 2397 |
US |
New York, 25.2.1939, 105! |
3++ / 3+ |
6.- |
Jerry Gray Orchestra |
In the Mood / A String of Pearls |
456 |
Bru 82475 |
D |
Los Angeles, 5.4. / 18.5.1950, gepresst 15.6. / 2.7.1951, Swing Klassiker . . . |
2- / 2- |
5.- |
Jerry Gray Orchestra |
Night and Day / What is this thing called Love? |
875 |
Bru 82498 |
D |
17.5.1951 |
3+ / 3++ |
5.- |
Jerry Gray Orchestra with Tommy Traynor |
And you'll be home + / Accidents will happen F + |
3435 |
Decca 60575 |
F |
Los Angeles, 23. / 25.8.1950, lscrs |
3+ / 3++ |
6.- |
Bobby Hackett Orch. |
Singin‘ the Blues / Clarinet Marmalade |
3720 |
Parl R 2946 |
GB |
Los Angeles, 25.1.1940, “1944 Super Rhythm Style Series” No. 41 / 42, lscrs, 105 ! mini Nlf in Label |
3++ / 3+ |
4.- |
Bob Haggart & Ray Bauduc Duo / Bob Crosby Orchestra |
The big Noise from Winnetka / Honky Tonk Train Blues |
3478 |
Decca F 7005 |
GB |
Chicago, 14. / 19.10.1938, Klassiker, jut! mini Rs, spielt Top mit 105 !!! |
3+ / 3+ |
8.- |
Lionel Hampton Orch. |
New Central Avenue Breakdown / When Lights are low |
1049 |
Hmv SG 288 |
F |
1951 |
2-- / 2-- |
7.- |
Lionel Hampton Orch. |
I‘ve found a new Baby / Four or five Times |
1601 |
Victor 26447 |
US |
New York, 30.10.1939 mehrere lscrs minimalst hörbar S1 flott ! OH |
3 / 3+ |
7.- |
Lionel Hampton Orch. |
Ain‘t cha comin‘ home F / 12th Street Rag F |
2821 |
Hmv X 6907 |
S |
New York, 9. / 13.6.1939 Seite 2 flott, lscrs, mini Ls, 105 !! |
3+ / 3 |
5.- |
Lionel Hampton Orch. |
Drum Stomp / Piano Stomp |
3014 |
Hmv B 8800 |
GB |
Hollywood 16.8.1937 - flott und gut, mehrere lscrs |
3- / 3 |
4.- |
Lionel Hampton Orch. |
Drum Stomp / Piano Stomp |
3690 |
Hmv K 8375 |
F |
Hollywood 16.8.1937, flott und gut, mini Rs |
2-- / 2-- |
8.- |
Lionel Hampton Orch. |
Flying Home / In The Bag |
2122 |
Decca BM 03405 |
GB |
New York, 26.5.1942, lscrs |
3 / 3 |
4.- |
Lionel Hampton Orch. |
Hot Mallets F / Shufflin' At The Hollywood F |
2054 |
Hmv JO 18 |
GB |
New York, 11.9.1939 / 5.4.1939 Seite 1 with Dizzy Gillespie |
2 / 2 |
7.- |
Lionel Hampton Orch. |
Drum Stomp / Piano Stomp |
618 |
Hmv SG 97 |
F |
Hollywood 16.8.1937, flott und gut, mehrere lscrs |
3 / 3++ |
6.- |
Lionel Hampton Orch. |
Flying Home F / In The Bag F |
3002 |
Bru 03405 |
GB |
New York, 26.5.1942, lscrs, mini grau am Ende |
3- / 3 |
4.- |
Lionel Hampton Orch. Rubel Blakely |
Nola F / Just for you F+ |
1585 |
Bru 03371 |
GB |
New York, 24.12.1941 lscrs |
3+ / 3+ |
7.- |
Lionel Hampton Orch. Rubel Blakely |
Nola F / Just for you F+ |
2148 |
Bru 03371 |
GB |
New York, 24.12.1941, lscrs |
3+ / 3+ |
5.- |
Lionel Hampton Orch. Sonny Parker |
For you my Love + / Rag Mop + |
2038 |
Bru 82417 |
D |
1950, Schlurfspuren |
3++ / 2 |
5.- |
Lionel Hampton Orch. Sunny Parker / The Hamptones |
Hamp‘s got a Duke / Gone again |
3601 |
Decca 60194 |
F |
Los Angeles, 6.8.1947, S2 mit mehreren mini Scr‘s die ein paar Knackser geben |
3+/3++ / 3/3 |
4.- |
Lionel Hampton Orchestra |
Central Avenue Breakdown / When Lights Are Low |
3796 |
Hmv B 9750 |
NL |
Hollywood, 10.5.1940 / New York, 11.9.1939, 105 !!! |
2 / 2- |
6.- |
Lionel Hampton Orchestra |
Baby won’t you please come Home? F+ / I Just couldn’t take it, Baby F+ |
3888 |
Hmv B 8747 |
GB |
Hollywood, 5.9.1937 |
2- / 2- |
6.- |
Lionel Hampton Orchestra |
My last Affair F+ / Stompology F |
599 |
Hmv B 8651 |
GB |
New York, 8.2. / 14.4.1937, erste Recordsession Hamptons bei Rust and not bad . . ., S2 mini Sol |
2- / 2- |
8.- |
Lionel Hampton Orchestra |
Jack the Bellboy F / Central Avenue Breakdown |
1983 |
Victor 26652 |
US |
Hollywood, 10.5.1940, 2 x Highspeed . . . |
2- / 2- |
9.- |
Lionel Hampton Orchestra |
Rhythm Rhythm / China Stomp |
421 |
Hmv K 8239 |
F |
New York, 26.4.1937, flott ! |
3++ / 3+ |
5.- |
Lionel Hampton Orchestra with Sonny Parker |
Chicken Shack Boogie + / Benson’s Boogie + |
2278 |
Decca M 32910 |
NL |
New York, 27.1.1949 |
3++ / 3++ |
6.- |
Lionel Hampton Quartet |
Hamp‘s salty Blues + / Chord-A-Re-Bop F |
2089 |
Decca BM 03732 |
GB |
New York, 30.1.1946, Seite 1 good Blues, Seite 2 flott und modern |
3 / 3 |
4.- |
Lionel Hampton Quartet |
Flying Home / Save it pretty Mama |
711 |
Hmv B 9334 |
GB |
Chicago, 26.2.1940, S2 Ls nicht in Titel |
2-- / 2-- |
5.- |
Lionel Hampton Septett |
Two Finger Boogie / Flying Home |
1897 |
Bru 82583 |
D |
New York, 27.5.1945 / 26.5.1942 |
3+ / 2 |
7.- |
Lionel Hampton Sextet / Bob Crosby Orchestra |
Doublin’ with Dublin / King Porter Stomp |
2628 |
Decca M 32612 |
NL |
New York, 21.5.1945 / Los Angeles, 27.1.1942 |
2-- / 2-- |
5.- |
Lionel Hampton Sextett |
Bouncing At The Beacon / Chasin' With Chase |
1538 |
Hmv B 9395 |
GB |
Hollywood 20.12.1940 / Chicago, 8.4.1941 Seite 1 Scr in Rille hängt leider besser mit hoher Auflage |
3++ / 3++ |
5.- |
Harlem Kiddies |
Alligator Swing / Bye bye Blues |
1732 |
Odeon D 944 |
D |
Kopenhagen 11.1.1944, 2 x sehr flott, NK |
3+ / 3++ |
9.- |
Phil Harris and his Orchestra |
If you’re ever down in Texas, look me up + / That’s what I like about the South + |
719 |
Hmv BD 5989 |
GB |
ca. Oktober 1947, lscrs |
3+ / 3+ |
4.- |
Phil Harris Orchestra |
Jelly Bean + / Darktown Poker Club + |
2719 |
ARA RM 116 |
US |
ca. Januar 1945, „American Recording Artists“, lscrs |
2-- / 2-- |
4.- |
Phil Harris with Orchestra conducted by Walter Scharf |
Goofus + / The Thing + |
630 |
Hmv B 10007 Victor 203968 |
GB |
13.10.1950, a Golddisc . . . |
3 / 3+ |
4.- |
Phil Harris with The Skyrockets & Orchestra
conducted by Frank Cordell |
So tall a Tree + / You Can’t Make Love With A Cold + |
625 |
Hmv B 9955 |
GB |
September 1950, Ls nicht in Titel |
3 / 3+ |
4.- |
Charles Hary et son Orchestre |
Captif / Si bonne si douce |
1189 |
Swing 136 |
F |
Paris, 17.10.1941, lscrs, leicht grau, 105! |
3 / 3+ |
14.- |
Coleman Hawkins All Star Octett |
My Blue Heaven F / The Sheik of Araby F |
513 |
Hmv JK 2094 |
CH |
New York, 3.1.1940 |
2- / 2- |
7.- |
Coleman Hawkins Orch. |
Fine Dinner F / She´s funny that way F+ |
1327 |
Hmv B 9046 |
GB |
|
2- / 3+ |
6.- |
Erskine Hawkins Orch. Jimmy Mitchelle |
Cherry F+ / Country Boy F |
1347 |
Bluebird 300819 |
US |
New York, 18.7.1939 / 27.5.1942 mehrere lscrs , mini Rs spielt gut ! |
3- / 3 |
5.- |
Coleman Hawkins Orchestra / Earl Hines Orchestra |
Body and Soul / It had to be you + |
401 |
Bluebird 300825 |
US |
New York, 11.10.1939 / 20.8.1941, S1 sein Klassiker . . ., 105! |
2 / 2 |
12.- |
Coleman Hawkins Orchestra / Horace Henderson Orchestra |
Heart-Break Blues - Blues Rhapsody / Ol‘ Man River + |
480 |
Parl R 1766 |
GB |
New York, 29.9. / 3.10.1933 S2 flott & Vocal by „Red“ Allen “1934 Super Rhythm Style Series” No. 9 / 10, 105! |
2 / 2 |
9.- |
Coleman Hawkins with Accompaniment |
Jamaica Shout F / Honeysuckle Rose F |
762 |
Decca 3358 |
US |
New York, 29.9.1933 / London, 18.11.1934, S1 erste Aufnahmen unter eigenem Namen! lsc rs nur S1, 105!° |
3+ / 3+ |
8.- |
Coleman Hawkins, Stanley Black Piano, Supervision E.Jackson |
Lost in a Fog / Honeysuckle Rose |
833 |
Parl R 2041 |
GB |
London, 18.11.1934, Duo!!! “1935 Super Rhythm Style Series” No. 3 / 4, lscrs |
3+ / 3+ |
7.- |
Harry Hayes Band |
My Love / Sequence |
3398 |
Hmv B 9397 |
GB |
London, 15.11.1944, S2 nicht ohne... |
2- / 2- |
6.- |
Harry Hayes Band |
Three o‘Clock Jump / Cherry Brandy |
3360 |
Hmv B 9430 |
GB |
London, ca. August 1945, fine Swing |
2-- / 2-- |
6.- |
Ted Heath and his Music |
Wot Cher! (Knocked them in the old Kent Road) / Any old Iron |
128 |
Decca F 8687 |
GB |
London, Oktober 1946 |
3++ / 3++ |
5.- |
Fletcher Henderson Orchestra / Sharkey Bonano Sharks of Rhythm |
What-Cha-Call-’Em Blues / High Society |
2060 |
Parl R 2825 |
GB |
New York, 29.5.1929 / 7.10.1936, “Jazz Classics Series” No. 23 / 24 |
2 / 2 |
10.- |
Fletcher Henderson Orchestra with Jerry Blake / Chuck Richards |
Let ’er go F+ / Worried over you F+ |
80 |
Vocalion 3713 |
US |
New York, 22.9.1937, 105! |
2- / 2- |
8.- |
Bruno Henriksens Orchester |
Since I kissed my Baby good-bye F / Marcheta F |
988 |
Odeon D 936 |
D |
Kopenhagen 23.12.1943, 2 x fine Swing, lscrs, NK |
3 / 3+ |
7.- |
Woody Herman & The Four Chips / Orchestra |
Across the Alley from the Alamo + / Sabre Dance |
571 |
Col BF 124 |
F |
New York, 4.2. / 22.12.1947 |
2- / 2-- |
4.- |
Woody Herman and the New Third Herd Vocal by Woody Herman |
Early Autumn + / Celestial Blues |
3774 |
Mars 300 |
US |
August 1952, S1 Laminierter Haircrack - kein Problem kaum zu sehen und nicht zu hören. Mini Label von Woody Herman betrieben, welches Anfang der 50er nur ca. 25 Platten zumeist von Woody Herman rausgebracht hat |
2 / 2 |
4.- |
Woody Herman Orch. |
I ain‘t getting any Younger (I Aint
Gonna wait to long) + / Lemon Drop + |
3459 |
Cap 15365 |
US |
30. / 29.12.1948, S2 Modern Jazz, lscrs, Seite 2 matte Stelle - kein Problem! |
3 / 3+ |
5.- |
Woody Herman Orch. |
Wild Root / Atlanta G.A. + |
277 |
Odeon 28178 |
D |
26.11. / 10.12.1945 |
3++ / 2- |
5.- |
Woody Herman Orchestra |
Skinned / Skinned again |
1380 |
Cap CL 14522 |
US |
ca. Januar 1956, üppig . . . |
2-- / 2-- |
5.- |
Woody Herman Orchestra |
Blues Downstairs / Blues Upstairs + |
1836 |
Bru 02788 |
GB |
New York, 12.4.1939, 105! |
2- / 2-- |
5.- |
Woody Herman Orchestra |
Caldonia + / Goosey Gander |
2466 |
Parl R 2990 |
GB |
26.2. / 1.3.1945, “1946, Super Rhythm Style Series” No. 3 / 4, lscrs |
3 / 3+ |
5.- |
Woody Herman Orchestra and Singers |
House of Bamboo + / Love is a many splendored Thing |
3380 |
Cap 342 |
I |
1955 |
3++ / 2- |
5.- |
Woody Herman Orchestra with Muriel Lane |
Boogie Woogie Bugle Boy F+ / Bounce me Brother, with A solid Four F+ |
1822 |
Bru 03154 |
GB |
New York, 22.1.1941 |
3++ / 3++ |
5.- |
Woody Herman Woodchoppers |
Steps F / Pam F |
2355 |
Col 37229 |
US |
New York, 16 / 20.5.1946, fine . . . |
2 / 2 |
6.- |
Al Hibbler & Johnny Hodges Orchestra |
Please + / Believe it beloved |
2032 |
Mercury 89011 |
US |
New York, ca. M ai 1952 |
2-- / 2- |
6.- |
J.C. Higginbotham Six Hicks |
Give me your Telephone Number / Higginbotham Blues |
1525 |
Parl R 2799 |
GB |
New York, 5.2.1930, Hot, Flott, gut |
2 / 2 |
10.- |
Earl Hines Piano solo / Eddie Lang Orchestra |
Fifty Seven Varieties / Buggle Call Rag |
40 |
Odeon A 286003 |
D |
Chicago 12.9.1928, New York, 22.5.1929, S1 Titel Anspielung auf Heinz Ketchupflaschenaufschrift !, ”Odeon Swing Music Series” S1 Nlf 2 cm no Problem - nicht hörbar |
3+ / 2- |
16.- |
Earl „Fatha“ Hines Swingtette |
Keybord Kapers / Sweet Honey Babe |
3814 |
MGM 4042 |
F |
Dezember 1947 / Mitte 1948 |
2- / 2- |
7.- |
Art Hodes Blue Note Jazz Men |
Sweet Georgia Brown / Sugar Foot Stomp |
3826 |
Climax 34 |
D |
New York, 1.6.1944, kl. SOL |
2- / 2 |
6.- |
Art Hodes Orch. |
Georgia Cake Walk F / Indiana - slow Blues |
823 |
Bru 03438 |
GB |
New York, 17.3.1942 |
3++ / 3+ |
5.- |
Art Hodes Orchestra |
Georgia Cake Walk F / Liberty Inn Drag sF |
3889 |
Decca 18437 |
US |
New York, 17.3.1942, paar feine Bläschen - no Problem |
3++ / 3++ |
5.- |
Johnny Hodges Orchestra |
Jeep’s Blues / Rendezvous with Rhythm |
2036 |
Col 37837 |
US |
New York, 28.3.1938
|
2- / 2- |
6.- |
Johnny Hodges Orchestra |
Empty Ballroom Blues / You Walked Out Of The Picture |
2051 |
Voc 4213 |
US |
New York, 22.6.1938, mehrere lscrs |
3 / 3+ |
6.- |
The Hollywood Hucksters /Goodman, Norvo etc.) |
Happy Blues / Them there Eyes + |
660 |
Tel/Cap 40022 |
D |
August 1947, 105! |
3+ / 3+ |
4.- |
Hotcha Mundharmonika Trio mit Rhytmischer Begleitung |
Donkey Serenade / Bayerische Polka |
2788 |
Phi 17404 |
D |
Hilversum, ca. 1951, OH |
2-- / 2 |
5.- |
Jack Hylton Orchester |
The Banjo (That Man Joe
Plays) F+ / Um-Tcha-Um-Tcha Da,
Da, Da sF+ |
1026 |
EL EG 1335 |
D |
Small Queen's Hall, London, 26.3. / 12.4.1929, 105!!! lscrs, SOL |
3 / 3 |
5.- |
Jack Hylton Orchestra |
Singin‘ in the Rain F+ / Orange Blossom Time F+ |
3456 |
Hmv B 5700 |
GB |
London, 9.9.1929, Charleston, lscrs, paar graue Rillen beser mit 105 !!! |
3 / 3 |
7.- |
Jack Hylton Orchestra |
Singin‘ in the Rain F+ / Orange Blossom Time F+ |
2315 |
Hmv K 5774 |
F |
London, 9.9.1929, Charleston, leicht grau - no Problem, 105!!! |
3- / 3- |
5.- |
Jack Hylton Orchestra |
Tid-Dle-Id-Dle-Um-Pum! F+ / Under the Sweetheart Tree F+ |
1858 |
Hmv B 5897 |
GB |
Small Queen's Hall, London, 29.8.1930, 105! |
3+ / 3+ |
4.- |
Jack Hylton Orchestra |
Harmonica Harry F+ / The Kings Horses F+ |
771 |
Hmv B 5875 |
GB |
Glasgow, 16. / 17.7.1930, mini ls, 105! |
3++ / 3+ |
4.- |
Jack Hylton Orchestra |
Is Izzy Azzy Wozz F+ / When I meet Connie in the Cornfield F+ |
2949 |
Hmv B 5666 |
GB |
London, 30.5. / 19.6.1929, 105! |
3+ / 3+ |
4.- |
Jack Hylton Orchestra |
You tell him F+ / Is she my Girl Friend F+ |
3346 |
Hmv K 5377 |
F |
Hayes, Middlesex, 24.10.1927 / London, 9.12.1927, S2 Charleston, lscrs, 105! |
3 / 3 |
5.- |
Jack Hylton Orchestra |
Souvenirs F+ / Le-A-Nore F+ |
3353 |
Hmv B 5356 |
GB |
Hayes, Middlesex, 21.9.1927, 105! |
3 / 3- |
4.- |
Jack Hylton Orchestra |
Gonna get a Gal, (Ich such mir ein Mädel) F+ / Anybody but you + |
3368 |
Hmv B 5358 |
D |
London, 8.9. / 22.8.1927, Charlestonstyle ! 105!!! |
3+ / 3 |
7.- |
Jack Hylton Orchestra |
I think of what you used
to think of me F+ / Forty-Seven Ginger-
Headed Sailors F+ |
2400 |
Hmv B 5542 |
GB |
London, 19. / 21.9.1928, 105! |
3 / 3+ |
5.- |
Jack Hylton Orchestra |
Singing in the Rain F+ / Orange Blossom Time F+ |
1262 |
Hmv AM 2376 |
CZ |
London, 9.9.1929, Charleston, 105! |
3++ / 3++ |
8.- |
Preston Jackson Uptown Band |
It’s Tight Jim / Harmony Blues |
1990 |
AFCDJ A 025 |
F |
Chicago, September 1926, Dub von Paramount 12400,
Preston Jackson, geboren James Preston McDonald (* 3. Januar 1902 in New Orleans; † 12. November 1983 in Blytheville, Arkansas) war ein US-amerikanischer Jazz-Posaunist des New-Orleans-Jazz und Chicago-Jazz. |
2- / 2- |
8.- |
Harry James Orch. |
A little Bit of Heaven (Shure, they call izt Ireland) F / Little Star (Estrellita) F |
2799 |
Parl R 2958 |
GB |
New York, 22.1.1941 / 19.3.1942 |
2-- / 2-- |
5.- |
Harry James Orch. |
I found a new Baby / Flash |
1773 |
Parl R 2943 |
GB |
New York, 24.5. / Los Angeles, 8.11.1939 “1944 Super Rhythm Style Series” No. 35 / 36, lscrs |
3+/ 3++ |
5.- |
Harry James Orch. |
James Session / Jump Town |
493 |
Parl R 2969 |
GB |
Hollywood, 5.6. / 22.7.1942, “1945 Super Rhythm Style Series” No. 21 / 22 |
3+ / 3++ |
5.- |
Harry James Orch. Helen Forrest / Johnny McAfee |
Manhattan Serenade F+ / Daybreak F+ |
2927 |
Col 36644 |
US |
Hollywood 15. / 22.7.1942 |
2- / 2- |
7.- |
Harry James Orch. Paul Weston |
O, mein Papa + / Serenata + |
718 |
Phi 21159 |
D |
|
2 / 2 |
5.- |
Harry James Orch. Paul Weston |
O, mein Papa + / Serenata + |
2735 |
Phi 21159 |
D |
Januar 1954 OH |
3++ / 2- |
6.- |
Harry James Orch. vocal by Jack Berg |
Two o‘clock Jump / 'Tain't What You Do (It's The Way That Cha Do It) + |
2925 |
Parl R 2910 |
GB |
New York, 20.2.1939 / 6.3.1939 “Super Swing Music Series” No. 35 / 36, Seite 2 einige lscrs - no Problem |
2-- / 2-- |
5.- |
Harry James Orch. with Helen Forrest |
I cried for you F+ / You made me love you F |
2921 |
Parl R 2869 |
GB |
New York, 7.7.1942, lscrs, 105 ! Darkbluelabel |
3++ / 3+ |
5.- |
Harry James Orchester mit Toni Harper |
Blacksmith Blues + / Baby Blues + |
2878 |
Col DB 3053 |
GB |
1. Halbjahr 1952 / 1. Halbjahr 1951 |
2-- / 2 |
5.- |
Harry James Orchester with Helen Forrest |
I cried for you (Now it’s your Turn to cry over me) + / You made me love you (I didn’t want to do it) + |
677 |
Odeon 28009 |
D |
New York, 5.6.1942 / 7.7.1942, lscrs |
3+ / 3++ |
4.- |
Harry James Orchestra |
King Porter Stomp / Night Special |
62 |
Parl R 2861 |
GB |
New York, 6.4.1939 / Los Angeles, 30.11.1939 |
2- / 3+ |
4.- |
Harry James Orchestra |
Sweet Georgia Brown / Ciribiribin |
2943 |
Parl R 2908 |
GB |
New York, 20.2.1939, “Super Swing Music Series” No. 31 / 32, flott! 105! |
2- / 2-- |
5.- |
Harry James Rhythm Section |
Limehouse Blues / The Man I love |
3579 |
Col DW 5008 |
D |
26.1.1950, S1 flott, flott, flott |
2-- / 2-- |
5.- |
Jazz at the Philharmonic Vol. 7 |
Part 1 - Tea for Two / Part 2 - Found a new Baby |
2785 |
Mercury 11007 |
US |
2.7.1947 |
2-- / 2- |
5.- |
Jazz de Paris Dir. Alix Combelle |
Ambiance / Verlaine |
566 |
Swing 105 |
F |
Paris 27.1.1941, lscrs |
2-- / 2 |
16.- |
Pete Johnson and Albert Ammons Two Pianos with Drums |
Movin‘ the Boogie / Foot Pedal Boogie |
2397 |
Hmv EA 3143 |
Australia! |
New York, 17.6.1941, kl. Ls / Rs |
2-- / 2- |
5.- |
Pete Johnson and Albert Ammons Two Pianos with Drums |
Cuttin‘ the Boogie / Barrel House Boogie |
2461 |
Hmv B 9251 |
GB |
New York, 7.5.1941 |
2- / 2- |
5.- |
Pete Johnson and Albert Ammons Two Pianos with Drums |
Cuttin‘ the Boogie / Barrel House Boogie |
1349 |
Victor 27504 |
US |
New York, 7.5.1941 |
2- / 2- |
8.- |
Bunk Johnson Jazz Band |
Make me a Pallet on the Floor / Tiger Rag |
2429 |
Esquire 10151 |
GB |
19.12.1945 |
2- / 2- |
5.- |
Bunk Johnson Jazz Band |
The Thriller Rag / When I leave the World Behind |
3329 |
Jazz Information 11 |
US |
New Orleans, 1942, paar sehr feine Bläschen - no Problem! |
2-- / 2-- |
4.- |
Bunk Johnson New Orleans Band |
High Society / A closer Walk with thee |
1740 |
Hmv B 9820 |
GB |
Oktober 1949 |
3+ / 3++ |
6.- |
Bunk Johnson New Orleans Band |
When the Saints go marching in / Darktown Strutters Ball |
2556 |
Hmv B 9511 |
GB |
19.12.1945 |
3+ / 3++ |
5.- |
Bunk Johnson New Orleans Band |
Alexanders Ragtime Band / My Maryland - Parademarsch |
554 |
Bru 82568 |
D |
New York, 21.11.1945 |
3+ / 3++ |
4.- |
James P. Johnson Piano solo |
Keepin‘ out of Mischief now / Ain't misbehavin‘ (I‘m saving my love for you) |
3413 |
MU 60046 |
F |
New York, 8. / 28.6.1944 |
2- / 2- |
6.- |
Pete Johnson Piano Solo |
How Long How Long / Climbin‘ and Screamin‘ |
214 |
Circle 1049 |
US |
16.4.1939 |
2- / 2- |
6.- |
Spike Jones & his City Slickers with Del Porter and the Boys in the Backroom, hiccups by Mel Blanc |
Hotcha Cornia / Black Eyes / Clink, Clink, annother Drink + |
3211 |
Hmv BD 1099 |
DK |
Hollywood, 28.7.1942, S1 Willie Spicer on the Sneezaphone , lscrs |
3 / 3+ |
7.- |
Spike Jones & his City Slickers with Gene Conklin &
The Foursome (Vocal group) / Del Porter |
My pretty Girl + / Behind those swinging Doors + |
1923 |
Hmv BD 1168 |
GB |
Hollywood, 7.10.1946 / 8.8.1941, 105! |
2- / 2- |
7.- |
Spike Jones & his Wacky Wakakians |
Hawaiian War Chant + / I dream of Brownie with the light blue Jeans + |
327 |
Hmv BD 1145 |
GB |
Juni 1946 |
2 / 2 |
7.- |
Spike Jones & his Wacky Wakakians |
Hawaiian War Chant ((Ta-Hu-Wa-Hu-Wai) + / I dream of Brownie with the light blue Jeans |
3030 |
Hmv BD 1145 |
S |
Juni / Oktober 1946 |
3++ / 3++ |
7.- |
Spike Jones and his Country Cousins, Eddie Kirk / Fredrric Gas |
Hot Lips + / I went to your Wedding + |
3279 |
Hmv X 8096 |
S |
1952, lscrs |
3 / 3+ |
7.- |
Spike Jones City Slickers |
Coctails for Two F+ / Chloe F+ |
367 |
Hmv BD 1107 |
GB |
Hollywood, 29.11.1944 / 13.1.1945 |
2- / 2 |
6.- |
Spike Jones City Slickers |
Riders in the Sky + / Wild Bill Hiccup + |
3283 |
Hmv B 9816 |
S |
Hollywood, ca. Mai 1949, leicht grau - no Problem! |
3 / 3+ |
6.- |
Spike Jones City Slickers |
Holiday for Strings + / Drip Drip Drip + |
3705 |
Hmv BD 1115 |
GB |
Hollywood, 29.11.1944 / 13.1.1945, 105! |
3++ / 3+ |
6.- |
Spike Jones City Slickers & Susan Scott |
Nutcracker Suite - Back to the Fairy Ball + / Dito - Part 2 - End of the little Girl’s Dream + |
1580 |
Hmv BD 1184 |
DK |
Hollywood, 29.9.1945, |
2- / 2- |
6.- |
Spike Jones City Slickers with Carl Grayson / Red (Swamphead) Ingle |
Coctails for Two F+ / Chloe F+ |
1385 |
Hmv BD 1107 |
GB |
September 1947, mehrere lscrs |
3 / 3 |
5.- |
Spike Jones City Slickers with Del Porter and the Boys in the Backroom |
I wanna go back to West Virginia + / Holiday for Strings + |
1567 |
Hmv X 7245 |
DK |
Hollywood, 28.7.1942 / 29.11.1944 / |
2- / 2- |
7.- |
Spike Jones City Slickers with Mickey Katz / Carl Grayson |
Jones Polka + / That old black Magic + |
1912 |
Hmv BD 1147 |
GB |
Hollywood, 6.5.1946 / 10.9.1945 |
2- / 2- |
7.- |
Spike Jones City Slickers with Sir Frederick Gas |
I went to your Wedding + / Lulu had a Baby + |
1941 |
Hmv B 10482 |
GB |
wohl Hollywood, ca. März 1953 |
2 / 2 |
7.- |
Spike Jones City Slickers with Sir Frederick Gas & The Boys in the Backroom |
Our hour (The Puppy Love Song) / Pop Corn Sack + |
1952 |
Hmv BD 1188 |
GB |
Hollywood, 15.7.1947, |
3+ / 3+ |
6.- |
Spike Jones City Slickers, Red Ingle, Karl Grayson & The Boys in the Back Room |
You always hurt the one you love + / The Blue Danube + |
1950 |
Hmv BD 1139 |
GB |
Hollywood, 10.9.1945, 105! |
3+ / 3 |
5.- |
Spike Jones City Slickers, Red Ingle, Narration: Richard Morgan / Dr. Horatio Q. Birdbath |
The Glow Worm + / Old MacDonald had a Farm + |
2262 |
Hmv X 7244 |
DK |
Hollywood, 11.2.1946, mini Ls |
2-- / 2-- |
7.- |
The Jungle Band = Duke Ellington / King Oliver Orchestra |
Rockin’ in Rhythm / Stop Crying (+) |
1244 |
Bru 01105 |
GB |
New York 14. / 9.1.1931, S2 with Vocal Effects |
3++ / 3++ |
8.- |
Dany Kane (Harmonika) et son Orchestre |
Mon Homme / Vous ne direz pas Toujours non |
1294 |
Swing 145 |
F |
Paris, 6.5.1942, lscrs, S1 Anfang 8 ausgefahrene Rillen |
3 / 3 |
12.- |
Dany Kane Swingtette |
Fantaisie en Do Majeuse / Qui c’est ca |
1813 |
Swing 130 |
F |
Paris, 26.9.1941, Whitelabel, lscrs, 105! Rs |
3 / 3 |
14.- |
Danny Kaye with Chorus and Orchestra directed by Maurice Abravanel |
Minnie the Moocher + / Dinah + |
1561 |
Col DB 2390 |
GB |
ca. Januar 1948, S2 interessant, 105! |
2- / 2- |
7.- |
Danny Kaye with Orchestra Vic Schoen |
Ballin the Jack + / St. Louis Blues + |
1587 |
Bru 03888 |
GB |
Los Angeles 18./10.12.1947, lscrs |
3++ / 3++ |
4.- |
Danny Kaye with The Regalaires & Vic Schoen Orchestra |
Thank you + / Candy Kisses + |
3099 |
Bru 04087 |
GB |
Los Angeles, 29.3.1949, schön flott . . ., wirklich klasse, 105!!! |
3++ / 3+ |
10.- |
Swing and sway with Sammy Kaye with the Three Barons |
I´ve got a Pocketful of Dreams + / Don´t let the Moon get away + |
1996 |
Vocalion 4226 |
US |
|
3+ / 3++ |
5.- |
Stan Kenton Orch. June Christy |
How high the Moon + / Thermopolae |
53 |
Tel/Cap 80010 |
D |
OH |
3 / 3+ |
5.- |
Stan Kenton Orch. |
Dynaflow / September Song + |
1228 |
Cap C 9006 |
S |
lscrs |
2- / 2- |
5.- |
Stan Kenton Orch. |
Chorale for Brass, Piano and Bongo / Artistry in Percussion |
3236 |
Tel/Cap 80115 |
D |
23.8.1946 / 24.9.1947, wilde Sache das . . . manchmal gehört Kenton in die E-Abteilung . . . OH |
2- / 2 |
7.- |
Stan Kenton Orch. |
The Peanut Vendor / Intermission Riff |
1022 |
Cap 80009 |
D |
9.8.1948 / 3.12.1947 OH |
2-- / 2 |
5.- |
Stan Kenton Orchestra |
Concerto to end all Concertos / Part 2 |
3235 |
Tel/Cap 80013 |
D |
Hollywood, 26.7.1946, Piano Solo - Stan Kenton; Bass Solo - Eddie Safranski; Tenor Saxophone Solo - Vido Musso; Trumpet solo - Ray Wetzel; Alto Saxophone Solo - Boots Mussulli.
|
2- / 2 |
6.- |
Kenneth Kersey with Hot Lips Page All Stars |
Kersey’s Boogie / I got the Upper Hand + |
2328 |
Circle 3004 |
US |
New York, 10.2.1951, Vinyl 78er |
2 / 2 |
5.- |
John Kirby Orchestra |
I love you truly / Cuttin‘ The Campus |
2546 |
Parl R 2818 |
GB |
New York, 9.7.1940 / 15.1.1941, “1941 Super Rhythm Style Series” No. 63 / 64, 105! |
2- / 2-- |
5.- |
John Kirby Orchestra |
Close Shave / Bugler’s Dilemma |
2608 |
Hmv B 9289 Victor 27568 |
GB |
New York, 25.7.1941, 105 ! |
2 / 2- |
4.- |
The Ivor & Basil Kirchin Band |
Gotta be this or that / The great Lie |
2492 |
Parl R 4071 |
GB |
London, ca. Mitte 1955,“1955, Super Rhythm Style Series” |
3+ / 3+ |
5.- |
The Ivor & Basil Kirchin Band |
Mother Goose jumps + / Minor Mambo + |
3037 |
Decca 22442 |
GB |
London, ca. Frühjahr 1955, 2 x flott . . ., gr. Ls nicht in Titel |
3++ / 3++ |
4.- |
Gene Krupa Chicagoans |
Three little Words / Blues of Israel |
1270 |
Odeon 286082 |
D |
Chicago 19.11.1935, „Odeon Swing Music Series“, S1 flott . . ., lscrs |
3+ / 2- |
16.- |
Gene Krupa Orch. |
Calling Doctor Gillespie / How high the Moon |
609 |
Col DB 2631 |
GB |
29.10.46 / 29.12.1947 |
2- / 2 |
7.- |
Gene Krupa Orch. |
Calling Doctor Gillespie / How high the Moon |
854 |
Col DB 2631 |
GB |
New York, 29.10.46 / 29.12.1947, mehrere lscrs |
3- / 3 |
4.- |
Gene Krupa Orch. Carolyn Grey and Budd y Stewart |
Aren‘t you kind of glad we did? F+ / There is no Breeze F+ |
611 |
Col C 843 |
US |
|
2- / 2- |
6.- |
Gene Krupa Orch. Howard du Lany |
Somewhere F+ / You Danced With Dynamite F+ |
1220 |
Okeh 5859 |
US |
New York, 30.9. / 16.10.1940 |
2- / 2- |
6.- |
Gene Krupa Orch. Irene Daye |
The Lady‘s in love with you + / Some like it hot + |
3427 |
Col DO 1995 |
Australia |
Los Angeles 26.2.1939, Film: „Some like it hot“ |
3+ / 3++ |
6.- |
Gene Krupa Orchestra |
Ta-Ra-Ra-Boom-Der-E (Ta-Ra-Ra-Boom-De-Ay*) / Apurksody |
3338 |
Parl R 2905 |
GB |
Los Angeles, 1. / 12.1938, “Super Swing Music Series” No. 25 / 26 |
3++ / 3++ |
6.- |
Gene Krupa Orchestra |
Blue Rhythm Fantasy
/ dito - Part 2 |
2905 |
Parl R 2765 |
GB |
New York, 2.1.1940, “1940 Super Rhythm Style Series” No. 129 / 130, 105!!! |
3++ / 3+ |
5.- |
Gene Krupa Orchestra with Irene Day |
Moonlight Serenade + / You and your Love + |
984 |
Col DB 5070 |
GB |
New York, 24.7.1939 “ Super Swing Music Series” No. 141/142 2 „Sweet“ Nummern, 105!!! |
2- / 3+ |
4.- |
Gene Krupa Orchestra with Jerry Krupa |
Fare thee well Annie Laurie F+
/ Prelude To A Stomp |
2959 |
Parl R 2897 |
GB |
New York, 14.4. / ca. Mai 1938 “Super Swing Music Series” No. 9 / 10, lscrs |
3+ / 3++ |
5.- |
Kay Kyser Orch. with Clyde Rogers / Harry Babbitt & Gloria Wood |
Horses don‘t bet on People F+ / On a slow Boat to China F+ |
3464 |
Col FB 3450 |
GB |
1948, bin mir nicht mehr ganz sicher, auf Seite 1 ein Solo, wenn das ernst gemeint sein sollte, ist es das schlechteste der Geschichte . . . |
3 / 3+ |
5.- |
Tommy Ladnier Orchestra with Sidney Bechet |
When you and I were young / Weary Blues |
2348 |
Hmv B 9411 |
GB |
New York, 28.11.1938 |
2 / 2 |
4.- |
Eddie Lang Joe Venuti Orch. |
After you´ve gone F+ / Farewell Blues F |
1534 |
Decca F 5884 |
GB |
New York, 22.10.1931 S2 flott |
3++ / 3+ |
7.- |
Claude Laurence et son Orchestre |
Minor Swing / Brumes dans le Soir |
1553 |
Swing 143 |
F |
Paris, 16.6.1942, lscrs, 105! |
3+ / 3+ |
16.- |
Leo Leo Reisman Orchestra / Fred Rich |
The birth of the Blues F / It all depends on you F+ |
1129 |
Col 4392 |
GB |
New York, 12.7.1926 / 15.2.1927, 105! |
3++ / 3+ |
5.- |
Vic Lewis and Jack Parnell Jazz Men |
Why begin again (Pastel Blue) / Sugar |
2635 |
Parl R 2949 |
GB |
London, ca. Dezember 1944 “1944 Super Rhythm Style Series“ No. 47 / 48 |
3++ / 2- |
6.- |
Vic Lewis and Jack Parnell‘s Jazz Men |
Ugly Child / Indiana |
2854 |
Parl R 2960 |
GB |
London, November 1944, “1949 Super Rhythm Style Series“ No. 3 / 4 |
2 / 2 |
5.- |
Vic Lewis and Jack Parnell‘s Jazz Men |
Johnny’s Idea / Mean old Bed Bug Blues + |
3369 |
Parl R 2933 |
GB |
London, ca. Mitte 1944,“1944 Super Rhythm Style Series” No. 15 / 16 |
2-- / 2-- |
5.- |
Ted Lewis Band |
Shim-Me-Sha-Wabble ot
/ Moonlight Madness F+ |
3126 |
Col 14199 |
GB |
New York, 16.7.1928, mehrere lscrs / Nlfs - spielt super! |
4+ / 3! |
5.- |
Ted Lewis Band |
Tiger Rag
/ If you see Sally F+ |
3127 |
Col 4309 |
GB |
Chicago, 16.7.1926, mehrere lscrs / Nlfs - spielt super! |
4+ / 3 |
5.- |
Meade “Lux” Lewis Piano Solo |
Honky Tonk Train Blues / Whistlin‘ Blues |
2987 |
Hmv B 8579 |
GB |
Chicago, 7.3.1937,
Meade Anderson „Lux“ Lewis, September 1905, Chicago, - Illinois, 7.6.1964 in Minneapolis, Minnesota).
US-amerikanischer Jazz-Pianist, Komponist, und Pionier des Boogie Woogie.
Erste Aufnahmen 1927. Tauchte dann ab und wurde 1935 wiederentdeckt als er als Autwäscher arbeitete. Dann große Erfolge u.a. Zusammen mit Albert Ammons und Pete Johnson |
2- / 2 |
5.- |
Joe Liggins Honeydrippers |
The Honeydripper Part 1 + / The Honeydripper Part 2 |
1825 |
Parl R 3124 |
GB |
Juli 1945, “ 1948 Super Rhythm Style Series” No. 41 / 42 |
2 / 2 |
8.- |
Jimmie Lunceford Orch. |
White Heat / Lunceford Special |
2676 |
Parl R 2928 |
GB |
New York, 7.4. / 14.12.1939 “1944 Super Rhythm Style Series” No. 7 / 4, sehr flott |
3+ / 3++ |
9.- |
Jimmie Lunceford Orch. |
White Heat / Lunceford Special |
2233 |
Parl R 2928 |
GB |
New York, 7.4. / 14.12.1939 “1944 Super Rhythm Style Series” No. 7 / 8 Seite 1 sehr flott! minimal grau 105 !° |
3 / 3+ |
10.- |
Jimmie Lunceford Orch. |
Flight of the Jitterbug / Okay for Baby |
2566 |
Parl R 2853 |
GB |
New York, 23.12.1940 “1942 Super Rhythm Style Series” No. 47 / 48, lscrs mini Scr in Ri 5 x leise |
3 / 3 |
4.- |
Jimmie Lunceford Orch. |
Flight of the Jitterbug / Okay for Baby |
2082 |
Parl R 2853 |
GB |
New York, 23.12.1940, “1942 Super Rhythm Style Series” No. 47 / 48 |
3 / 3 |
4.- |
Jimmie Lunceford Orch. Dan Grissom |
I love you F+ / Oh Why Oh Why F+ |
2728 |
Parl R 2716 |
GB |
New York, 17.5.1939, “1939 Super Rhythm Style Series” No. 63/64 lscrs leicht grau Seite 1 Rs 1. Rille |
3 / 3+ |
4.- |
Jimmie Lunceford Orch. Sy Oliver |
Time‘s A-Wastin + / You‘re just a Dream + |
2696 |
Parl R 2865 |
GB |
New York, 3. / 31.1.1939 “1943 Super Rhythm Style Series” No. 69 / 70. mini Rs, lscrs, teilweise matt - no Problem ! |
3 / 3+ |
6.- |
Jimmie Lunceford Orchester with Jimmy Young |
’Tain’t what you do (It’s the Way that you do it) F+ / Cheatin’ me + |
591 |
Parl R 2647 |
GB |
New York, 3.1.1939, “1939 Super Rhythm Style Series” No. 25 / 26 |
3++ / 3++ |
5.- |
Jimmie Lunceford Orchestra |
Avalon / Sleepy Time Gal |
3737 |
Decca BM 1101 |
I |
New York, 30.9. / 29.5.1935, 105 !!! |
2 / 2- |
6.- |
Jimmie Lunceford Orchestra |
Flamingo F / Siesta at the Fiesta F |
3863 |
Decca F 8053 |
CH |
Los Angeles, 23.6.1941, soll laut Rust eine Schweizer Pressung sein . . ., lscrs, Rs |
3 / 3 |
5.- |
Jimmie Lunceford Orchestra with The Delta Rhythm Boys |
Baby, are you Kiddin’Ä? F+ / The Honeydripper + |
1896 |
Decca BM 03622 |
GB |
Los Angeles, 9.8.1945, paar feine Bläschen - minimalst hörbar - spielt Top mit 105 !!! |
2- / 2-- |
5.- |
Jimmie Lunceford Orchestra with Jimmy Young |
I got it + / Monotony in four Flats |
2637 |
Parl R 2924 |
GB |
Chicago, 9.5.1940, “1944 Super Rhythm Style Series” No. 1 / 2 |
3++ / 3+ |
5.- |
Meade Lux Lewis / Albert Ammons both Piano solo |
Bear Cat Crawl / Shout For Joy |
175 |
Parl R 2909 |
GB |
New York, 30.12.1938 / 1.1.1939, “Super Swing Music Series” No. 33 / 34 |
2 / 2 |
5.- |
Humphrey Lyttelton Band |
Red for Piccadilly / Kater Street Rag |
870 |
Parl R 3734 |
GB |
London, 3.6.1953, “1953 Super Rhythm Style Series” No. 38 / 39 |
3++ / 3++ |
5.- |
Humphrey Lyttelton Band |
D.J.C. Blues (Does Jesus care) / On Treasure Island |
1238 |
Parl R 3363 |
GB |
Londo, ca. Januar 1951, “1951 Super Rhythm Style Series No. 3 / 4”, lscrs |
2- - / 2-- |
5.- |
Humphrey Lyttelton Band |
Ice Cream / Froggie moore |
1642 |
Parl R 3292 |
GB |
London, April 1950, “1950 Super Rhythm Style Series No. 15 / 16”, flott, leicht grau - no Problem |
3+/2- / 2-/2- |
6.- |
Humphrey Lyttelton Band |
Memphis Blues / Maple Leaf Rag |
1108 |
Parl R 3257 |
GB |
London, Februar 1950, “1950 Super Rhythm Style Series No. 5 / 6”, lscrs |
2- / 2 |
5.- |
Hot Trio Ray Mac Kinley with Peanuts Hucko, Mel Powell |
Sugar / After you‘ve gone |
447 |
JCF 130 |
F |
Paris, 6.5.1945, Serie: „ Collection du Jazz Club Francais“ |
2-- / 2-- |
8.- |
Jimmy MacPartland Orchestra |
The Jazz me Blues / China Boy |
498 |
Bru 03057 |
GB |
Chicago, 11.10.1939, lscrs, leicht grau - no Problem |
3 / 3 |
4.- |
Wingy Mannone |
Send Me F / Solitude F |
2942 |
Bru 02007 |
GB |
New York, 2.5. / 12.9.1934, , lscrs
|
3++ / 2- |
7.- |
Wingy Manone Orchestra |
Just One Girl / She’s crying for me |
1168 |
Decatur 509 |
US |
New York, 3.10.1934, Dub von OKeh 41569, Vinyl 78er |
2 / 2 |
5.- |
Mantovani und sein Orchester |
Moonlight Serenade / Ramona |
3666 |
Decca F 43809 |
D |
ca. 1953, die Sweet Variante, OH |
2- / 2 |
5.- |
Joe Marsala Orchestra |
Lower Register F / I know that you know F |
2398 |
Decca 3764 |
Can |
New York, 21.3.1941, 105! |
2 / 2- |
5.- |
Matty Matlock All Stars / Jack Teagarden All Stars |
Don‘t you think it‘s about Time? + / Parasol + |
3375 |
Omega OM 10 / Om 112 |
US |
ca. 1951, mini Ls |
2 / 2- |
5.- |
Billy May Orch. |
Makin‘ Whoopee / Let‘s put out the Lights and go to Sleep |
1509 |
Cap C 13894 |
DK |
|
2-- / 2- |
5.- |
Billy May Orch. with „The Encores“ |
High Noon (Do not forsake me) / Do you ever think of me + |
720 |
Tel/Cap 80330 |
D |
November 1952, OH |
2-- / 2 |
6.- |
Clyde McCoy Orch. |
Sugar Blues / Tear it down + |
2388 |
Cap 80276 |
D |
Hollywood 10.12.1951 / 10.1.1952 lscrs |
3+ / 2- |
5.- |
Red McKenzie Chicago Rhythm Kings |
There'll Be Some Changes Made
I've Found A New Baby / I've Found A New Baby |
2820 |
Bru 500205 |
F |
New York, 30.6.1931 / Chicago, 6.4.1928, lscrs, leicht grau gegen Ende, 105 !!! |
3 / 3 |
9.- |
Red McKenzie Mound City Blue Blowers |
Hello Lola F / One Hour F |
1191 |
Hmv B 8952 |
GB |
New York, 14.11.1929, Toll! eine der längsten Solofolgen auf Platte überhaupt ! Glenn Miller, Coleman Hawkins etc.
"Hello Lola" and "One Hour" performed by an All-Star version of the Mound City Blue Blowers: leader Red McKenzie on hot comb-kazoo, Coleman Hawkins, Eddie Condon, Pee Wee Russell, Glenn Miller, Gene Krupa, et. al! Recorded November 14, 1929. Released on the RARE Victor HOT series, V-38100! Legendary record date. |
2 / 2 |
14.- |
Ray McKinley Jazz Band |
Shack In The Back F / Fingerwave |
2058 |
Bru 02403 |
GB |
Los Angeles 31.3.1936 lscrs |
3 / 3+ |
5.- |
Jay McShann Orchestra with Al Hibbler / Walter Brown |
Get me on your Mind F+ / The Jumpin’ Blues F+ |
2263 |
Decca 4418 |
US |
New York, 2.7.1942 |
2- / 2- |
5.- |
Zep Meissner Dixieland Band |
Who‘s sorry now / Riverboat Shuffle |
3717 |
Parl R 3045 |
GB |
1947 “1947 Super Rhythm Style Series” No. 29 / 30, lscrs, mini Ld |
3 / 3+ |
5.- |
The Merry Macs |
Clap yo‘ Hands + / I got Rhythm + |
1794 |
Bru 02989 |
GB |
New York, 5.9.1939, lscrs, 105! Amerikanische, gemischte Gesangsgruppe, aktiv von den Zwanzigern bis in die 60er Jahre |
3 / 3 |
6.- |
“Mezz” Mezzrow Orch. |
The Swing Session‘s called to order / Hot Club Stomp |
2766 |
Hmv B 8646 |
GB |
New York, 14.6.1937 Recorded under Supervision of Hot Club of America. Flott! |
2- / 2 |
8.- |
Milton “Mezz” Mezzrow Orchestra |
Comin‘ On With The Come On - Part 1
/ dito - Part 2 |
2796 |
Hmv B 9468 |
GB |
New York, 21.11.1938, 105! |
2- / 2- |
5.- |
Mezzrow- Bechet Quintet |
Gone away Blues / De Luxe Stomp |
2380 |
King Jazz 140 |
US |
New York, 30.8.1945, Mezz Mezzrows Label King Jazz bestand von 1945 bis 1947. |
2- / 2- |
6.- |
Mezzrow- Bechet Quintet |
Ole Miss / Out of the Gallion |
3044 |
King Jazz 142 |
US |
New York, 29. / 30.8.1945, |
2- / 2- |
6.- |
Mezzrow- Bechet Quintet |
Bowin‘ the Blues / Old School |
3163 |
King Jazz 141 |
US |
New York, 29. / 30.8.1945, 105 ! |
2- / 2- |
6.- |
Mezzrow- Bechet Quintet |
Out of the Gallion / Ole Miss |
1472 |
King Jazz 1 |
US |
New York, 30 / 29.8.1945 |
2- / 2 |
4.- |
Glenn Miller Orch. |
Frenesi / My Blue Heaven |
2490 |
Hmv BD 5678 |
GB |
13.12. / 28.4.1940 flott! OH |
2-- / 2-- |
8.- |
Glenn Miller Orch. |
Johnson Rag F / Yes, my Darling Daughter + |
3457 |
Hmv BD 5683 |
GB |
5.11.1939 / 15.11.1940, 2x typischer Miller Sound |
2-- / 2-- |
9.- |
Glenn Miller Orch. |
Adios F / Under blue Canadian Skies F+ |
1845 |
Hmv BD 5727 |
GB |
25.6.1941 |
2- / 2- |
7.- |
Glenn Miller Orch. Ray Eberle |
Bless you F+ / Speaking of Heaven F+ |
3183 |
Bluebird 10455 |
US |
9.10.1939, mini Ls |
3++ / 3++ |
9.- |
Glenn Miller Orch. with Ray Eberle |
Mem'ry Of A Rose F+ / Prairieland Lullaby F+ |
330 |
Bluebird 11011 |
US |
27.12.1940 |
2-- / 2-- |
8.- |
Glenn Miller Orchestra |
Glen Island Special F / Pagan Love Song |
997 |
Hmv BD 5839 |
GB |
wohl New York, 15.1.1940 / 27.6.1939, 2 sehr flotte Titel ! 105!!! |
2-- / 3+ |
8.- |
Glenn Miller Orchestra |
Pennsylvania 6 - 5000 + / Take the „A“ Train |
3709 |
EL EG 7965 |
D |
New York, 28.4. / 28.5.1940, NK, lscrs |
3 / 3+ |
7.- |
Glenn Miller Orchestra |
American Patrol / Moonlight Serenade |
361 |
Hmv BD 5942 |
NL |
2.4.1942 / 4.4.1939 |
2- / 2 |
8.- |
Glenn Miller Orchestra |
Frenesi / My Blue Heaven |
2793 |
Bluebird 10994 |
GB |
13.12. / 28.4.1940, flott! lscrs |
3 / 3+ |
6.- |
Glenn Miller Orchestra |
String of Pearls / Little brown Jug |
375 |
Hmv EG 8048 |
NL |
26.5.1942 / 2.6.1942, NK, Swing Klassiker |
2-- / 2-- |
7.- |
Glenn Miller Orchestra The Modernaires & Marion Hutton |
Juke Box Saturday Night F+ / Sleepy Town Train F |
2555 |
Hmv BD 5876 |
GB |
15.7.1942 |
2-- / 2-- |
10.- |
Glenn Miller Orchestra The Modernaires and Skip Nelson / Ray Eberle |
That old black Magic F+ / At Last F+ |
2052 |
Hmv BD 5811 |
GB |
15.7. / 20.5.1942 |
3++ / 3++ |
6.- |
Glenn Miller Orchestra with Paula Kella & The Four Mordernaires |
Don’t cry Cherie F+ / Sweeter than the Sweetest F+ |
926 |
Hmv MH 93 Bluebird 11183 |
GB |
20.5.1941, 105!! |
2- / 2-- |
8.- |
Glenn Miller Orchestra with Ray Eberle, The Modernaires |
Elmers Tune F+ / Delilah F+ |
1981 |
Bluebird 11274 |
US |
11.8.1941, |
2-- / 2- |
8.- |
Glenn Miller Orchestra with The Modernaires / Ray Eberle |
It must be Jelly (Cause Jam don’t shake like that) + / Rainbow Rhapsody |
831 |
Victor 201546 |
US |
15.7.1942, mehrere lscrs, mini Ls |
3 / 3 |
5.- |
Mills Blue Rhythm Band |
Blue Rhythm Swing / Blue Rhythm Blues |
471 |
Parl R 3076 |
GB |
ca. Dezember 1947, “1947 Super Rhythm Style Series” No. 59 / 60, two Swing Items . . . |
2-- / 2- |
5.- |
Mills Brothers |
Why fight the Feeling + / The Tunnel of Love + |
3586 |
Decca Y 6264 |
Australia |
New York, 14.6.1950 |
2- / 2- |
8.- |
Mills Brothers |
Daddy‘s little Girl + / Who‘ll be the next one (To cry over you) + |
3591 |
Decca Y 6226 |
Australia |
Los Angeles, 3.1.1950 / New York, 28.7.1949, 105 !!! |
2 / 2- |
9.- |
Mills Brothers |
Till then + / You always hurt the one you love + |
2721 |
Decca Y 5918 |
Australia |
New York, 27.2.1944, kl. ls |
2-- / 2-- |
7.- |
Mills Brothers (4 Boys and a Guitar are One Orch.) |
Tiger Rag + / Goodbye Blues + |
774 |
Bru 01415 |
GB |
14.9.1934 / 8.3.1932, flott und genial . . . |
3+ / 3++ |
9.- |
Mills Brothers / Ink Spots |
What you don't know won't hurt you + / You can't see the sun when you're crying + |
3425 |
Decca Y 6071 |
Australia |
New York, 22.5.1947 / 7.11.1946, 105! |
2- / 2- |
8.- |
The Modernaires |
New Juke Box Saturday Night + / Runnin Wild + |
1844 |
Coral 91012 |
D |
20.5.1946, bearbeitet 8.8.1953 |
2 / 2 |
8.- |
Armand Molinetti Orchestre |
Elia / En Fôret |
1202 |
Swing 147 |
F |
Paris, 3.7.1942, S1 tolles Drumsolo - bon Batterie! Whitelabel, lscrs, leicht grau - no Problem - spielt gut |
4+ / 3- |
10.- |
Jelly Roll Morton |
New Orleans Joys / Perfect Rag |
1859 |
British Rhythm Society 4 |
GB |
Richmond, Indiana, 17.7.1923 / 9.6.1924, DUB von Gennett 5486, Vinyl 78er |
2 / 2 |
5.- |
Jelly Roll Morton Jazz Band |
Someday Sweetheart / London Blues |
2236 |
HJCA HC 4 |
US |
Chicago, 30.10.1923, Dub von Okeh 8105 |
2 / 2 |
7.- |
Jelly Roll Morton Jazz Kings |
Fish Tail Blues / High Society |
755 |
Jazz Collector L 25 |
GB |
Chicago, 6.9.1924, Dub von Autograph 606 |
2 / 2 |
6.- |
Jelly Roll Morton Levee Serenaders |
Mr. Jelly Lord / Midnight Mama |
700 |
Vocalion V 1010 |
GB |
Chicago, 21.1.1928 “Origins of Jazz” Series |
2 / 2 |
8.- |
Jelly Roll Morton New Orleans Jazzmen |
Ballin´ the Jack F+ / Don´t you leave me here F+ |
1694 |
Hmv B 9218 |
GB |
New York 28.9.1939 mini Ls |
2- / 2 |
7.- |
Jelly Roll Morton New Orleans Jazzmen |
West End Blues / Climax Rag |
2288 |
Hmv B 9219 |
GB |
New York, 28.9.1939, 105 ! |
2- / 2-- |
5.- |
Jelly Roll Morton New Orleans Jazzmen |
Oh, didn‘t he ramble + / Winin‘ Boy Blues + |
1331 |
Hmv B 9217 |
GB |
New York, 14.9.1939, Seite 1 mit einer Art Vorrede zu einer Beerdigung, 105! |
2- / 2- |
6.- |
Benny Morton Orchestra / J.C. Higginbotham Six Hicks |
The Gold Digger’s Song
/ Higginbotham Blues |
1519 |
Col 36011 |
US |
New York, 23.2.1934 / 5.2.1930 |
2 / 2 |
7.- |
Jelly Roll Morton Piano solo |
Fat Frances / Pep |
2416 |
Hmv B 10619 |
GB |
Camden, New York. 8.7.1929 |
2 / 2 |
7.- |
Jelly Roll Morton Piano Solo |
Sweetheart o’ Mine / Fat Meat and Greens |
2641 |
Vocalion V 1019 |
GB |
Chicago, 20.4.1926, “Origins of Jazz” Series, Dub von Vocalion 1019 |
2- / 2- |
10.- |
Jelly Roll Morton Red Hot Peppers |
Black Bottom Stomp / Grandpa‘s spells |
779 |
EL EG 7812 |
D |
Chicago, 15.9. / 16.12.1926 DUB NK, mini Ls |
2-- / 2 |
9.- |
Jelly Roll Morton Red Hot Peppers |
Crazy Chords / Gambling Jack |
1972 |
HJCA HC 68 |
US |
Chicago, 2.6. / 9.10.1930, Dub von Victor 23307 |
2 / 2 |
7.- |
Jelly Roll Morton Red Hot Peppers |
Jelly Roll Blues / Doctor Jazz Stomp + |
1935 |
EL EG 7907 |
D |
Chicago, 16.12.1926, NK, lscrs, kl. Ls |
3 / 3+ |
5.- |
Tony Murena Ensemble |
Ping Pong - Fox-Swing / Maria - Fox-Swing |
2834 |
Odeon 281557 |
F |
Paris, 29. - 30.10.1942, mit Akkordeon & passabler Guitarre . . . |
2-- / 2-- |
6.- |
Tony Murena Ensemble Swing |
Swing 41 / Oui ! (Si tu me dit Qui!) |
368 |
Odeon 281575 |
F |
Paris, Anfang März 1943, S1 eine Django Rheinhardt Nummer . . ., lscrs |
3 / 3+ |
8.- |
Turk Murphy‘s Jazz Band |
Grandpa‘s spells / All the Wrongs you‘ve done to me |
225 |
Good Time Jazz 8 |
US |
Los Angeles 31.5.1949 Paar Bläschen - no Problem |
2- / 2 |
7.- |
Orchestre Musette Victor, Viseur, Aleman u.a. |
Joseph ! Joseph! F / La Serenade a la Mule F |
757 |
Col DF 2574 |
F |
Paris, um den 10.3.1939, S1 super Lauf ! klasse! |
3+ / 3++ |
7.- |
Ozzie Nelson Orchestra |
I hate myself (For being so mean to you) F+ / Poor Girl F+ |
1598 |
Decca F 5118 |
GB |
New York, 16.3.1934, lscrs |
3+ / 3+ |
4.- |
Ulrik Neumann / & Christina Borbon |
Ping-Pong + / En Baad I Taagen (In the Fog) + |
1489 |
Odeon D 1051 |
GB |
Kopenhagen, 1948, I like this Number, Text: „ . . . the most amazing Game in the World . . .“ mini Ls |
2-- / 2-- |
16.- |
New Orleans Rhythm Kings |
Bluin‘ the Blues / Sensation Os |
160 |
Bru 02337 |
GB |
New York, 26.9.1934, 105! |
2- / 2-- |
5.- |
New Orleans Rhythm Kings |
Ostrich Walk / Original Dixieland One-Step |
1277 |
Bru 01988 |
GB |
New York, 26.9.1934 |
2- / 2-- |
6.- |
New Orleans Rhythm Kings |
Tin Roof Blues / That‘s a Plenty |
3054 |
Bru 02208 |
GB |
Richmond, 13.3. / 12.3.1923 Dub! |
2- / 2- |
4.- |
New Orleans Rhythm Kings / Adrian Rollini Orch. |
Baby Brown / Somebody loves me + |
648 |
Bru 03447 |
GB |
New York, 20.2.1935 / 23.10.1934 |
2-- / 2-- |
7.- |
Albert Nicholas as Nick and his Creole Serenaders |
Mo pas lemmé cas + / Salée Dame + |
1811 |
Circle J 1018 |
US |
New York, 12.6.1947 |
2 / 2 |
6.- |
Red Nichols Five Pennies |
Clarinet Marmalade / Sweet Sue, just you |
1690 |
Parl R 2598 |
GB |
New York, 18.2.1932 “Second New Rhythm Style Series” No. 187 / 188 |
2-- / 2-- |
7.- |
Jimmy Noone‘s New Orleans Band |
Way down yonder in New Orleans / Sweet Georgia Brown |
3448 |
Parl R 2281 |
GB |
Chicago, 15.1.1936, flott “1936 Super Rhythm Style Series” No. 19 / 20 |
3++ / 3++ |
6.- |
Gene Norman´s Just Jazz |
No. 3 Blue Lou / Part 2 |
142 |
Vogue 2047 |
GB |
Garner, Gray, Callender u.a. |
3+ / 3++ |
5.- |
Gene Norman‘s just Jazz |
One O´Clock Jump / Two O´Clock Jump - u.a. *Garner,Dickenson, Carter etc. |
132 |
J.S. 571 |
F |
Live ! deswegen so anders |
3 / 3+ |
5.- |
Gene Norman‘s just Jazz No. 1 Garner, Dickenson, Carter etc. |
One o‘Clock Jump / Two J.S. 571 |
469 |
J.S. 571 |
F |
1949 Live ! kl. Ls |
3+ / 2- |
7.- |
Gene Norman‘s just Jazz No. 1 Garner, Dickenson, Carter etc. |
One o‘Clock Jump / Two o‘Clock Jump |
3120 |
J.S. 571 |
F |
Los Angeles 1949, Live ! |
2- / 2- |
5.- |
Gene Norman‘s Just Jazz No. 2 |
Three o‘Clock Jump / Four o‘Clock Jump |
3153 |
J.S. 572 |
GB |
Los Angeles 1949, flott ! Garner, McGhee, Carter, Callender, Dickenson u.a., mini Ls |
2- / 2- |
5.- |
Red Norvo Swing Octet |
Blues in E Flat / Bughouse |
2652 |
Parl R 2241 |
GB |
New York, 25.1.1935, |
2- / 2- |
6.- |
King Oliver Orchestra |
Call of the Freaks / The Trumpet‘s Prayer |
230 |
Hmv JF 36 |
GB |
46th Street Studio, New York, 1.2.1929, 105! |
2- / 2- |
9.- |
King Oliver Orchestra |
Struggle Buggy F / Don’t you think I love you? F |
2441 |
Hmv B 4930 |
GB |
New York, 22.5.1930, 105! |
2 / 2 |
12.- |
King Oliver‘s Creole Jazz Band |
Riverside Blues / Mabels Dream |
2710 |
Decca BM 03575 |
GB |
Chicago, 24.12.1923, Dub |
2 / 2 |
6.- |
King Oliver‘s Dixie Syncopators / Dewey Jacksons’s Peacock Orchestra |
Snag it / Capitol Blues |
1517 |
Bru 80039 |
US |
Chicago, 11.3.1926 / St. Louis Juni 1926. DUB, Dewey Jackson (* 21. Juni 1900 in St. Louis; † 1. Januar 1994 ebenda) war ein US-amerikanischer Trompeter, Kornettist und Bandleader des New Orleans Jazz und des Swing. Als Leader nahm er nur vier Plattenseiten im Jahr 1926 auf. Trotz seiner wenigen Aufnahmen gehört Dewey Jacksons Peacock Orchestra zu den führenden Vertretern des frühen Jazz in St. Louis, die die neue Musikform von ihrem Ursprung aus in den Vereinigten Staaten popularisierten. |
2- / 2- |
10.- |
George Olsen Orchester |
Hi Diddle Diddle - Charleston + / Where’d you get those eyes -Charleston + |
3866 |
EL EG 313 |
D |
New York, 16.7.1926, beide Charleston ! 105! |
3 / 3+ |
12.- |
Jean Omer Swing Dance Orchstra “Boeuf sur le Toit” |
Deed I do F / I never knew F |
3639 |
Decca 9000 |
F |
Brüssel, Februar 1940, “Swing Series”, paar feine Bläschen - no Problem - spielt gut! |
3 / 3+ |
8.- |
Original Creole Stompers mit Baby Dodds |
Eh La-Bas! + / Up jumped the Devil |
1767 |
Gazell 1031 |
S |
1945 |
2- / 2 |
5.- |
The Original Dixieland Jazzband (ODJB) |
Tiger Rag / Jazz me Blues |
1044 |
EL EG 7793 |
D |
New York, 25.3.1918 / 3.5.1921 OH DUB lscrs |
3+ / 2- |
10.- |
The Original Dixieland Jazzband (ODJB) |
Tiger Rag / Jazz me Blues |
2499 |
EL EG 7793 |
D |
New York, 25.3.1918 / 3.5.1921, DUB, NK, lscrs |
3++ / 2- |
8.- |
Kid Ory Creole Jazz Band |
High Society / Ballin‘ the Jack + |
636 |
Gazell 1023 |
S |
12.2.1945 Übernahme Exner 7-2 lscrs |
3++ / 2 |
6.- |
Kid Ory Creole Jazz Band |
Ory‘s Boogie / Saint Louis Blues |
637 |
Vogue 816 |
DK |
1949 |
2- / 2 |
7.- |
Kid Ory Creole Jazz Band |
South / Creole Song |
3315 |
Gazell 1008 |
S |
Los Angeles, 3.8.1944, „Dixieland Serie“ |
2-- / 2- |
5.- |
Kid Ory‘s Creole Jazz Band |
Savoy Blues / Weary Blues |
200 |
Esquire 10018 |
GB |
9.8.1947 Seite 1 kleiner Scr nicht hörbar |
2- / 2- |
6.- |
Kid Ory‘s Creole Jazz Band |
Down among the sheltering Palms / Snag it |
710 |
Esquire 10047 |
GB |
9.8.1947 Livercording |
2- / 2- |
7.- |
„Hot Lips“ Page Orchestra |
The Lady in Bed + / Gee Baby ain‘t I good to you + |
1011 |
Royal Jazz 740 |
F |
New York, 30.11.1944, S1 R&B |
2 / 2 |
8.- |
Hot Lips Page Trio |
Just another Woman + / My Fightin’ Gal + |
1012 |
Hmv B 9261 |
GB |
New York, 10.12.1940, mini Ls, 105! |
2- / 2- |
4.- |
Les Paul and Mary Ford |
Bye Bye Blues + / Mammy‘s Boogie |
3715 |
Tel/Cap C 80332 |
D |
Dezember 1952 |
2-- / 2 |
5.- |
Les Paul and Mary Ford |
Amukiriki (The Lord Willing) + / Magic Melody |
1958 |
Cap 3248 |
D |
1955 |
3++ / 2- |
5.- |
Les Paul Mary and Ford |
How high the Moon + / Mockin‘ Bird Hill + |
3229 |
Cap 80129 |
D |
November 1950, lscrs |
3 / 3++ |
5.- |
Les Paul Mary and Ford |
How high the Moon + / Mockin‘ Bird Hill + |
1397 |
Cap C 1451 |
NL |
November 1950 |
2- / 2 |
5.- |
Sid Phillips Band |
St. Louis Blues / Sensation Rag |
1790 |
Hmv B 6195 |
GB |
|
3+ / 3+ |
5.- |
Sid Phillips Band |
Glad Rag Doll / Mamma don´t allow + |
1616 |
Hmv Pop 226 |
GB |
S1 gr. Ls |
3++ / 2 |
4.- |
Sid Phillips Band |
Fidgety Feet / Darktown Strutters Ball Qs |
1632 |
Hmv BD 6182 |
GB |
London, ca. Dezember 1954, |
3++ / 3++ |
5.- |
Sid Phillips Orchestra Jill Allan & Johnny Eager |
Hors d‘Oeuvres F / Oh Dear what can the Matter be F+ |
2935 |
Hmv BD 6053 |
GB |
ca. Januar 1951 |
2- / 2- |
5.- |
Teddy Powell Orch. |
In Pine-Top‘s Footsteps F / Sans Culottes F |
2087 |
Regal MR 3598 |
GB |
New York, 23.4.1941 / 24.5. 1941 S1 fett! beide flott |
3+ / 3++ |
7.- |
Teddy Powell Orchestra |
Straight Eight Boogie F / Ode to Spring F |
1210 |
Regal MR 20333 |
India |
New York, 26.2. / 23.4.1941, 2x flott |
3++ / 2- |
6.- |
Sam Price Piano and Rhythms |
Good Paree - Boogie-Woogie / Low Down Blues |
3746 |
Decca SF 159 |
F |
ca. 1946, with little picture in Label, Ls |
3++ / 2- |
5.- |
Louis Prima & Keely Smith Orchestra & Chorus |
Oh Babe! + / Piccolina Lena + |
2186 |
Polygon 1001 |
GB |
London, ca. Dezember 1950 |
2- / 2- |
5.- |
Louis Prima New Orleans Gang |
Jamaica Shout / (Looks Like I‘m) Breakin‘ The Ice F+ |
3787 |
Decca F 5459 |
GB |
New York, 27.9. / 1.11.1934, flott |
2- / 2- |
7.- |
Louis Prima Orchestra |
Civilisation (Bongo Bongo Bongo) + / Forsaking all others + |
2155 |
RCA 202400 |
US |
New York, 24.7.1947 |
2-- / 2-- |
4.- |
Quintet Hot Club de France Django Reinhardt, Stephane Grappelly |
Belleville / Liza (All the Clouds‘ll roll away) |
11 |
Decca F 41010 |
GB |
London, 1.2.1946, belle cette Ville! et Liza - O la la... |
2 / 2 |
21.- |
Het Ramblers Dansorkest |
Steeple Chase / Horsey Horsey + |
1756 |
Panachord H 1020 |
NL |
Laren, 13.12.1937, leicht grau, mehrere lscrs - no Problem, S1 Rs 1. Rille, spielt gut mit 105 !!! |
3- / 3- |
5.- |
The Ramblers Quintet / Dansorkest |
Swing de Violon / Zuiderzee Blues + |
77 |
Decca H 1056 |
NL |
15.11.1938, lscrs, leicht grau, - no Problem |
3- / 3 |
6.- |
The Ramblers, Theo Uden Masman |
Twelve O‘Clock Jump F+ / Swing me to Sleep Drummerman F |
954 |
Decca M 32269 |
NL |
Brüssel, 25. / 26.2.1947, Redlabel, 2 x flott |
3+ / 2- |
12.- |
Freddy Randall Band |
Won‘t you come home Bill Bailey / Sensation Rag |
2810 |
Odeon 28389 |
D |
15.10.1950 |
2- / 2 |
5.- |
Johnnie Ray with Orchestra Paul Weston / Buddy Cole Quartet |
Glad Rag Doll + / Somebody Stole My Gal + |
538 |
Phi PB 21031 |
GB |
März 1953, swingy Crooning . . . |
2- / 2 |
6.- |
Django Reinhardt & Quintette Hot Club de France avec Stephane Grappelly |
Ol‘Man River / Si tu savais |
1417 |
Swing 270 |
F |
Paris, 14.11.1947, Whitelabel, beidseitig am Anfang ein paar ausgefahrene Rillen jeweils 6 Zischer |
3- / 3 |
10.- |
Django Reinhardt et le Quintette du Hot Club de France avec Jerry Mengo |
Confessin‘ / Ultraphon Rhythm (Ultrafox) |
2367 |
Ultraphon 14289 |
CZ |
Paris, März / April 1935, Redlabel, gehört zu den frühen Aufnahmen der Gruppe, tolle Pressung mit Supersound |
2 / 2 |
21.- |
Django Reinhardt et le Quintette du Hot Club de France avec Stephane Grappelly |
Lady be good / Dinah |
2183 |
Oriole LV 100 |
GB |
Paris, Dezember 1934, gehört zu den ersten Aufnahmen der Gruppe, bei Rust die ersten Titel. 105 !!! |
2-- / 2-- |
24.- |
Django Reinhardt et Quintette Hot Club de France |
Dinette / Lentement Mademoiselle |
1596 |
Swing 146 |
F |
Paris, 11.9.1941 / 13.3.1942, Whitelabel, Nlf, lscrs, 105!!! |
4+ / 4++ |
12.- |
Django Reinhardt et Quintette Hot Club de France |
Swing 42 / Mabel |
1675 |
Swing 137 |
F |
Paris, 11.9.1941 / 13.12.1940, Whitelabel, Ls nicht in Titel, spielt Top mit 105 !!! |
3+ / 3+ |
18.- |
Jim Robinson with Sam Morgan’s Jazz Band |
Steppin’ on the Gas / Mobile Stomp |
2370 |
Jazz Classics 521 |
US |
New Orleans, 14.4.1927, Dub von Columbia 14258 D |
2- / 2 |
6.- |
Adrian Rollini and his Tap Room Gang |
Bouncin’ in Rhythm / Weather Man F+ |
1399 |
Hmv B 8660 |
GB |
New York, 14.6.1935 |
3+ / 3+ |
6.- |
Adrian Rollini Trio |
Vibrollini F / Driftin’ F |
1455 |
Bru 02380 |
GB |
New York, 4.12.1936 |
3++ / 3+ |
6.- |
Hubert Rostaing Orchestre |
Par Hasard / Aurore (Paulette) |
1260 |
Swing 141 |
F |
Paris, 10.7.1941 / 31.3.1942, lscrs - paar wenige Knackser |
3 / 3+ |
14.- |
Harry Roy Band |
Candy F+ / The last Waltz of the Evening W+ |
1334 |
Parl F 2070 |
GB |
London, September 1945, klassik Swing, lscrs |
3 / 3+ |
5.- |
Harry Roy Band with Majorie Kingsley |
I’ve got a Gal in Kalamazoo F+ / That’s the Moon my Son F+ |
590 |
Regal MR 20361 |
India |
London, 9.12.1942 |
2- / 2- |
5.- |
Harry Roy Band with Majorie Kingsley |
A Fool with a Dream sF+ / What’s the good Word Mister Bluebird F+ |
728 |
Regal MR 20416 |
India |
London, ca. Ende 1943 |
2--/ 2- |
5.- |
Harry Roy Orch. from Cafe Anglais, London |
Canadian Capers Qs / Tiger Rag |
2086 |
Odeon 11915 |
D |
London, 21.4.1933 ,Erste Aufnahme von Harry Roy bei Rust. 2 x flott! |
3+ / 2- |
9.- |
Harry Roy Orchestra |
Comin’ thro’ the Rye / Tevrn in the Town |
1711 |
Odeon 31278 |
D |
London, 25.11.1937, leicht grau - no Problem, lscrs - spielt gut |
3- / 3 |
4.- |
Harry Roy Orchestra |
Valentina Ru + / Temptation Rag |
577 |
Parl F 102 |
GB |
London, 4.1.1935, S1 gute Rumba |
2- / 2- |
5.- |
Harry Roy Orchestra |
No Words - nor Anything - Comedy Quickstep + / Sky high Honeymoon Qs+ |
1973 |
Parl F 538 |
GB |
London, 4.12.1934 / ca. 7.1936, S1 mit Gesangsgroup und flott |
2-- / 2-- |
6.- |
Harry Roy Orchestra |
Lost in a Fog F+ / Three little fat Girls - Comedy-Fox+ |
2407 |
Odeon A 221818 |
GB |
London, 4.10.1934 |
2-- / 2-- |
7.- |
Harry Roy Orchestra |
Begin the Beguine / Little Sir Echo W+ |
783 |
Parl F 1451 |
GB |
London, 9.5.1939, lscrs |
3+ / 3+ |
5.- |
Harry Roy Orchestra from Cafe Anglais |
Canadian Capers Qs / Tiger Rag |
738 |
Parl R 1505 |
GB |
London, 21.4.1933, Erste Aufnahme von Harry Roy bei Rust. 2 x flott! 105! |
3 / 3 |
5.- |
Harry Roy Orchestra from Cafe Anglais |
Wah-De-Dah F+ / Waiting for To-morrow and you F+ |
2580 |
Odeon 221575 |
GB |
London, 5.4.1933, S1 flott! |
2- / 2- |
5.- |
Harry Roy Orchestra from May Fair Hotel |
Believe it beloved F+ / Haunting me sF+ |
2847 |
Odeon 221956 |
GB |
London, 24.5.1935 |
2- / 2- |
4.- |
Harry Roy Orchestra from Mayfair Hotel |
Cheek to Cheek F+ / The Piccolino Os+ |
784 |
Parl F 298 |
GB |
London, 9.10.1935, lscrs |
3 / 3+ |
5.- |
Harry Roy Orchestra with Mona Litter Novachord |
Playmates F+ / It’s funny to Everyone but me sF+ |
724 |
Parl F 1706 |
GB |
London, 3.4.1940, |
2- / 2- |
5.- |
Harry Roy Orchestra with Novachord by Monia Litter |
Oh Johnny! Oh Johnny! Oh + / I cried for you + |
3155 |
Parl F 1692 |
GB |
London, 6.3.1940 |
3+ / 3++ |
4.- |
Harry Roy Orchestra with Vocal Refrain |
She had to go and to lose it at the Astor F+ / You made me care W+ |
3393 |
Parl F 1698 |
GB |
London, 3.4.1940, a typical Harry Roy humourous number . . . |
2-- / 2-- |
5.- |
Harry Roy‘s Tiger-Ragamuffins |
Harlem + / Roy Club Rag |
1570 |
Parl F 788 |
D |
London, 21.4.1937, S2 mini Scr 3 clicks leise, lscrs |
3+ / 3+ |
4.- |
Music in the Russ Morgan Manner Carolyn Clarke |
Joseph! Joseph! F+ / Drop a Nickel in the Slot + |
704 |
Col FB 2061 |
GB |
1938 S1 flott mehrere lscrs |
3 / 3+ |
6.- |
Pee-Wee Russell‘s Rhythmakers |
There'll Be Some Changes Made / Horn Of Plenty Blues (Zutty's Hootie Blues) |
2289 |
HRS 1001 |
US |
New York, 31.8.1938, lscrs Vinyl 78er |
3+ / 3++ |
6.- |
Pee-Wee Russell‘s Rhythmakers |
I've Found A New Baby / Everybody Loves My Baby |
307 |
HRS 1002 |
US |
New York, 31.8.1938, lscrs Vinyl 78er |
3+ / 3++ |
6.- |
Pee-Wee Russell‘s Rhythmakers |
I've Found A New Baby / Everybody Loves My Baby |
3176 |
HRS 1002 |
US |
New York, 31.8.1938, „Hot Record Society“ Pressung von September 1937, Vinyl 78er |
2- / 3+ |
4.- |
Pee-Wee Russell‘s Rhythmakes |
Baby won’t you please come Home? / Dinah |
2217 |
HRS 1000 |
US |
New York, 31.8.1938, „Hot Record Society“ Pressung von September 1937, Vinyl 78er |
2 / 2 |
4.- |
The Saints Jazz Band |
When the Saints go marching in / Savoy Blues |
1556 |
Parl R 3544 |
GB |
ca. Juni 1952 “1952 Super Rhythm Style Series” No. 25 / 26 |
2- / 2 |
5.- |
Raymond Scott New Orchester |
Huckleberry Duck / Business Men‘s Bounce |
1969 |
Parl R 2744 |
GB |
New York, 18.10.1939, “1940 Super Rhythm Style Series” No. 91 / 92, Ls, lscrs |
3 / 3+ |
5.- |
Gene Sedric Honeybears |
Clarinet Blues / Honeysuckle Rose |
3009 |
Swing 231 |
F |
New York 9.6.1946, S2 flott, lscrs |
3+ / 3++ |
10.- |
Artie Shaw and his Strings |
Streamline / Sweet Lorraine |
2695 |
Parl R 2984 |
GB |
New York, 23.12.1936, “1945 Super Rhythm Style Series” No. 45 / 46, lscrs, S 2 Nl in ersten 5 Rillen leise hrb |
3 / 3 |
4.- |
Artie Shaw Gramercy Five |
Moon Glow / My Blue Heaven |
744 |
Hmv B 9269 |
GB |
23.1.1941 / 5.12.1940 |
3 / 3+ |
7.- |
Artie Shaw Gramercy Five |
Dr. Livingstone, I presume? / When the Quail come to San Quentin |
2845 |
Hmv B 9207 |
GB |
Hollywood, 5.12.1940, lscrs, 105! |
3 / 3 |
5.- |
Artie Shaw Orch. |
Blues - Part 1 / Blues - Part 2 |
616 |
Hmv B 9259 |
GB |
Hollywood, 4.12.1940 |
3+ / 3+ |
6.- |
Artie Shaw Orchestra |
These foolish Things remind me of you / I can‘t get started |
2680 |
Hmv B 9652 |
GB |
12.6.1945 |
3+ / 3+ |
5.- |
Artie Shaw Orchestra |
Lady be good F / I surrender Dear F |
3301 |
Hmv B 9018 |
GB |
New York, 27.8.1939, fine . . . |
3 / 3+ |
5.- |
Artie Shaw Orchestra |
Back Bay Shuffle F / Jungle Drums F |
589 |
Hmv B 8894 |
GB |
New York, 24.7. / 19.12.1938, 105! |
3 / 3 |
4.- |
Artie Shaw Orchestra |
Let’s walk / The Glider |
634 |
Parl R 3027 |
GB |
Los Angeles, 13. / 14.11.1945, flott, lscrs |
3 / 3 |
4.- |
Artie Shaw Orchestra |
Carioca / The Donkey Serenade |
3361 |
Hmv B 8893 |
GB |
New York, 23.1.1939, vom Allerfeinsten! Die ultimative Fassung des Titel. Ich bin immer wieder begeistert. Da passt alles. Toller Lauf von von Shaw. leicht grau - no Problem - spielt gut, 105! |
3 / 3 |
7.- |
Artie Shaw Orchestra |
Chantez-les Bas (Sing ’Em Low) F / Moonglow F |
478 |
Hmv EA 3025 |
Aus |
Hollywood, 7.9.1940 / 23.1.1941 |
2- / 2- |
6.- |
Artie Shaw Orchestra with Imogene Lynn |
Ac-cent-Tchu-ate the Positive + / Jumpin‘ on the Merry-Go-Round F |
3257 |
Victor 201612 |
US |
wohl Los Angeles 23.11.1944 |
2- / 2- |
8.- |
Willie „The Lion“ Smith & his Cubs |
The Swampland is calling me F / I can see you all over the Place F |
1357 |
Bru 02458 |
GB |
New York, 13.4.1937, 105! lscrs - spielt gut |
3- / 3+! |
4.- |
Ethel Smith Hammondorgel Banda Carioca |
Mambo Jambo Mambo / Cuban Cutie |
588 |
Bru 82437 |
D |
|
3++ / 2- |
5.- |
Jabbo Smith Orchestra |
Absolutely F+ / How can Cupid be so stupid? F+ |
1729 |
Decca 1712 |
US |
New York, 1.2.1938, geht eher ruhiger zu . . ., 105! |
2 / 2- |
5.- |
Willie „The Lion“ Smith Piano solo with Drums |
Passionette / Morning Air |
2562 |
Bru 02722 A 82659 Decca 2269 |
GB |
New York, 10.1.1938, 105! |
2- / 2-- |
5.- |
Eddie South International Orchestra |
Marcheta (A Love Song of old Mexico ) F / Hejre Kati F+ |
1245 |
Victor 22847 |
US |
Chicago, 27.9.1931, 105! |
2- / 2- |
9.- |
South Street Ramblers (Barrel House Five Orchestra |
Endurance Stomp (Barrel House Stomp) / Some do and Some don’t |
428 |
QRS 7019 Jazz Document JD 005 |
US |
Long Island City, NY, Januar 1929, DUB von QRS 7019, S1 flott . . . |
2 / 2 |
9.- |
Muggsy Spanier Dixieland Band |
Eccentric / A good Man is hard to find |
186 |
Embassy 133 |
US |
New York, 1948 |
2-- / 2-- |
8.- |
Muggsy Spanier Ragtime Band |
Dinah + / (What Did I Do To Be So) - Black and Blue |
595 |
Hmv B 9067 |
GB |
New York, 12.12.1939 |
3+ / 3+ |
6.- |
Muggsy Spanier Ragtime Band |
Eccentric / I Wish I Could Shimmy Like My Sister Kate |
2598 |
Hmv B 9047 |
GB |
Chicago 7.7. / 10.11.1939 |
2- / 2- |
6.- |
Muggsy Spanier Ragtime Band |
At the Jazz Band Ball / Livery Stable Blues |
2833 |
Hmv B 9042 |
GB |
New York, 10.11.1939 |
3++ / 3++ |
5.- |
Muggsy Spanier Ragtime Band |
Bluin’ the Blues / At Sundown |
194 |
Hmv B 9092 |
GB |
New York, 22.11.1939 |
2 / 2 |
4.- |
Muggsy Spanier Ragtime Band |
Bluin‘ the Blues / At Sundown |
1679 |
Hmv EA 3215 |
Aus |
New York, 22.11.1939 |
2 / 2 |
5.- |
Muggsy Spanier Ragtime Band |
That Da Da Strain / Someday Sweetheart |
1358 |
Hmv B 9008 |
GB |
Chicago, 7.7.1939 |
2 / 2 |
5.- |
Muggsy Spanier Ragtime Band Vocal George Brunis |
Dipper Mouth Blues F / Big Butter and Egg Man F+ |
181 |
Hmv B 9033 |
GB |
Chicago, 7.7. / 10.11.1939 |
2- / 2- |
7.- |
Muggsy Spanier‘s Dixieland Band |
Jada / Lonesome Road |
168 |
Gazell 1030 |
S |
ca. April 1947, kl. Ls |
2- / 2- |
5.- |
Muggsy Spanier‘s Dixieland Band, G. Brunis, A. Nicholas, P. Foster, Baby Dodds |
Bugle Call Rag / Tin Roof Blues + |
3661 |
Gazell 1024 |
S |
11.4.1947, lscrs |
3+ / 3++ |
5.- |
Charlie Spivak Orchestra |
To your Heart’s Content F / Let’s go home F |
3568 |
Okeh 6366 |
US |
5.8.1941 |
2-- / 2-- |
5.- |
Charlie Spivak Orchestra with Rusty Nichols Ensemble |
Three little Words F+ / High on the List sF+ |
3475 |
Decca M 33252 |
NL |
New York, ca. Juli 1950, 105! |
2- / 2- |
4.- |
State Street Ramblers |
Barrel House Stomp / Kentucky Blues |
138 |
Jazz Collector L 88 |
GB |
Richmond, 19.3.1931, Dub von Champion 16320 |
2- / 2- |
6.- |
State Street Ramblers |
Barrel House Stomp / Kentucky Blues |
138 |
Jazz Collector L 88 |
GB |
Richmond, 19.3.1931, Dub von Champion 16320 |
2- / 2- |
6.- |
Rex Stewart Footwarmers mit Django Reinhardt / Frank Newton Orch. |
Finesse / Rompin‘ |
85 |
Hmv B 9154 |
GB |
Paris, 5.4.1939 / New York, 13.1.1939, S1 feine Sache das . . . OH, 105! |
2- / 3+ |
7.- |
Rex Stewart Orchestra |
Stompin’ at the Savoy / I’m the luckiest Foll (In the World) |
1672 |
Blue Star 68 |
F |
Paris, ca. 10.11.1947, beide modern . . . |
2-- / 2-- |
7.- |
Slam Stewart Quartet |
Coppin‘ out / Blues Collins |
1278 |
Parl R 3078 Musicraft 394 |
GB |
29.4.1946, “1948 Super Rhythm Style Series” No. 63 / 64 |
3+ / 3+ |
6.- |
Slam Stewart Quintet |
Talkin’ back / The one that got away |
3465 |
Continental 1005 |
NL |
10.7.1945, 105! |
3++ / 3++ |
5.- |
Lew Stone Band with Benny Lee |
As if you did‘nt know sF+ / Why don‘t we do this more often? Qs+ |
3162 |
Decca F 8032 |
GB |
London, 12.11.1941 |
2-- / 2-- |
6.- |
Ralph Sutton Piano Solo |
Dill Pickles / St. Louis Blues |
3119 |
Circle J 1053 |
US |
New York, 22.1.1949, St. Louis Piano! |
2- / 2 |
7.- |
Reinhold Svensson Hammondorgel mit Rhytmusgruppe |
At the Jazzbandball / Everybody steps |
2457 |
Tel A 11196 |
D |
ca. 1950 |
2 / 2 |
6.- |
Art Tatum Orch. Joe Turner |
Lonesome Graveyard - Blues+ / Snub Mosely´s Band - Blues at High Noon |
2503 |
Bru 03462 |
GB |
New York, 13.6.1941 / 11.2.1942 |
3 / 3+ |
6.- |
Art Tatum Piano solo |
Stormy Weather / Gone with the Wind |
2212 |
Bru 82455 |
D |
29.11.1937 NK |
2 / 2 |
8.- |
Art Tatum Piano solo |
St. Louis Blues / Beguin the Beguine |
927 |
Bru 03121 |
GB |
Los Angeles 26.7.1940 |
2 / 2 |
8.- |
Art Tatum Piano Solo |
Wrap your Troubles in Dreams / I‘m coming Virginia |
787 |
Col LB 10053 |
GB |
1948 probably recorded at the home of pianist Buddy Cole. Good Stuff . . . |
2- / 2- |
9.- |
Art Tatum Piano Solo |
Moonglow / Emaline |
3708 |
Decca 155 |
US |
New York, 22.8.1934, lscrs, mini Rs |
3+ / 3+ |
8.- |
Art Tatum Piano solo |
How high the Moon / Humoresque |
3710 |
J.S. 655 |
F |
Los Angeles, 1949, Live Gene Norman‘s „Just Jazz“ No. 16, S1 mini Ls |
2- / 2- |
7.- |
Art Tatum Piano solo |
Yesterdays / I know that you know |
3722 |
J.S. 657 |
F |
Los Angeles, 1949, Live Gene Norman‘s „Just Jazz“ No. 16, Live! mini Pressfehler auf ersten 1/2 cm nur minimal hörbar |
2-- / 2 |
5.- |
Art Tatum Piano solo |
Tiger Rag / Rosetta
Dec 8502, |
109 |
Decca BM 04319 |
GB |
Los Angeles, 22.2. / 26.7.1940, mini Ls |
2 / 2 |
5 |
Art Tatum Trio (Slam Stewart & Tiny Grimes) |
I got Rhythm / After you’ve gone |
94 |
Coral 54002 |
NL |
New York, 5.1.1944, 2 x flott und gut (Besetzung . . .) mini Ls |
2-- / 2 |
9.- |
Toots Thielemans Trio (Reinhold Svenson & Sven Stiberg) |
Dark Eyes / Canary Polka |
407 |
Metronome J 177 |
D |
Stockholm 23.11.1950 / 11.1.1951, lscrs |
3 / 3++ |
5.- |
Billy Thorburn Orchestra / Nat Gonella Georgians |
Roses in December F+ / Two sleepy People sF+ |
727 |
Odeon 241555 |
GR |
London, 3.12.1937 / 16.12.1938, lscrs |
3++ / 2- |
5.- |
Frankie Trumbauer Orchestra |
Manhattan Rag F / Singin’ The Blues F |
3341 |
Parl A 6235 |
Aus |
New York, 10.10.1929 / 4.2.1927, lscrs, S 2 mini Rs |
3 / 3+ |
8.- |
Gus Viseur Orchestre |
Swing 42 / Sextolet Rag |
1235 |
Swing 140 |
F |
Paris, 20.5.1942 |
2-- / 2-- |
18.- |
Christian Wagner Orchestre |
Je connais un Chemin qui mène dans la Lune / En passant par la |
1769 |
Swing 131 |
F |
Paris, 17.10.1941, mehrere lscrs - spielt gut |
4+ / 3- |
10.- |
Fats Waller and his Rhythm |
Dinah + / When somebody think’s you’re wonderful + |
617 |
Hmv BD 5040 |
GB |
Camden, New York, 24.6. / New York, 29.11.1935 |
3+ / 3 |
5.- |
Fats Waller Orchestra |
How can you face me F+ / Let’s pretend there’s a Moon F+ |
3187 |
Hmv JF 14 |
GB |
New York 28.9.1934 |
2 / 2 |
6.- |
Fats Waller Piano Solo |
Smashing Thirds / African Ripples |
3215 |
Hmv B 8546 |
GB |
New York, 24.9.1929 / 16.11.1934 |
2- / 2- |
7.- |
Fats Waller Piano solo |
Georgia on my Mind / Rockin‘ Chair |
2510 |
Victor 27765 |
US |
New York, 13.5.1941 |
2 / 2 |
8.- |
Fats Waller Piano solo |
Keepin‘ out of Mischief now / Star Dust |
1750 |
Hmv HE 2290 |
CH |
New York, 11.6.1937, OH |
3+ / 3+ |
5.- |
Fats Waller Rhythm |
Pan Pan + / Twenty Four Robbers + |
919 |
Hmv BD 1011 |
GB |
New York, 13.5. / 20.3.1941 |
3+ / 3+ |
6.- |
Fats Waller Rhythm |
Stayin at Home + / Little curly Hair in a high Chair + |
1588 |
Hmv BD 1235 |
GB |
New York 16.7. / 11.4.1940 |
3+ / 3+ |
7.- |
Fats Waller Rhythm |
I wish I were Twins F+ / The Minor Drag F |
849 |
HMV JF 1 |
GB |
New York, 16.5.1934 / 1.3.1929 2x flott SOL |
3++ / 3++ |
7.- |
Fats Waller Rhythm |
What’s The Reason (I’m Not Pleasin’ You) F+ / (Oh Susannah) Dust off that old Pianna + |
1156 |
Hmv BD 156 |
GB |
New York, 6.3.1935, 105! |
3+ / 3 |
4.- |
Fats Waller Rhythm |
12 th Street Rag + / Truckin’ + |
1725 |
Hmv BD 262 |
GB |
Camden, 24.6.1935 / New York, 2.8.1935 |
3++ / 3++ |
5.- |
Fats Waller Rhythm |
Got a brand new Suit F+ / I’ll dance at your Wedding F+ |
880 |
Hmv JO 196 |
GB |
New York, 20.8. / 7.12.1938 |
2 / 2 |
5.- |
Fats Waller Rhythm |
Mandy F+ / You’re not the only Qyster in the Stew F+ |
2969 |
Hmv JF 11 |
GB |
New York, 28.9.1934, S2 guter Text . . . |
2 / 2 |
8.- |
Fats Waller Rhythm |
Dinah F+ / Somebody stole my Gal F+ |
717 |
Hmv JF 46 |
GB |
Camden, 24.6.1935 |
2 / 2 |
6.- |
Fats Waller Rhythm |
Shortnin‘ Bread + / My very good Friend the Milkman + |
2755 |
Hmv BD 1218 |
GB |
New York, 2.1.1941 / Camden, New York, 24.6.1935, 105 ! |
3++ / 3+ |
6.- |
Fats Waller Rhythm |
It's No Fun F+ / It's A Sin To Tell A Lie F+ |
1906 |
Hmv BD 5087 |
GB |
New York, 8.4. / 5.6.1936, S2 leicht grau - no Problem |
2--/2-- / 3/3+ |
4.- |
Fats Waller Rhythm |
I wanna hear Swing Songs + / That gets it Mr. Joe + |
1173 |
Hmv BD 1028 |
GB |
New York, 20.3. / 1.10.1941, 105!!! |
3++ / 3+ |
5.- |
Fats Waller Rhythm |
I‘m gonna sit right down and write myself a Letter + / Everybody Loves My Baby (But my Baby don't love nobody but me) F+ |
144 |
Hmv B 9935 |
GB |
New York, 8.5.1935 / 6.11.1940, 105! |
2-- / 2-- |
5.- |
Fats Waller Rhythm |
Georgia May F + / Don’t let it bother you F+ |
2997 |
Hmv JF 12 |
GB |
New York, 17.8.1934, swingt 2 x ! |
2 / 2 |
6.- |
Fats Waller Rhythm |
Believe it beloved F+ / If it isn’t Love F+ |
3503 |
Hmv JF 15 |
GB |
New York, 7.11.1934, 105! |
2-- / 3+ |
5.- |
Fats Waller Rhythm / Buddies |
Two Sleepy People F+ / The Minor Drag F |
3773 |
Victor 201583 |
US |
New York, 13.10.1938 / 1.3.1929, flott |
2 / 2 |
9.- |
Fats Waller solo |
Basin‘ Street Blues / I ain‘t got nobody |
933 |
Hmv B 8636 |
GB |
New York, 11.6.1937 |
2- / 2-- |
6.- |
Fats Waller solo |
Viper‘s Drag / Alligator Crawl |
2395 |
Hmv B 8784 |
GB |
New York, 16.11.1934, spielt top mit 105! |
2 / 2- |
6.- |
Fats Waller, Orgel |
Swing low sweet Chariot / All God’s Chillun got Wings |
1279 |
HMV B 8818 |
GB |
London, 28.8.1938, |
2-- / 2-- |
8.- |
Jam Session with Fats Waller, Tommy Dorsey, Bunny Berigan etc. |
Honeysuckle Rose / Dallas Blues |
1020 |
Hmv B 8580 |
GB |
New York, 31.3.1937, ”Swing Music 1937 Series“ No. 137/38 |
3++ / 3++ |
5.- |
Jam Session with Fats Waller, Tommy Dorsey, Bunny Berigan etc. |
Honeysuckle Rose / Dallas Blues |
1333 |
EL EG 7551 |
D |
New York, 31.3.1937, ”Swing Music 1937 Series“ No. 137 / 138, A JAM SESSION AT VICTOR: Bunny Berigan, t / Tommy Dorsey, tb / Fats Waller, p / Dick McDonough, g / George
Wettling, d. |
2- / 2- |
6.- |
Fred Waring Pennsylvanians / Leo Reisman Orchestra with Fred Astaire |
Sweet Muchacha - Fox-Rumba + / Night and Day F+ |
1625 |
Hmv K 6842 |
F |
New York, 25.10.1932 / 22.11.1932,, lscrs, 105! |
2- / 3+ |
5.- |
Michel Warlop et son Septuor à Cordes |
Nite / Sur quatre Cordes |
1558 |
Swing 139 |
F |
Paris, 13.3.1942 |
2- / 2- |
21.- |
Lu Watters Yerba Buena Jazz Band |
Antigua Blues / Canal Street Blues |
652 |
West Coast 101 |
US |
April 1946 |
3+ / 2- |
5.- |
Lu Watters Yerba Buena Jazz Band |
Frankie and Johnny / Muskrat Ramble |
1815 |
J.S. 813 |
F |
San Francisco, Hambone Kelly’s, 7.2.1950,“Dixieland Jubillee Series”, lscrs |
3 / 3+ |
5.- |
Lu Watters Yerba Buena Jazz Band |
Doin’ the Hambone / Bee’s Knees |
1394 |
J.S. 817 |
F |
7.12.1949, “Dixieland Jubille Series” |
3+ / 2- |
5.- |
Chick Webb Ella Fitzgerald |
Spinnin’ The Webb F / Wacky Dust F+ |
1798 |
Bru 02669 |
GB |
New York, 3.5. / 17.8.1938, viele lscrs - spielt aber gut |
4 / 4+ |
3.- |
George Wettlings Chicagoans |
Bugle Call Rag / Sister Kate |
93 |
Bru 82640 |
D |
16.1.1940 NK mehrere lscrs |
3 / 3++ |
5.- |
Mark White presents “The Jazz Club” |
Black and Blue / Clarinet Blues |
352 |
Decca F 40571 |
F |
OH, u.a.Gardner Townshend,Lewis,Turner etc |
2- / 2- |
6.- |
Paul Whiteman Orchestra with Bing Crosby, Al Rinker, Harry Barris |
Happy Feet F+ / A Bench in the Park F+ |
1482 |
Col CB 86 |
GB |
New York 10.2. / 22.3.1930, S1 flott! Nur S2 Scr 1 cm minimal hörbar, lscrs, spielt Top mit 105 !!! |
3 / 3 |
10.- |
Paul Whiteman Rhythm Boys 7 The Hokum Trio - Leader Alex Hill |
A Bench in the Park F+ / You’re bound to look like a Monkey when you get old F+ |
1783 |
Col DB 282 |
GB |
Los Angeles, 23.5.1930 / New York, 1.5.1930, mehrere lscrs, 105! |
3- / 3 |
4.- |
Mary Lou Williams Chosen Five / Yank Lawson Jazzband |
Yesterdays Kisses / St. Louis Blues |
2266 |
Baronet TR 3 |
S |
1950 |
3++ / 3++ |
4.- |
Cootie Williams Ellingtonians |
Downtown Uproar / Blue Reverie |
1961 |
Blue Ace 236 |
US |
New York, 8.3.1937, SOL, mini Ls |
2- / 2- |
6.- |
Cootie Williams Orch. |
No.8 G-Men / No.7 West End Blues |
1460 |
Regal MR 3609 |
GB |
New York 7.5.1941 |
2 / 2 |
9.- |
Cootie Williams Orch. |
G-Men / West End Blues |
3714 |
Regal MR 3609 |
GB |
New York 7.5.1941, Seite 1 Nest lscrs ca. 8 Zischer |
3+ / 3+ |
4.- |
Nelson Williams Orchestra with Ray Nance and others |
Five Horn Groove Part 1 - 4 / Gesamt 2 Platten |
3250 |
Mood MD 2 / MD 3 |
F |
Paris, 15.4.1950, sehr modern! beide Platten mini Ls |
3++ / 3++ |
14.- |
Teddy Wilson Octet with Sarah Vaughan |
Don‘t worry ‘bout me + / I want to be happy |
715 |
Musicraft 421 |
US |
19.8.1946, etwas matt, kein Problem ! |
3++ / 3+ |
5.- |
Teddy Wilson Orchestra |
Blues in C sharp Minor / Warmin‘ up |
584 |
Parl R 2871 |
GB |
Chicago, 14.5.1936, “1943 Super Rhythm Style Series” No. 80 / 79 S1 Klasse! mehrere lscrs, Nlf, Anf S2 kleiner Scr 3 click leise |
3 / 3 |
5.- |
Garland Wilson Piano solo / Louis Armstrong and Earl Hines |
Rockin‘ Chair / Weather Bird |
768 |
Parl R 1194 |
GB |
New York, 2.2.1932 / Chicago 5.12.1928, “Second New Rhythm Style Series” No. 1 / 2 |
3++ / 3++ |
6.- |
Teddy Wilson Quartet |
Blue Mood / Part 2 |
1579 |
Decca J 10 |
GB |
Los Angeles, 5.9.1937, lscrs, 105 ! |
3+ / 3+ |
5.- |
Teddy Wilson Rhythm |
Them there Eyes / I know that you know |
508 |
Parl R 2985 |
GB |
Chicago, 11.4.1941, “1945 Super Rhythm Style Series” No. 4 |
3+ / 3 |
4.- |
Teddy Wilson Trio |
You´re lucky to me / Emaline |
2643 |
Baronet TR 2 |
S |
|
3+ / 3+ |
7.- |
Teddy Wilson Trio |
The one I love (Belongs to somebody else ) / Tea for Two |
1910 |
Mercury 89043 |
US |
ca. Ende 1952, Vinyl 78er, lscrs |
3+ / 3++ |
7.- |
Wolverine Orchestra with Bix Beiderbecke |
The Jazz me Blues / Big Boy F |
3148 |
Bru 02203 |
GB |
Richmond, 18.2. / New York, 8.10.1924, 105 mini Nl nicht hörbar |
3 / 3 |
5.- |
Jimmy Yancey Piano Solo |
State Street Special / Tell ‘Em about me |
396 |
Hmv B 9381 |
GB |
Chicago, 25.10.1939, 105! |
2 / 2- |
5.- |
Jimmy Yancey Piano Solo |
Yancey Stomp / Five O’Clock Blues |
1060 |
Hmv B 9366 |
GB |
Chicago, 25.10.1939, 105! |
2- / 2-- |
5.- |
Jimmy Yancey, Piano with Faber Smith Blues Singer |
I received a Letter + / East St. Louis Blues + |
2372 |
Parl R 2959 |
GB |
Chicago 23.2.1940 “ 1940 Super Rhythm Style Series” No. 1 / 2, 105! |
2- / 2-- |
6.- |