| Musikername |
Musiktitel |
Feste Nummer |
Best.Nr. |
Land |
Erläuterungen |
Zustand |
Preis |
| Adrian (Rollini) and his Tap Room Gang |
Bouncin’ in Rhythm / Weather Man F+ |
1399 |
Hmv B 8660 |
GB |
New York, 14.6.1935 |
3+ / 3+ |
6.- |
| Henry Allen & Coleman Hawkins with their Orchestra |
Hush my Mouth (If I ain’t Goin’ South) F+
/ My Galveston Gal F+ |
2723 |
Bru 01709 |
GB |
New York, 9.11.1933, 105! |
2-- / 3+ |
6.- |
| Henry Allen Orchestra |
House in Harlem for sale / Rug Cutter Swing |
1655 |
Vocalion 8 |
GB |
New York, 28.7.1934, “Swing Series”, 105! |
2- / 2-- |
8.- |
| Red Allen Orchestra |
Body and Soul + / Get Rhythm in your Feet (and Music in your Soul) + |
1361 |
Parl R 2935 |
GB |
New York, 29.4.1935, “1944 Super Rhythm Style Series” No. 19 / 20 |
2 / 2 |
6.- |
| Ambrose Orch. Anne Shelton |
All or nothing at all sF+ / You rhyme with everything that‘s beautiful sF+ |
1298 |
Decca F 8344 |
GB |
London, 29.7.1943 |
3 / 3+ |
4.- |
| Andrews Sisters Bing Crosby with Orch. Vic Schoen |
Along the Navajo Trail + / Good Good Good + |
3664 |
Decca 23437 |
US |
Los Angeles, 29.6.1945 |
2- / 2- |
9.- |
| Andrews Sisters Orchestra Sonny Burke / Orchestra Desi Arnaz |
The Mambo Man + / Old don Juan + |
2638 |
Decca 28483 |
US |
ca. Mitte April 1951 |
2-- / 2-- |
9.- |
| Ray Anthony Orch. |
Houseparty Hop / For Dancers only |
2573 |
Tel/Cap 80261 |
D |
2.1.1952 / 27.9.1951, OH |
2- / 2- |
5.- |
| Ray Anthony Orch. |
Mr. Anthony‘s Blues / Trumpet Boogie |
2228 |
Tel/Cap 80265 |
D |
New York, 20.2.1951 / Hollywood, 25.6.1951, OH |
2- / 2- |
5.- |
| Ray Anthony Orchestra with unknown female Vocal |
Hurricane Anthony / Flip Flop + |
888 |
Cap CL 14525 |
GB |
1955, S2 nett und flott . . . |
3++ / 2- |
8.- |
| Louis Armstrong |
You Rascal you + / St. James Infirmary |
2754 |
Parl DO 2 |
DK |
Chicago 28.4.1931 / 12.12.1928 Redlabel mehrere lscrs minio Nlf in Label |
3 / 3+ |
6.- |
Louis Armstrong
Orchestra |
You’ll wish you’d never been born (You so and so) F+ / I hate to leave you now F+ |
1706 |
Victor 24204 |
US |
Camden, 8.12.1932, beidseitig Halbkreisaufkleber „Special Record - Manufactured for The Grammophone Co. Ltd., England“ |
2- / 2 |
16.- |
| Louis Armstrong All Stars |
That‘s a plenty / Lover |
1084 |
Bru 82722 |
D |
Pasadena, 30.1.51 / Boston, 30.11.47 Live! flott ! gepresst 14.11.1953 |
3++ / 2 |
9.- |
| Louis Armstrong / Duke Ellington Orchestra als Harlem Footwarmers |
Tiger Rag / Old Man Blues |
1325 |
Odeon A 286038 |
D |
New York,4.5.1930 / 30.10.1930, S2 flott ! „Odeon Swing Music Series“ |
3+ / 3+ |
18.- |
| Louis Armstrong All Stars |
Basin Street Blues + / dito - Part 2 + |
3419 |
Decca 33756 |
NL |
New York, 19.3.1954, Redlabel, lscrs |
3+ / 2- |
5.- |
| Louis Armstrong All Stars |
Mack the Knife (Mackie Messer) + / Back o‘ Town Blues + |
665 |
Phi B 21776 |
D |
ca. Mitte 1955, aus der „Dreigroschenoper“ von M: Kurt Weill T: Bert Brecht |
3+ / 3++ |
6.- |
| Louis Armstrong All Stars and Jack Teagarden |
Jack Armstrong Blues + / Endie + |
2639 |
Hmv B 9819 |
DK |
New York, ca. Dezember 1946 ”Swing Music 1949 Series“ No. 35 / 36 Singing Duo Armstrong / Teagarden |
2-- / 2 |
6.- |
| Louis Armstrong All Stars m. Jack Teagarden |
Some Day + / Fifty Fifty Blues + |
2612 |
Hmv B 9630 |
GB |
New York, 10.6.1947 S2 feines Gesangsduo Jack/Louis “different Blues” |
2- / 2- |
9.- |
| Louis Armstrong Allstars |
Tiger Rag + / Der treue Husar + |
209 |
Phi 21815 |
D |
Mailand 20. / 21. 12. 1955 OH, lscrs |
3++ / 2- |
8.- |
| Louis Armstrong die Commanders |
The Gypsy + / Cool yule + |
560 |
Bru 82829 |
D |
New York, 22.10.1953, Seite 2 Christmas Song written by Steve Allen, leicht grau - no Problem - spielt gut |
3 / 3+ |
4.- |
| Louis Armstrong Orch. |
Where the Blues were born in New Orleans + / Mahogany Hall Stomp |
1707 |
Hmv B 9588 |
GB |
„Swing Music 1947, Series“ No. 739 |
3++ / 2 ! |
7.- |
| Louis Armstrong Orch. / Joe Venuti Blue Four |
I‘m in the Market for you + / Raggin‘ the Scale |
1131 |
Parl DP 205 |
GB |
Los Angeles 21.7.1930 / New York 7.5.1930 dunkelblaues Label “New Rhythm Style Series” No. 46 / 45 |
2 / 2 |
7.- |
| Louis Armstrong Orchester |
When the Saints go Marching in + / Bye and Bye + |
608 |
Bru 82759 |
GB |
New York, 13.5.1938 / 18.12.1939, lscrs |
3 / 3+ |
4.- |
| Louis Armstrong Orchester / mit Bing Crosby & John Scott Trotter Orchestra |
La Vie en Rose + / Gone Fishin‘ + |
407 |
Bru 82575 |
D |
New York, 26.6.1950 / Los Angeles, 27.4.1951, lscrs, 105! |
3 / 3 |
6.- |
| Louis Armstrong Orchester Gordon Jenkins |
Blueberry Hill + / C‘est ci bon + |
2101 |
Bru 82409 |
D |
6.9.1949 / New York, 26.6.1950 |
2-- / 2-- |
7.- |
| Louis Armstrong Orchestra |
Thanks a Million F+ / Solitude |
1113 |
Decca F 5868 |
GB |
New York, 19.12.1935 OH Seite 2 etwas grau nur 3/3 !!! |
3+ / 3+ |
5.- |
| Louis Armstrong Orchestra |
Struttin‘ with some Barbecue / The Trumpet Players Lament + |
2492 |
Bru 81782 |
D |
Los Angeles, 12.1.1938, lscrs |
3++ / 2- |
12.- |
| Louis Armstrong Orchestra |
Basin Street Blues F+ / Some sweet Day F+ |
2468 |
Hmv K 8152 |
F |
Chicago, 27.1.1933 |
2 / 2 |
9.- |
| Louis Armstrong Orchestra |
St. Louis Blues + / Tiger Rag + |
819 |
Bru 9683 |
GB |
Paris, 7.11.1934 |
3 / 3+ |
6.- |
| Louis Armstrong Orchestra |
I‘ll walk alone + / Kiss of Fire + |
1498 |
Bru 82646 |
D |
Denver, Colorado, 19.3.1952, gepresst 23.3.1952, lscrs, 105! |
3 / 3 |
4.- |
| Louis Armstrong Orchestra / Hot Five |
Sweethearts on Parade F+ / Savoy Blues |
3719 |
Parl DO 9 |
DK |
Los Angeles, 23.12.1930 / Chicago, 13.12.1927, 105 ! |
2- / 2- |
7.- |
| Louis Armstrong Orchestra & Sy Oliver Choir |
C‘est ci bon + / That‘s what the Man said + |
3764 |
Bru 04674 |
GB |
New York, 26.6. / 31.8.1950 |
2-- / 2-- |
7.- |
| Louis Armstrong with Sy Oliver Orch. |
I get Ideas + / A Kiss to build a Dream on + |
2550 |
Decca BM 04777 |
GB |
New York, 24.7.1951 |
2-- / 2-- |
5.- |
| Gus Arnheim Cocoanut Grove Orchestra / Nathaniel Shilkret Victor Orchestra with Frank Munn |
Singin’ in the Rain F / Your Mother and mine F+ |
1720 |
Victor 22012 |
US |
Culver City, California, 28.4.1929 / New York 27.5.1929, paar sehr feine Bläschen - no Problem - 105 !!! |
3+ / 3+ |
18.- |
| Svend Asmussen Orchester |
Civilisation (Bongo Bongo Bongo) + / Nature Boy |
1748 |
Odeon D 1065 |
D |
Stockholm, 7.6. / Mitte Juni 1948 |
2 / 2 |
6.- |
| Svend Asmussen Sekstet |
Sweet Sue + / Limehouse Blues + |
748 |
Odeon D 448 |
D |
Kopenhagen, 1940, S2 Klasse! lscrs |
3++ / 3++ |
7.- |
| Svend Asmussen Sextett |
Five Minutes more F+ / Get up those stairs (Hello Baby Mademoiselle) F+ |
1872 |
Odeon D 5273 |
DK |
Kopenhagen, 24. / 23.1.1947, guter Stoff, mit guter Gesangsgruppe, viele lscrs - spielt sehr gut, kl. Ls |
4 / 3- |
5.- |
| Billy Banks Freddy Randall Band |
Tishomingo Blues + / Walkin´the Dog + |
1338 |
Parl 3545 |
GB |
|
2 / 2 |
5.- |
| Billy Banks Rhythm Makers |
Yellow Dog Blues + / Mean Old Bedbug Blues + |
2437 |
Parl V 1021 |
GB |
New York, 28.7.1932 “Origins of Jazz” Series 105 ! mini Scr 5 clicks leise |
2- / 2-- |
9.- |
| Billy Banks Rhythm Makers |
Yellow Dog Blues + / Mean Old Bedbug Blues + |
1032 |
Parl V 1021 |
GB |
New York, 28.7.1932 “Origins of Jazz” Series spielt gut mit 105 ! |
2- / 3+ |
8.- |
| Chris Barber‘s Jazz Band |
Ice Cream / Saratoga Swing |
4 |
Tempo A 132 |
GB |
London, ca. März 1956, lscrs S1 Wol |
3 / 3+ |
7.- |
| Charlie Barnet Orchestra |
Cherokee / The Duke‘s Idea |
1431 |
Hmv B 9410 |
GB |
New York, 17.7.1939 / Hollywood, 10.9.1939, ”Swing Music 1944 Series“ No.623 / 624, 105! |
3+ / 3+ |
4.- |
| Charlie Barnet Orchestra |
Things ain’t what they used to be / The Victory Walk |
1433 |
Decca BM 03451 |
GB |
New York, 17.7.1942, SOL, 105! |
3++ / 3+ |
5.- |
| Count Basie All American Rhythm Section |
How long Blues / Royal Garden Blues |
177 |
Col 36710 |
US |
Hollywood, 24.7.1942, Nl 6x leise, Lam hcrs nicht hörbar! |
3 / 3 |
4.- |
| Count Basie All American Rhythm Section |
„Blues by Basie“ - Bugle Blues / „Blues by Basie“ - Sugar Blues |
1249 |
Col BF 584 |
F |
1944 SOl kl. Rs |
2-- / 2 |
8.- |
| Count Basie Orch. |
Feather merchant / High Tide ( Short kick ) |
188 |
Col DS 1668 |
GB |
N.Y. 17.November 1941 „Swing Series“ lscrs |
3+ / 3++ |
6.- |
| Count Basie Orch. |
Blue And Sentimental / Doggin' Around |
3754 |
Decca BM 02644 |
GB |
New York, 6.6.1938 |
3++ / 3++ |
5.- |
| Count Basie Orch. Jimmy Rushing |
Blues in the Dark + / Georgianna + |
3000 |
Bru A 81502 |
GB |
New York, 3.1.1938, grau, mini Ls |
4+/3- / 3-/3 |
3.- |
| Count Basie Orch. Jimmy Rushing / Lynne Sherman |
Rusty Dusty Blues + / All Of Me + |
2953 |
Col 36675 |
US |
Hollywood 27.7.1942 / New York 3.11.1941, S1 good Blues, 105 !!! |
3++ / 3++ |
6.- |
| Count Basie Orch. Paul Robeson |
King Joe (Joe Louis Blues) + / dito - Part 2 + |
1794 |
Okeh 6475 |
US |
New York, 1.10.1941, lscrs, bezieht sich auf Joe Louis.
Joseph Louis Barrow (* 13. Mai 1914 in La Fayette, Alabama; † 12. April 1981 in Las Vegas, Nevada), genannt Der braune Bomber. US-amerikanischer Boxer und unumstrittener Schwergewichts-Boxweltmeister. Louis wurde zu einem Idol und Symbol der Emanzipation für die ausgegrenzte und diskriminierte afro-amerikanische Bevölkerung in den USA. Die Fachwelt würdigt ihn als einen der besten Boxer der Geschichte. Legendär seine zwei Kämpfe gegen Max Schmeling |
3+ / 3+ |
10.- |
| Count Basie Orchestra |
Queer Street / Stay cool |
1448 |
Col DF 3480 (36889) |
F |
Los Angeles, 9.10.1945 / 4.2.1946 |
2- / 2 |
6.- |
| Count Basie Orchestra |
The Mad Boogie / Bambo |
3627 |
Col DC 370 |
GB |
6.1. / Januar 1946, |
3+ / 3++ |
5.- |
| Count Basie Orchestra / All American Rhythm Section |
The Jitters / Royal Garden Blues |
1074 |
Parl R 2982 |
GB |
New York, 28.1.1941 / 24.7.1942, “1945 Super Rhythm Style Series” No. 41/42, lscrs |
3++ / 3++ |
6.- |
| Count Basie Orchestra / All American Rhythm Section |
Royal Garden Blues / The Jitters |
601 |
Parl R 2982 |
GB |
Hollywood, 24.7.1942 / New York, 28.1.1941, “1945 Super Rhythm Style Series” No. 41 / 42, 2 x flott, nur Seite 2 Randschaden 1/ 2 cm |
3+ / 2- |
3.- |
| Sidney Bechet New Orleans Feetwarmers |
When it‘s sleepy time down south / 053435-1 Stompy Jones - |
788 |
Hmv b 9329 |
GB |
New York, 28.4.1941 / Chicago, 6.9.1940 lscrs Nlf |
3++ / 3+ |
5.- |
| Sidney Bechet New Orleans Feetwarmers |
Baby won‘t you please come home? / I know that you know |
2757 |
Hmv B 9385 |
GB |
New York, 8.1. / 28.4.1941 |
2-- / 2-- |
5.- |
| Sidney Bechet Blue Note Jazz Men |
When the Saints go marching in / Basin Street Blues |
765 |
Climax 563 |
D |
Best.Nr. nähe Mittelloch |
3+ / 3+ |
6.- |
| Sidney Bechet Blue Note Jazz Men |
Tin Roof Blues / At the Jazz Band Ball |
635 |
Climax 561 |
D |
New York, 21.1. / 23.3.1949 |
2-- / 2- |
6.- |
| Sidney Bechet Blue Note Jazzmen |
Muskrat Ramble / Blue Horizon |
2749 |
Climax 43 |
D |
New York, 20.12.1944 Number right of Middlehole |
2-- / 2 |
7.- |
| Sidney Bechet Blue Note Jazzmen |
Joshua fit the Battle of Jericho / Tailgate Ramble |
76 |
Vogue 2246 |
GB |
ca. 1945, Blue Note Über nahme und dort scheinbar nicht erschienen. |
3++ / 2- |
7.- |
| Sidney Bechet Jazzband (Sextett) with Bunk Johnson |
Lord let me in the Lifeboat / Up in Sidney‘s Flat |
1177 |
J.S. 800 |
F |
New York, 3.10.1945 Übernahme von Blue Note 565 |
2- / 2 |
6.- |
| Sidney Bechet New Orleans Feetwarmers |
I'm Coming, Virginia F / Georgia Cabin F |
159 |
Victor 27904 |
US |
New York, 13.9.1941 |
2 / 2 |
6.- |
| Sidney Bechet New Orleans Feetwarmers |
Save it pretty Mama / Swing Parade |
712 |
Hmv B 9402 |
GB |
New York, 6.9.1940 / 28.4.1941 |
2- / 2- |
4.- |
| Sidney Bechet New Orleans Feetwarmers with Herb Jeffries |
Blue For You, Johnny F+ / Ain‘t Misbehavin‘ |
2794 |
Victor 26746 |
US |
Chicago, 6.9.1940 |
2- / 2- |
6.- |
| Sidney Bechet with Bob Wilber´s Wild Cats |
I had it, but it‘s all gone / Spreadin Joy |
215 |
Col 38320 |
US |
|
2- / 2- |
7.- |
| Sidney Bechet with Bob Wilber‘s Wildcats |
I had it but it‘s all gone now F / Kansas City Man Blues |
3768 |
Col DC 559 |
GB |
ca. 1947 |
2 / 2 |
6.- |
| Sidney Bechet with Humphrey Lyttelton Band |
Some of these Days / Black and Blue |
3830 |
Melodisc 1103 |
GB |
London, 13.11.1949 |
2- / 2- |
6.- |
| Graeme Bell Australian Jazz Band |
When the Saints go marching in + / BELL LYTTELTON JAZZ NINE - Open House |
559 |
Odeon 28428 |
D |
|
3 / 2- |
5.- |
| Graeme Bell Dixiland Jazz Band |
Just gone / Walking Wencelslaus Square |
777 |
Supraphon 18165 |
CZ |
OH recorded Prag 13.11. 1947 |
2-- / 2 |
5.- |
| Graeme Bell Dixiland Jazz Band |
Get it fixed / Organ Grinder |
351 |
Supraphon 18165 |
CZ |
Prag 12. 11. 1947 OH |
2 / 2 |
6.- |
| Tex Beneke Orch. |
Meadowland (Russian Patrol - Kosakenpatrouille) / Makin‘ Love Mountain Style + |
605 |
Hmv MH 76 |
GB |
ca. 1946 |
2- / 2- |
6.- |
| Tex Beneke Orchestra |
St. Louis Blues March / Cherokee Canyon + |
808 |
Hmv BD 6020 |
GB |
Februar 1948 |
3++ / 3++ |
4.- |
| Tex Beneke with the Glenn Miller Orch. Artie Malvin |
One more Tomorrow + / Strange Love + |
1140 |
Hmv HE 2451 |
CH ! |
ca. März 1946 mehrere lscrs |
3+ / 3++ |
7.- |
| Tex Beneke with the Glenn Miller Orch. Artie Malvin |
One more Tomorrow + / Strange Love + |
3479 |
Hmv BD 5946 |
GB |
ca. März 1946, 105 !!! |
2--/ 3+ |
6.- |
| Bunny Berigan Blue Boys |
Blues / I’m coming Virginia |
1491 |
Parl R 2316 |
GB |
New York, 13.12.1935, “1937 Super Rhythm Style Series” No. 5 / 6 |
3++ / 3++ |
5.- |
| Bunny Berigan Orch. |
Little Gates Special / Sobbin´ Blues |
707 |
Hmv B 9363 |
GB |
New York, 22.11.1938 |
2 / 2 |
6.- |
| Bunny Berigan Orchestra with Kathleen Lane |
Sobbin’ Blues / I cried for you + |
829 |
RCA 26116 |
D |
New York, 22.11.1938, lscrs, mini Ls |
3 / 3+ |
4.- |
| Ben Bernie Orchestran with Bailey Sisters & Ensemble |
Fraidy Cat F+ / Li‘l Abner F+ |
2523 |
Decca 3986 |
GB |
New York, 15.8.1941, mehrere lscrs , Nlf |
4+ / 3- |
4.- |
| Barney Bigard Orch. |
A Lull at dawn / Charlie the Chulo |
414 |
Hmv B 9185 |
GB |
|
2- / 3+ |
4.- |
| Connie Boswell with Orchestra |
One dozen Roses + / Sweet Eloise + |
3171 |
Bru 03338 |
GB |
New York, 4. / 24.3.1942, 105 !!! |
2 / 2-- |
6.- |
| Connie Boswell with Bob Crosby Bob Cats |
Martha + / Home on the Range + |
64 |
Bru 02566 |
GB |
Los Angeles, 13.11.1937, bei Rust gelistet . . . |
3++ / 2- |
7.- |
| The Broadway Nitelites |
You were meant for me F+ / BEN SELVIN - Broadway Melody F+ |
2062 |
Col 5374 |
GB |
|
3+ / 3+ |
5.- |
| The Broadway Swingstars (Mezz Mezzrow) |
Mutiny In The Parlor / The Panic Is On |
2042 |
Regal MR 2440 |
GB |
New York, 12.3.1936 |
3++ / 3++ |
6.- |
| Ray Bush and the Avon City Skiffle |
Hey hey Daddy Blues + / Grenn Corn + |
1094 |
Tempo 146 |
GB |
lscrs |
3+ / 3++ |
5.- |
| Henry Busse Orchestra |
The Wang Wang Blues F / Hot Lips F |
3856 |
Bru 03791 |
GB |
Chicago, 25.9.1934, der Mann aus Magdeburg . . ., die Platte wurde 1920 ein Goldene . . . |
2- / 2- |
10.- |
| Billy Butterfield Orch. |
Steamroller + / Jalousie |
799 |
Capitol 335 |
US |
|
2- / 3+ |
5.- |
| Billy Butterfield Orch. |
Steamroller + / Satrdust |
2118 |
Capitol 80017 |
D |
mini Ls |
2- / 2- |
5.- |
| Billy Butterfield Orch. |
Steamroller + / Stardust |
1198 |
Capitol 80017 |
D |
1946 |
3++ / 3++ |
6.- |
| Cab Calloway and his Cab Jivers |
I’ve got the World on a String + / Wha can’t you behave + |
2581 |
Signature 15293 |
US |
ca. 1943, Signature Records war ein unabhängiges US Jazz-Label, das 1942 von Bob Thiele gegründet wurde. Das Label existierte bis 1949. |
2 / 2 |
14.- |
| Cab Calloway Orchestra & The Palmer Brothers |
Blues in the Night F+ / Says who? Says you, says ! F+ |
1908 |
Okeh 6422 |
US |
New York, 10.9. 1941, 105! |
3+ / 3+ |
8.- |
| Capitol Jazzmen Jack Teagarden, Zutty Singleton u.a. |
Clambake in B Flat / I‘m sorry I made you cry + |
3778 |
Cap 10009 |
US |
16.11.1943, Eines d. letzten Soli Jimmy Noone‘s |
2 / 2 |
6.- |
| Capitol Jazzmen Teagarden, Singleton u.a. |
Solitude / Casanovas Lament + |
3779 |
Cap 10010 |
US |
16.11.1943, 2 gute Blues! |
2 / 2 |
6.- |
| Capitol Jazzmen with Peggy Lee |
Someday Sweetheart / That old Feeling + |
475 |
Tel/Cap 10011 |
US |
7.1.1944 |
2- / 2- |
5.- |
| Capitol Jazzmen with Peggy Lee |
Sugar / Ain‘t goin‘ no Place + |
167 |
Cap 10012 |
US |
7.1.1944 |
2- / 2- |
5.- |
| Hoagy Carmichael with the Chickadees, Orch. Vic Schoen |
Huggin‘ and Chalkin‘ + / Old Butermilk Sky + |
2525 |
Bru 03709 |
GB |
1947 |
3++ / 3 |
5.- |
| Hoagy Carmichael with the Chickadees, Orch. Vic Schoen / with Orch. Billy May |
I‘m comin‘ a courtin‘ corabelle + / A Tune for Humming + |
2486 |
Bru 03861 |
GB |
April 1948 Seite 1 flott |
2- / 2- |
5.- |
| Wingy Carpenter Wingies / Jay McShann Orchestra |
Preachin’ Trumpet Blues + / Dexter Blues |
1344 |
Bru 03401 |
GB |
New York, 25.10.1940 / Dallas, 30.4.1941, S1 jut, Klassiker, his Specialty . . ., 105! |
2 / 2- |
7.- |
| Benny Carter Chocolate Dandies |
Out of my Way + / What ‘ll be |
3562 |
Swing 226 |
F |
New York, 23.8.1946 |
2-- / 2 |
16.- |
| Benny Carter Club Harlem Orchestra |
Devil’s Holiday F / Symphony in Riffs F |
3890 |
Col CB 698 |
GB |
New York, 16.10.1933, lscrs |
3+ / 3+ |
10.- |
| Benny Carter Orch. |
What A Difference A Day Made + / Cuddle Up, Huddle Up F |
2080 |
Hmv B 9270 |
GB |
New York, 1.4. / 21.1.1941 mini Rs - 1 mm. 105 !!! |
2- / 2-- |
8.- |
| Benny Carter Orchestra |
These foolish Things / Swingin‘ the Blues |
1191 |
Vocalion S 5 |
GB |
London, 15.4. / Ende April 1936 “Swing Series”, S2 Nlf paar enige Knackser |
3++ / 3++ |
5.- |
| Benny Carter Orchestra |
Back Bay Boogie / Sunday |
2589 |
Hmv B 9449 |
GB |
New York, 16.10.1941, flott! |
3+ / 3++ |
5.- |
| Benny Carter Orchestra with Roy Felton |
The very Thought of you F+ / All of me F |
747 |
Bluebird 10962 |
US |
New York, 19.11.1940, mini Ls, 105!!! |
3++ / 3+ |
5.- |
| Page Cavanaugh Trio |
I want a little Girl + / California is wonderful + |
405 |
RCA DJ 600 |
US |
Promotion Record - Not For Sale |
2- / 2- |
6.- |
| Chicago Footwarmers (Ellington) with Adelaide Hall |
Chicago Stomp Down + / Goin’ To Town |
2572 |
Creole 1 |
US |
New York, 3.11.1927 / 20.11.1928, S1 Scat Vocal, Dub von Okeh 8675 |
2 / 2 |
10.- |
| Chicago Rhythm Kings |
The Eel / Home Cooking |
2822 |
Bru 500328 |
GB |
New York, 17.11.1933, Seite 1 flott, 105 ! |
3+ / 3++ |
10.- |
| Chicago Rhythm Kings |
There‘ll be some Changes made F+ / I‘ve found a new Baby |
2439 |
Bru 03413 |
GB |
Chicago, 6.4.1928 |
3++ / 3++ |
5.- |
| The Chicago Rhythm Kings Vocal Henry Allen |
Someone stole Gabriels Horn + / Who stole the Lock (On The Hen House Door) + |
3745 |
Parl R 2812 |
GB |
New York, 8.10.1932, flott “Jazz Classics Series” No. 14 |
2- / 2-- |
9.- |
| The Chocolate Dandies (Hawkins, Carter, Eldridge, Kirby, Catlett, Addison) |
I surrender Dear / I can‘t believe that you’re in Love with me |
3594 |
Embassy 146 |
GB |
Reeves Sound Studio, New York, 25.5.1940. Whitelabel |
2 / 2 |
8.- |
| The Chocolate Dandies / Horace Henderson Orchestra |
Krazy Kapers Qs / Rhythm crazy (I’m Rhythm crazy now) |
3893 |
Parl R 1743 |
GB |
New York, 10. / 3.10.1933, great Stuff, “1934 Super Rhythm Style Series” No. 7 / 8, leicht grau - no Problem, lscrs |
3 / 3 |
8.- |
| The Chocolate Dandies / Luis Russell Orchestra |
Bugle Call Rag / The new Call of the Freaks + |
778 |
Parl R 1645 |
GB |
New York, 3.12.1930 / 6.9.1929, “Second New Rhythm Style Series” No. 65 / 66,l leicht grau - no Problem - spielt gut |
3- / 3 |
4.- |
| Nat „King“ Cole Trio |
Scotchin‘ with the Soda + / That ain‘t right + |
1046 |
Decca MU 60036 |
F |
Chicago, 14.3. / New York, 22.10.1941, S1 Vocal Trio , 105!!! |
2- / 3+ |
6.- |
| Nat „King“ Cole Trio |
Sweet Lorraine + / Embraceable you + |
1427 |
Tel/Cap 20009 |
D |
Oktober 1944, 105! |
3++ / 3+ |
5.- |
| Bill Coleman Swing Stars |
Drum Face / Muskrat Ramble |
2984 |
Phi 70900 |
D |
18.10.1952, lscrs |
3+ / 3++ |
5.- |
| Alix Combelle et la Jam Session No. 1 |
Blues look out there / Take that last Note |
2964 |
Swing 227 |
F |
Paris, 21.10.1946, mehrere lscrs - spielt gut |
3-- / 3 |
14.- |
| Eddie Condon |
Tennessee Twilight / Madame Dynamite |
11 |
Parl R 2938 |
GB |
New York, 21.10.1933, “1944 Super Rhythm Style Series” No. 25 / 26 |
2- / 3+ |
4.- |
| Eddie Condon Orch. |
Home Cooking F / H.ALLEN,C.HAWKINS THEIR ORCH. - The River´s takin´care of me |
152 |
Bru 02005 |
GB |
OH |
2- / 2-- |
5.- |
| Eddie Condon Orchestra |
The Way you look tonight F / Some sunny Day F |
3390 |
Decca 23721 |
US |
New York, 17.7.1946, lscrs |
3++ / 2- |
6.- |
| Eddie Condon Orchestra |
Farewell Blues F / Stars fell on Alabama F |
3806 |
Decca 23719 |
US |
New York, 27.3.1946 |
3+ / 3+ |
5.- |
| Eddie Condon Orchestra with Jack Teagarden |
Impromptu Ensemble No. 1 + / The Sheik of Araby + |
3629 |
Decca 23718 |
US |
New York, 13. / 14.12.1944 |
3++ / 2- |
7.- |
| Billy Cotton & his Cotton Pickers |
After you‘ve gone F+ / Doin‘ the new Low Down F+ |
2350 |
Regal MR 2028 |
GB |
London, 18.1.1936, lscrs, 105! |
3 / 3 |
5.- |
| Billy Cotton Band |
Will you remember? W+ / My little Buckaroo F+ |
253 |
Rex 9065 |
GB |
London, 7.6.1937 |
3++ / 3++ |
5.- |
| Billy Cotton Band Vocal by Teddy Foster |
Some of these Days F+ / Dinah F+ |
1295 |
Regal MR 1946 |
GB |
London, 18.9.1935, 105!!! |
2-- / 3+ |
6.- |
| Billy Cotton Band with Alan Breeze |
All the Things you are F+ / Never took a Lesson in my Life F+ |
2711 |
Rex 9873 |
GB |
London, 28.10.1940, 105! |
3+ / 3 |
4.- |
| Billy Cotton Band with Alan Breeze |
Let the People sing Qs+ / You’ve done something to my Heart sF+ |
457 |
Rex 9716 |
GB |
London, Anfang Dezember 1939, 105! |
3+ / 3+ |
4.- |
| Billy Cotton Band with Alan Breeze |
Rhapsody in Blue / Dito - Part 2 |
2951 |
Regal MR 957 |
GB |
London, 19.5.1933, 105! |
3+ / 3+ |
6.- |
| Billy Cotton Band with Edna Kay / Alan Breeze |
Love flies out of the Window F+ / Mary Lou F+ |
3313 |
Rex 10233 |
GB |
London, 1945 |
3++ / 3++ |
5.- |
| The Crane River Band / The Saints Jazz Band |
I want a Girl, just like the Girl that married dear old Dad / I’m travelling |
1096 |
Parl R 3427 |
GB |
London, 14.7.1951, Live und sehr flott, “1952 Super Rhythm Style Series” No. 27 / 28 |
2- / 2 |
5.- |
| Jesse Crawford Paramount Theatre Wurlitzer Organ (New York) mit Refrain |
Singin´ in the Rain + / Carolina Moon |
1495 |
EG 1864 |
D |
Februar / 1.4.1929 mehrere lscrs Rs 1 Rille nur S2! |
3 / 3+ |
6.- |
| Bing Crosby & Louis Armstrong mit John Scott Trotter Orchestra / S2 mit Cary Crosby und Matty Matty Matlock All Stars |
Gone Fishin‘ + / Moonlight Bay + |
2018 |
Bru 04781 |
GB |
Los Angeles, 25.4. / 22.3.1951 |
2- / 2- |
5.- |
| Bob Crosby Bob Cats |
March of the Bob Cats / Who‘s sorry now |
2083 |
Decca F 6790 |
GB |
New York, 14.3.1938 / Los Angeles, 13.11.1937 mini Ls |
3++ / 2- |
5.- |
| Bob Crosby Bob Cats |
You‘ll be sorry F+ / Tears on my Pillow F+ |
2857 |
Bru 03723 |
GB |
Los Angeles, 5.2.1942, lscrs |
3+ / 3++ |
5.- |
| Bob Crosby Orch. |
Gin Mill Blues / Beetween the Devil and the Deep |
2334 |
Pol S 624072 |
N ! |
8.2.1937 / 10.3.1938 Norwegische Pressung ! Für Norsk Telefunken |
2-- / 2-- |
5.- |
| Bob Crosby Orch. |
Sugar Foot Stomp / King Porter Stomp |
580 |
Bru 03940 |
D |
Los Angeles, 27.1.1942 |
2- / 2- |
5.- |
| Bob Crosby Orch. |
The Dixieland Band F+ / In a little Gypsy Tea Room F+ |
861 |
Bru 02041 |
GB |
New York, 1.6.1935, 105 !! |
3++ / 3+ |
5.- |
| Bob Crosbys Bob Cats |
The Big Crash from China F / Five Point Blues F |
2724 |
Decca F 7152 |
GB |
New York, 14.3.1938 |
3++ / 3++ |
6.- |
| Pete Daily‘s Dixieland Band |
Careless Love / Daily Rag |
733 |
Tel/Cap 80120 |
D |
20.1.1949 |
2- / 2- |
5.- |
| Joe Daniels Hot Shots |
Tiger Rag / Arkansas Blues |
2141 |
Odeon 31736 |
D |
6.5.1938 NK |
3+ / 3+ |
7.- |
| Joe Daniels Hot Shots |
Tiger Rag / Arkansas Blues |
2496 |
Odeon 31736 |
D |
London, 6.5.1938 NK mini Ls S2 |
3+ / 2- |
5.- |
| Joe Daniels Hot Shots in Drumnasticks |
King for a Day Qs / Clarinet Marmalade Qs |
2973 |
Parl F 2084 |
GB |
London ca. August 1945, lscrs |
3+ / 2- |
6.- |
| Joe Daniels Hotshots in “Drumnasticks” |
Beat me Daddy F / Missouri Scrambler F |
915 |
Parl F 1805 |
GB |
London 6.1.1941 lscrs
Joe Daniels 9.3.1908 in Zeerust, Südafrika - 2.7.1993 in Northwood, Middlesex, England.
Britischer Jazz-Schlagzeuger und Bandleader.
Daniels wuchs in England auf und lernte mit elf Jahren Schlagzeug; er spielte bereits im selben Jahr im Frascati's Restaurant in London. Er begann Anfang der 1920er Jahre als Profimusiker zu arbeiten, spielte mit 14 Jahren bei Harry and Burton Lesters Cowboy Syncopators und auf Kreuzfahrtschiffen der Cunard Liners, danach bei Al Kaplan und Sid Roy (dem Bruder von Harry Roy). Schließlich gründete er 1926 mit dem Trompeter Max Goldberg eine eigene Band. Außerdem arbeitete er in dieser Zeit mit Fred Elizalde und Al Tabor, sieben Jahre bei Harry Roy. Um 1930 nahm er unter der Bandbezeichnung Joe Daniel's Hot Shots erfolgreich mit Billy Mason auf, u. a. mit dem Song Avalon. Mit der Band war er auch häufig in BBC-Radioshows zu hören, 1938 ging er mit den Hot Shots auf eine Skandinavien-Tournee.
Nach Ausbruch des Zweiten Weltkriegs wurde er zur Royal Air Force eingezogen, wo er eine Air-Force-Band und Shows zur Truppenunterhaltung organisierte. Nach Kriegsende und während der 1950er bis in die 1970er Jahre spielte er sowohl mit kleineren Ensembles als auch in Big Bands.
Platten seiner "Joe Daniels Hotshots in “Drumnasticks”" sind immer ein „heißer“ Tip |
3++ / 3++ |
6.- |
| Joe Daniels Hotshots in “Drumnastics” |
Buggle Call Rag / Stardust |
1951 |
Parl F 1077 |
GB |
London, 3.3.1938 |
2- / 2- |
6.- |
| Joe Daniels Hotshots in Drumnasticks |
Boogie for Googie / Who‘s sorry now |
996 |
Parl F 2452 |
NL |
London, ca. 1948, 1 x Boogie 1 x Dixie |
2-- / 2-- |
4.- |
| Joe Daniels Hotshots in “Drumnasticks” |
Short‘nin Bread made long / I‘m forever blowing Bubbles |
1216 |
Parl F 2142 |
GB |
London, Februr 1946, |
3+ / 3+ |
4.- |
| Joe Daniels Jazz Group |
Little brown Jug / Mountain Wine |
1029 |
Parl R 3921 |
GB |
|
2-- / 2-- |
5.- |
| The Denza Dance Band (Harry Reser Band) |
Black Bottom F + / A Night of Love W |
1991 |
Col 4153 |
GB |
New York, ca. Mai 1926, Charleston |
2-- / 2 |
18.- |
| The Denza Dance Band = Ace Brigode‘s 14 Virginians / S2 Harry Resers Syncopators |
Yes Sir that‘s my Baby F+ / Ukulele Lady F+ |
1970 |
Col 3730 |
GB |
New York, 30.4.1925 / Ende 1925 Charleston - Hot. lscrs,Schöne Platte mit gutem Sound!
DENZA DANCE BAND
This name was chosen in 1925 by Herbert C. Ridout, publicity manager of the Columbia Graphophone Company in London, to mask the identities of American dance bands whose first electric recordings it was desired to issue without public announcement of the new recording technique. (Ted Lewis, in London at the time and easily recognizable anyway, was not renamed.) Lot of the Sides containing jazz solos. |
3 / 3+ |
21.- |
| Baby Dodds Drum Solo |
Maryland my Maryland / Rudiments with Drumstick Nerve-Beat |
3167 |
Ash Disc 6006 |
US |
1946, |
2 / 2 |
10.- |
| Johnny Dodds Hot Six |
Gobber Dance / Too tight |
1356 |
Hmv B 10419 |
GB |
|
2 / 2 |
5.- |
| Johnny Dodds Hot Six |
Gobber Dance / Too tight |
3004 |
EL EG 7844 |
D |
Chicago, 7.2.1929 NK, lscrs |
3+ / 3++ |
6.- |
| Johnny Dodds Hot Six |
Sweet Lorraine / Pencil Papa |
1772 |
HJCA HC 12 |
US |
Chicago. 30.1. / 7.2.1929, Dub von Victor V 38038 |
2- / 2- |
8.- |
| Johnny Dodds Trio |
Blue Piano Stomp / Indigo Stomp |
2396 |
Bluebird 10238 |
US |
Chicago, 5.7.1928 / 7.2.1929, Seite 1 mini Kratzer 1 cm minimal hörbar, mehrere lscrs |
3 / 3 |
4.- |
| Johnny Doods Hot Six |
Too tight / Goober Dance F |
90 |
Hmv JK 2138 |
CH |
2 Nl S1 ganz am Anfang S2 ganz am Ende |
3+ / 3+ |
5.- |
| Jimmy Dorsey “Dorseyland” Jazzband |
Jazz me Blues / Struttin‘ with some Barbecue |
1497 |
Col DB 2761 |
GB |
New York, 1.11.1949, Seite 2 flott! |
3+ / 3++ |
5.- |
| Tommy Dorsey Clambake Seven |
(Ah-Yes) There’s good Blues Tonight + / There’s no one but you + |
3472 |
HMV BD 5944 |
US |
New York, 2.3.1946 |
2-- / 2-- |
5.- |
| Tommy Dorsey Clambake Seven |
The Sheik Of Araby / Chinatown, My Chinatown |
1522 |
Hmv B 8825 |
GB |
Hollywood, 15. / 11.7.1938, 2 x flott |
3+ / 3+ |
4.- |
| Tommy Dorsey Orch. / Clambake Seven |
Stop it‘s wonderful F+ / Alla En El Rancho Grande F+ |
1288 |
Hmv K 8475 |
GB |
New York, 20.7. / 28.8.1939, lscrs |
3 / 3 |
4.- |
| Tommy Dorsey Orch. with Audrey Young / Gordon Polk |
On the painted Desert + / Mississippi Mud + |
2239 |
Victor 202852 |
US |
New York, ca. Dezember 1947 |
2-- / 2-- |
6.- |
| Tommy Dorsey Orchestra |
Will you still be mine ? + / Yes indeed + |
52 |
Victor 27421 |
US |
New York, 17.2.1941 |
3++ / 3+ |
4.- |
| Tommy Dorsey Orchestra |
Well allright ! F+ / You don’t know how much you can suffer F+ |
1685 |
Hmv K 8401 |
F |
New York, 22.5. / 15.6.1939 |
3 / 3+ |
6.- |
| Tommy Dorsey Orchestra |
I concentrate on you + / I´ve got my Eyes on you + |
907 |
Hmv X 6466 |
S |
Chicago 29.12.1939 mini Ls |
3+ / 2- |
7.- |
| Tommy Dorsey Orchestra |
Oh promise me F / Shine on harvest Moon F |
2296 |
Victor 201576 |
US |
New York, 3.2.1938 lscrs |
3 / 3+ |
6.- |
| Tommy Dorsey Orchestra |
Boogie Woogie / Tin Roof Blues |
2855 |
Hmv B 8854 |
GB |
New York, 16.9. / 31.10.1938 |
3++ / 3++ |
5.- |
| Tommy Dorsey Orchestra |
Dark Eyes / Blue Danube |
3724 |
Victor 25556 |
US |
New York, 10.3.1937 |
3+ / 3+ |
5.- |
| Tommy Dorsey Orchestra |
Weary Blues / Boogie Woogie |
2931 |
Hmv K 8250 |
F |
New York, 26.9.1935 / 16.9.1938, flott |
2 / 2 |
6.- |
| Tommy Dorsey Orchestra featuring Jimmy Dorsey with Lyn Roberts / Billy Raymond |
Wanted + / I speak to the Stars + |
3531 |
Ronnex RB 21 |
B |
Mai 1954 |
3++ / 2- |
5.- |
| Tommy Dorsey Orchestra The Sentimentalists |
On the sunny Side of the Street + / Ther‘s no you + |
3482 |
Hmv BD 5909 |
GB |
New York, November 1945, always nice, 105! |
2- / 2-- |
5.- |
| Tommy Dorsey Orchestra Vocal S2 Stuart Foster and the Town Griers |
Trombonology / Deep Valley + |
745 |
Victor 202419 |
US |
September 1947 S2 Nlf „Property of Special Services“ - Army Exemplar! |
3++ / 2- |
7.- |
| Jimmy Dorsey Orchestra with Bob Eberly & Helen O’Connell |
I said no +
/ Absent-Minded Moon + |
3483 |
Bru 03317 |
GB |
New York, 3. / 22.12.1941, Picturelabel! 105! |
3+ / 3+ |
6.- |
| Jimmy Dorsey Orchestra with Bob Eberly & Helen O’Connell / Vocal Effects |
Yours F+ / Bar Babble F+ |
3490 |
Bru 03234 |
GB |
New York, 3.2. / 29.4.1941, paar feine Bläschen - no Problem - 105 !!! |
3++ / 3+ |
5.- |
| Tommy Dorsey Orchestra with Denny Dennis |
So in Love + / While the Angelus was ringing (Les trois Cloches) + |
1015 |
RCA 203331 |
US |
New York, Dezember 1948 |
3+ / 3+ |
5.- |
| Tommy Dorsey Orchestra with Jack Leonard / Artie Shaw Orch. with Helen Forrest |
All The Things You Are F+ / All The Things You Are F+ |
925 |
Victor 201561 |
US |
Chicago, 20. / 26.10.1939 Ja, zwei mal same Title ! mit Originalhülle, lscrs |
3+ / 3++ |
7.- |
| Tommy Dorsey Orchestra with Jo Stafford |
Manhattan Serenade F+ / Blue blazes F |
217 |
Decca 27962 |
US |
New York, 2.7.1942, kl. Rs, lscrs |
3 / 3 |
5.- |
| Tommy Dorsey Orchestra with Johnny Amoroso |
Nice to know you care + / Puddle Wump |
1514 |
RCA 203626 |
US |
New York, ca. Mai 1949, two fine Swing Tunes . . ., lscrs |
3 / 3+ |
5.- |
| Tommy Dorsey with Victor Young Orchestra |
Smoke gets in your Eyes / Body and Soul |
523 |
Bru 82449 F |
A |
Los Angeles, 2.1.1951 Bearbeitet 30.6.1951 |
3+ / 3++ |
4.- |
| Rusty Draper with Hugo Peretti Orchestra |
The magic Circle + / Muskrat Ramble + |
699 |
Mercury 3165 |
GB |
|
2- / 2- |
4.- |
| Duke Ellington Orch. Ray Nance |
Flippant Flurry / Tulip or Turnip + |
851 |
Parl R 3070 |
GB |
New York, ca. November 1947, “1947 Super Rhythm Style Series” No. 55 / 56, lscrs |
3 / 3 |
4.- |
| Duke Ellington Orch. Ray Nance |
Flippant Flurry / Tulip or Turnip + |
3792 |
Parl B 71130 |
I |
New York, ca. November 1947 |
2- / 2- |
7.- |
| Duke Ellington Orchestra |
Blue Light (Transblucency) F
Br 8297, Col 36128, BA-266
M 961 - 1 Slap Happy / Slap Happy F |
2134 |
Bru 8297 |
US |
New York, 22.12.1938, mini Ls |
2 / 2 |
10.- |
| Duke Ellington Orchestra with Ivie Anderson |
A Gypsy without a Song F / Rose of Rio Grande F+ |
1983 |
Bru 8186 |
US |
New York, 20.6. / 7.6.1938, S2 abweichende Matritze zu Swing 327 |
2- / 2 |
10.- |
| Duke Ellington Orchester |
Happy Go Lucky Local / Dito - Part 2 |
2423 |
Parl R 3125 |
GB |
New York?, 25.11. / 23.10.1946 both side: from "The Deep South Suite" “1948 Super Rhythm Style Series” No. 43 / 44 |
2 / 2 |
5.- |
| Duke Ellington Orchester |
Lady of the Lavender Mist / Sultry Serenade |
2647 |
Col DB 2623 |
GB |
Los Angeles, 14.8. / 6.10.1947 |
2- / 2- |
5.- |
| Duke Ellington Orchester |
In a sentimental Mood F / Showboat Shuffle |
1589 |
Bru 7461 |
US |
New York, 30.4.1935, minimaler laminierter nur S2 Haircrack - völlig harmlos |
2- / 2- |
6.- |
| Duke Ellington Orchestra |
Bluejean Beguine / Warm Valley |
3803 |
Cap CP 229 |
Australia |
Chicago, 5.9.1940 |
2- / 2- |
7.- |
| Duke Ellington Orchestra |
Warm Valley / Suddenly it Jumped |
2640 |
Hmv B 9847 |
GB |
Chicago 17.10.1940 / Los Angeles, 9.7.1946 |
2 / 2 |
7.- |
| Duke Ellington & Jimmy Blanton Piano and String Bass Duets |
Body And Soul / Mr. J. B. Blues |
2537 |
Hmv B 9211 |
GB |
Chicago, 1.10.1940, 105! |
3+ / 3+ |
6,. |
| Duke Ellington and The Coronets |
She / The Happening |
1242 |
Vogue 2087 |
GB |
New York, 17.4.1951, flottes Happening . . . good Stuff . . . |
2- / 2- |
10.- |
| Duke Ellington Cotton Club Orchester / Jelly Roll Morton Red Hot Peppers |
Jungle Nights In Harlem
/ That'll Never Do |
2278 |
Hmv B 4836 |
GB |
New York, 4.6.1930 / 5.3.1930 |
2 / 2 |
12.- |
| Duke Ellington Cotton Club Orchestra |
The Dicty Glide F / The Mooche F |
2551 |
Hmv B 4920 |
GB |
New York, 7.3.1929 / 30.10.1928, 105!!! |
2-- / 3+ |
10.- |
| Duke Ellington Orch. |
Trumpet no End / Golden Feather |
962 |
Odeon 279780 |
F |
New York, 5.12. / 25.9.1946 |
2 / 2- |
8.- |
| Duke Ellington Orch. |
No, Papa, No / Rockin´in Rhythm |
1803 |
Hmv B 9253 |
GB |
|
2- / 2-- |
8.- |
| Duke Ellington Orch. |
The beautiful Indians / Part 2 |
1362 |
Odeon 279782 |
F |
|
2- / 2- |
9.- |
| Duke Ellington Orch. |
Saratoga Swing F / Misty Mornin´ F |
1683 |
Hmv K 8251 |
F |
OH |
2- / 2- |
9.- |
| Duke Ellington Orch. |
Jack the Bear F / Morning Glory F |
489 |
Hmv SG 186 |
F |
OH |
2- / 2- |
8.- |
| Duke Ellington Orch. |
Jam with Sam / V.I.P.‘s Boogie |
2328 |
Col DC 602 |
GB |
|
2- / 2 |
7.- |
| Duke Ellington Orch. |
Delta Serenade / Solitude |
2681 |
Hmv JF 20 |
GB |
Chicago 9.1. / 10.6.1934 / Side one great Stuff - in my Opinion...... |
2 / 2 |
10.- |
| Duke Ellington Orch. |
Conga Brava F / Ko Ko |
3698 |
Hmv DA 4977 |
F |
Chicago, 15.3. / 6.3.1940, OH |
2- / 2- |
6.- |
| Duke Ellington Orch. |
Riding on a Blue Note / Magenta Haze |
3805 |
Parl A 7693 |
Australia |
New York, 2.2.1938 / 11.12.1946, 105! |
2- / 2- |
8.- |
| Duke Ellington Orch. |
Jazz Convulsions F
/ Rockin‘ In Rhythm F |
3179 |
Bru 02309 |
GB |
New York, 13.9.1929 / 14.1.1931, 105 !!! |
2 / 2- |
9.- |
| Duke Ellington Orch. Ethel Waters |
I can´t give you anything but Love + / Porgy + |
1929 |
Bru 01731 |
GB |
New York, 22.12.1932 lscrs |
3++ / 3++ |
7.- |
| Duke Ellington Orch. Ivie Anderson |
What Am I Here For? / I Don't Mind + |
652 |
HMV B 9415 |
S |
New York, February 26, 1942 lscrs |
3+ / 2- |
8.- |
| Duke Ellington Orch. with Ivie Anderson |
I got it bad and that ain´t good + / Chocolate Shake + |
2344 |
Hmv B 9252 |
GB |
Hollywood 26.6.1941 |
2- / 2-- |
7.- |
| Duke Ellington Orchester |
Riff Staccato + / Time‘s A-Wastin |
1141 |
Hmv B 10523 |
GB |
New York, 1.5.1945, / 1945, Swing Music Series 1953 No. 5 |
2- / 2-- |
6.- |
| Duke Ellington Orchester |
Jumpin´ Punkins / Blue Serge |
1144 |
Hmv B 9196 |
GB |
New York, 15.2.1941 Swing Music Series 1941 No.470, Rs 1. Ri nur S1 |
2- / 2-- |
5.- |
| Duke Ellington Orchester with Ivie Anderson |
At a Dixie Roadside Diner F+ / My Greatest Mistake F |
236 |
Hmv B 9129 |
India |
New York, 22. / 24.7.1940 |
3++ / 3+ |
6.- |
| Duke Ellington Orchestra |
Trumpet no End (Blue Skies ) / Golden Feather |
1205 |
Parl R 3048 |
GB |
New York, 5.12. / 25.9.1946 “1947 Super Rhythm Style Series” No. 35 / 36 |
2 / 2- |
6.- |
| Duke Ellington Orchestra |
Overture to a Jam Session / Dito - Part 2 |
1384 |
Parl R 3081 |
GB |
New York, 11.12.1946,, “1948 Super Rhythm Style Series” No. 1 / 2, lscrs, OH |
2- / 2- |
7.- |
| Duke Ellington Orchestra |
Trumpet no End (Blue Skies ) / Golden Feather |
2020 |
Parl R 3048 |
GB |
New York, 5.12. / 25.9.1946 “1947 Super Rhythm Style Series” No. 35 / 36 |
2- / 2- |
5.- |
| Duke Ellington Orchestra |
Me and you F+ / Concerto for Cootie F |
2421 |
Hmv B 9104 |
GB |
Chicago 15.3.1940, ”Swing Music 1940 Series“ No. 417/18 |
2- / 2- |
5.- |
| Duke Ellington Orchestra |
Solitude F / Black Beauty |
3574 |
Hmv K 8304 |
F |
Chicago 10.1.1934 / New York, 26.3.1928, lscrs |
3++ / 2- |
7.- |
| Duke Ellington Orchestra |
Trumpet no End ( Blue Skies ) / Golden Feather |
2254 |
Parl R 3048 |
GB |
New York, 5.12. / 25.9.1946 “1947 Super Rhythm Style Series” No. 35 / 36, 105!!! |
2 / 2- |
6.- |
| Duke Ellington Orchestra |
Sepia Panorama / John Hardy‘s Wife |
750 |
Hmv K 8796 |
F |
New York, 22.7.1940 / Hollywood 15.2.1941 |
2 / 2 |
6.- |
| Duke Ellington Orchestra |
John Hardy‘s Wife / Bakiff |
3804 |
Hmv EA 3206 |
Australia |
Hollywood, 15.2. / 5.6.1941 |
2- / 2 |
8.- |
| Duke Ellington Orchestra |
Drop me off at Harlem / Clarinet Lament |
1766 |
Parl R 2876 |
GB |
New York, 27.2.1936, “1943 Super Rhythm Style Series” No. 89 / 90 |
3++ / 3++ |
6.- |
| Duke Ellington Orchestra |
The Mooche + / Sweet Chariot + |
1751 |
Parl R 1615 |
GB |
New York, 1.10.1928 / 30.10.1930, S2 als “Harlem Footwarmers”, “Second New Rhythm Style Series” No. 63 / 64 |
3++ / 3++ |
7.- |
| Duke Ellington Orchestra |
New York City Blues / Lady of the Lavender Mist F |
1223 |
Col 38235 |
US |
New York, 30.12.1947 / Los Angeles 14.8.1947, lscrs |
2- / 2- |
7.- |
| Duke Ellington Orchestra |
Rockabye River / Beale Street Blues |
2221 |
Hmv B 9785 |
GB |
Los Angeles, 9.6. / 26.8.1946 |
2 / 2 |
7.- |
| Duke Ellington Orchestra |
Harlem Speaks F / Chicago F |
2526 |
Decca M 438 |
GB |
London, 13.7.1933, mini Ls, 105! |
2- / 2- |
9.- |
| Duke Ellington Orchestra |
Golden Cress F / The Clothed Woman |
2633 |
Col 38236 |
US |
Los Angeles, 1.9.1947 / New York, 30.12.1947, 105! |
2 / 2- |
6.- |
| Duke Ellington Orchestra |
Birmingham Breakdown / East St. Louis Toodle OO |
426 |
Bru 80000 |
US |
New York, 28.2. / 14.3.1927 |
3+ / 3+ |
7.- |
| Duke Ellington Orchestra |
Yellow Dog Blues / Louisiana |
427 |
Bru 02650 |
GB |
New York, 5.6.1928 / 17.10.1928, 105 ! |
2 / 2 |
9.- |
| Duke Ellington Orchestra |
Black and Tan Fantasie / Black Beauty |
2596 |
Bru 02306 |
GB |
New York, 3.11.1927 / 21.3.1928, mini Ls |
2- / 2- |
8.- |
| Duke Ellington Orchestra |
The Sheik of Araby F / Blue Ramble F |
2604 |
Bru 500179 |
F |
New York, 16.5. / 18.5.1932 |
2 / 2 |
8.- |
| Duke Ellington Orchestra |
Braggin‘ in Brass / Carnival In Caroline |
1741 |
Bru 8099 |
US |
New York, 3.3.1938 |
2 / 2 |
10.- |
| Duke Ellington Orchestra feat. Jimmy Hamilton |
Air conditioned Jungle / Stomp look and Listen |
2811 |
Col DB 2504 |
GB |
New York, 10.11.947, mehrere lscrs |
3+ / 3++ |
5.- |
| Duke Ellington Orchestra Vocal Ray Nance |
Just Squeeze me + / Swamp Fire |
2524 |
Hmv B 9536 |
GB |
Los Angeles, 9.7. / 3.9.1946, ”Swing Music 1947 Series“ No. 717 / 718 |
2 / 2 |
6.- |
| Duke Ellington Orchestra with Ivie Anderson |
What Am I Here For? / I Don’t Mind + |
1866 |
HMV B 9415 |
S |
New York, 26.2.1942 |
2- / 2- |
6.- |
| Duke Ellington Orchestra with Ivie Anderson |
I got it bad and that ain‘t good + / Chocolate Shake + |
1290 |
Victor 27531 |
US |
Hollywood, 26.6.1941, ihren letzten wichtigen Auftritt mit dem Duke Ellington Orchestra hatte Ivie Anderson in Los Angeles in dem Musical „Jump for Joy“, aus welchem diese beiden Nummern stammen105!!! |
2- / 2-- |
12.- |
| Duke Ellington Orchestra with Marian Cox |
St. Louis Blues + / Transblucency + |
2420 |
Hmv B 9794 |
GB |
”Swing Music 1949 Series“ No. 27/28 |
2 / 2 |
6.- |
| Duke Ellington Orchestra with Ray Nance |
Riff Staccato + / Time‘s A-Wastin‘ |
662 |
Hmv B 9456 |
GB |
New York, 1.5. / 30.7.1945, 1945 |
2- / 2- |
5.- |
| Duke Ellington Orchetra |
Blackbirds Medley - Part 1 (intro: I can’t give you anything but Love / Doin’ the new Low-
Down / I must have that Man / Baby) / Dito - Part 2 (intro: Dixie / Diga Diga Doo / Porgy / I Can't Give You Anything But Love) |
2574 |
Bru 01517 |
GB |
New York, 17.2.1933, 105! |
2 / 2- |
6.- |
| Duke Ellington with Tommy Dorsey Orchestra / The other Way around ! |
The Minor goes muggin’ / Tonight I shall sleep (With a Smile on my Face) |
2706 |
Hmv B 9453 |
GB |
wohl New York, ca. Anfang November / 14.5.1945 |
2 / 2 |
8.- |
| Pee Wee Erwin Village Five |
Eccentric / Music - Southern Style |
673 |
King 15073 |
US |
|
2- / 2- |
5.- |
| Will Ezell |
Just can‘t stay here + / Pitchin´boogie |
2341 |
Jazz Collector 46 |
GB |
Chicago Sept. 1929 dub |
2- / 2- |
5.- |
| Wally Fawkes Trogodytes |
The pilot Fish and the Whale / Pale Blues |
593 |
Decca FJ 11002 |
GB |
|
2- / 2- |
5.- |
| Irving Fazola Dixieland Band |
Sensation / Mournin‘ Blues |
3769 |
RCA 400142 |
US |
1950 |
2 / 2 |
8.- |
| Irving Fazola Dixieland Band |
Farewell Blues / Fidgety Feet |
3770 |
RCA 400143 |
US |
1950 |
2 / 2 |
8.- |
| Irving Fazola Dixieland Band |
Original Dixieland Onestep / Bluin‘ the Blues |
3771 |
RCA 400140 |
US |
1950 |
2 / 2 |
8.- |
| Irving Fazola Dixieland Band |
Satanic Blues / Ostrich Walk |
3772 |
RCA 400141 |
US |
1950 |
2 / 2 |
8.- |
| Carl Fenton´s Orch. |
I want to be happy F+ / No No Nanette Medley F |
2450 |
Bru 2640 |
US |
ak lscrs S2 teilweise nicht schlecht..... |
2- / 2- |
5.- |
| Maynard Ferguson with Stan Kenton Orchestra |
The hot Canary / What‘s new ? |
1368 |
Tel/Cap 80241 |
D |
31.5.1951 |
2-- / 2 |
6.- |
| Herbie Fields Quintet |
Rainbow Mood / Dardanella |
2451 |
Hmv B 9594 |
GB |
”Swing Music 1940 Series“ No. 745/46 lscrs |
3+ / 3++ |
5.- |
| Roy Fox Orchestra with Denny Dennis |
I could use a Dream F+ / Sweet as a Song F+ |
2831 |
Hmv BD 5359 |
GB |
London, 12.3.1938, Seite 1 kl. Nest lscrs 1/2 cm mini hörbar |
2-- / 2-- |
5.- |
| Roy Fox Orchestra with Denny Dennis |
A Street in Old Seville -Tango-Fox + / Cherokee (Der Indianer) F+ |
2276 |
Decca F 5508 |
GB |
London, 2.4.1935 |
2-- / 2-- |
5.- |
| Bud Freeman Chicagoans |
Prince of Wales / Muskat Ramble |
2015 |
Parl R 2809 |
GB |
New York, 23.7.1940, “Jazz Classics Series” No. 11 / 12 |
2- / 2- |
6.- |
| Bud Freeman Chicagoans |
At the Jazz Band Ball / After Awwhile |
425 |
Parl R 2877 |
GB |
New York, 23.7.1940, “ 1943 Super Rhythm Style Series” No. 91 / 92 |
2-- / 2-- |
6.- |
| Bud Freeman Chicagoans |
Prince of Wales / Muskat Ramble |
2409 |
Parl R 2809 |
GB |
New York, 23.7.1940, “Jazz Classics Series” No. 11 / 12 |
2- / 2- |
4.- |
| Bud Freeman Chicagoans |
Prince of Wales / Muskat Ramble |
298 |
Parl R 2809 |
GB |
New York, 23.7.1940, “Jazz Classics Series” No. 11 / 12 |
2- / 2- |
5.- |
| Bud Freeman Chicagoans |
Prince of Wales / Muskat Ramble |
2623 |
Parl R 2809 |
GB |
New York, 23.7.1940, “Jazz Classics Series” No. 11 / 12, lscrs Rs |
3+ / 3+ |
5.- |
| Bud Freeman Chicagoans, Jack Teagarden |
That Da-Da Strain / Jack hits the Road + |
3857 |
Parl R 2820 |
GB |
New York, 23.7.1940 “Jazz Classics Series” No. 15 / 16 105 ! |
2- / 2- |
6.- |
| Bud Freeman Summa cum Laude Orch. |
The Eel F / China Boy F |
1777 |
Hmv B 9007 |
GB |
New York 19.7.1939, flotti - cannotti... ”Swing Music 1940 Series“ No. 351/52 |
2- / 2- |
7.- |
| Bud Freeman Summa Cum Laude Orchestra |
Susie F / Fidgety Feet F |
3858 |
Bru 03228 |
GB US |
New York, 25.3. / 4.4.1940 |
2 / 2 |
7.- |
| Bud Freeman Summa Cum Laude Orchestra |
I Need Some Pettin’ F / Tia Juana F |
3859 |
Bru 03227 |
GB |
New York, 25.3. / 4.4.1940 |
2- / 2- |
7.- |
| Bud Freeman Windy City Five |
Tillie‘s Downtown Now / The Buzzard |
275 |
Parl R 2210 |
GB |
New York, 4.12.1935, “1936 Super Rhythm Style Series” No. 8 |
2 / 2 |
6.- |
| Friars Society Orchestra |
Eccentric F / Farewell Blues F |
2683 |
Bru 02211 |
GB |
Richmond, Indiana, 29.8.1922, Dub
|
2 / 2 |
6.- |
| Carroll Gibbons Savoy Hotel Orpheans |
Kiss me (Besame Mucho) - Rumba-Fox + / Paper Doll F+ |
3214 |
Col FB 2992 |
GB |
London, 19.1.1944 , 105 ! |
3+ / 3 |
4.- |
| Carroll Gibbons Savoy Hotel Orpheans Leslie Douglas |
Swinging on a Star F+ / San Fernando Valley F+ |
592 |
Col DF 3000 |
F |
London,10.2.1944 |
3+ / 3++ |
5.- |
| Benny Godman Sextet |
China Boy / Ain‘t missbehavin‘ |
3444 |
Parl R 3014 |
GB |
24. / 18.9.1945 “1945 Super Rhythm Style Series” No. 43 / 44, S1 flott |
3+ / 3+ |
6.- |
| Nat Gonella and his Trumpet with instrumental Accomp. |
Rockin‘ Chair + / When you‘re smiling |
2187 |
Decca F 3292 |
GB |
London, 15.11.1932, 105! |
3++ / 3+ |
5.- |
| Nat Gonella and his Trumpet with Rhythm |
I can’t believe that you’re in Love with me / I Heard F+ |
1261 |
Decca F 3176 |
GB |
London, 14.9.1932, seine erste Platte im Rust, mit Al Bowlly on Guitar |
2-- / 2-- |
12.- |
| Nat Gonella Georgians |
I‘m gettin‘ sentimental over you F+ / Georgianna sF+ |
1412 |
Odeon 31737 |
D |
London, 1.12.1937, lscrs, NK |
3+ / 3+ |
6.- |
| Nat Gonella Georgians |
I‘m feeling like a Million F+ / Caravan |
2963 |
Odeon 31246 |
D |
London, 15.9.1937, Seite 1 fettes Nadelloch gegen Ende |
3+ / 3++ |
4.- |
| Nat Gonella Georgians |
Mr. Rhythm Man Qs+ / Star Dust sF+ |
2972 |
Parl F 132 |
GB |
London, 27.2.1935, mehrere lscrs |
3- / 3 |
4.- |
| Nat Gonella Georgians |
Oh! Peter (you‘re so nice) F+ / Pidgin English Hula sF+ |
638 |
Odeon 25610 |
D |
London, 6.10.1935, NK |
3 / 3+ |
5.- |
| Nat Gonella Georgians |
Black Coffee F+ / Lazy River F+ |
649 |
Odeon 25640 |
D |
London, 24.7.1935, NK |
3 / 3 |
5.- |
| Nat Gonella Georgians |
You Rascal you Qs+ / Just a crazy Song F+ |
3071 |
Parl F 393 |
GB |
London, 29.1.1936, S2 Nlf 4 Knackser |
3+ / 3+ |
4.- |
| Nat Gonella Georgians |
Ferdinand The Bull F+
/ Penny Serenade F+ |
3147 |
Odeon 31463 |
D |
London, 16.12.1938, mehrere lscrs - spielt gut |
3-- / 3 |
4.- |
| Nat Gonella Georgians |
Chopsticks F+ / Patty-Cake, Patty-Cake (Baker Man) F+ |
3151 |
Odeon 279619 |
F |
London, 2.5.1939, lscrs, mini Rs |
3+ / 3+ |
4.- |
| Nat Gonella Georgians |
Yeah Man F+ / Japanese Sandman F |
3201 |
Parl F 347 |
GB |
London, 20.11.1935 |
3+ / 3++ |
4.- |
| Nat Gonella Georgians |
He ain’t got Rhythm F+
Par F-852, Od A-272117, OF-5479
CE-8509-1 / All God’s Chillun got RhythmF+ |
3115 |
Parl F 852 |
GB |
London, 19.7.1937, 105! |
2- / 3+ |
4.- |
| Nat Gonella Georgians |
Capri Caprice F+ / The Sheik of Araby F+ |
713 |
Odeon 31009 |
D |
London, 30. / 29.10.1935, leicht grau - no Problem spielt gut |
4+/3- / 3-/3 |
4.- |
| Nat Gonella Georgians |
New Orleans Twist F+
New Orleans Twist - vNG
Par F-318, A-6321, Od 031008, OF-5050
- vNG
Par F-318, A-6321, Od 031008, OF-5050 / Chicago F |
3169 |
Parl F 318 |
GB |
London, 30.10.1935, leicht grau - no Problem - spielt gut |
3 / 3+ |
4.- |
| Nat Gonella Georgians & Stella Moya (S1) |
Lambeth Walk + / The Blackpool Walk + |
3141 |
Odeon 279503 |
F |
London, 16.7.1938, lscrs |
3++ / 3++ |
6.- |
| Nat Gonella Georgians and The Jackdaws |
The Dipsy Doodle F+ / Jubilee F+ |
3120 |
Odeon 279413 Parl F 1029 |
D |
London, 27.1.1938, lscrs |
3 / 3+ |
5.- |
| Nat Gonella Orchestra |
Swinging to those Lies (It’s a Sin to tell a Lie) F+ / I’ll swing you a thousand Love Songs F+ |
3113 |
Odeon OF 5322 |
GB |
New York, 2.12.1936, 105! |
3++ / 3+ |
4.- |
| Benny Goodman Orch. |
Swing Angel / Lucky |
2802 |
Col DB 2443 |
GB |
New York, 30.1.1946 / ?, mehrere lscrs |
3+ / 3++ |
5.- |
| Benny Goodman Orch. |
Bach goes to Town / Farewell Blues |
2838 |
Hmv B 8879 |
GB |
New York, 23.11. / 15.12.1938 Seite 1 flott, 105 ! |
3 / 3 |
5.- |
| Benny Goodman Orch. |
Sweet and lovely / Ooh, look there, Ain‘t she pretty ? + |
510 |
Tel/Cap 15020 |
D |
New York, 23.10.1944, lscrs |
3 / 3++ |
5.- |
| Benny Goodman Orch. Art Lund Vocalist |
On the Alamo + / Blue Skies + |
3696 |
Parl R 3018 |
GB |
15.1.1941, “1946 Super Rhythm Style Series” No. 49 / 50, 105! |
2- / 2-- |
5.- |
| Benny Goodman Orch. Dottie Reid |
It‘s only a Paper Moon F+ / I‘m gonna love that Guy F+ |
690 |
Col 36843 |
US |
New York, 18.6.1945 lscrs |
3++ / 2- |
6.- |
| Benny Goodman Orch. Vocal by Martha Tilton |
My melancholy Baby F / Blue Interlude F+ |
194 |
Hmv B 8841 |
GB |
New York, 28.5. / 8.8.1938, lscrs |
3 / 3+ |
5.- |
| Benny Goodman Orch. Vocal by Martha Tilton |
Don’t be that Way F / One O‘Clock Jump |
798 |
Victor 25792 |
US |
New York, 16.2.1938, lscrs, mini rs |
3 / 3+ |
6.- |
Benny Goodman Orch. with Jane
Harvey / Peggy
Mann |
Only another Boy and Girl F+ / Every Time we say Goodbye F+ |
3190 |
Col 36767 |
US |
New York, 21.12. / 16.11.1944, 105 !!! |
3++ / 3+ |
5.- |
| Benny Goodman Orchestra |
Louise F / Whispering |
1919 |
Hmv B 8878 |
GB |
New York, 12. / 15.12.1938, 105! |
3+ / 3+ |
5.- |
| Benny Goodman Orchestra |
The Flat Foot Floogee + / Alexanders Ragtime Band |
1916 |
Hmv K 8179 |
F |
New York, 31.5.1938 / 7.10.1936, Randschaden bis 2. Rille, viele lscrs - spielt gut |
4 / 4+ |
4.- |
| Benny Goodman Orchestra |
Stealin’ Apples F / Opus Local 802 F |
445 |
Parl R 2749 |
GB |
Los Angeles, 11.8.1939 / New York, 27.12.1939, „1040 Super Rhythm Style Series” No. 101 / 102, SOL, Ls, 105! |
3++ / 3++ |
5.- |
| Benny Goodman Orchestra |
The Birth Of The Blues / Caprice XXIV Paganini |
838 |
Parl R 2830 |
GB |
Chicago 20.8.1941 / New York, 2.10.1941, “1942 Super Rhythm Style Series” No. 7 / 8 |
3+ / 3+ |
5.- |
| Benny Goodman Orchestra |
I‘ve Found A New Baby F / Swingtime In The Rockies F |
2335 |
Hmv B 8481 |
GB |
New York, 15.6.1936 |
3+ / 3+ |
5.- |
| Benny Goodman Orchestra |
Basin Street Blues F / When Buddha Smiles F |
2530 |
Hmv B 8461 Victor 25258 |
GB |
Chicago, 22.11.1935, 105! |
2-- / 2-- |
6.- |
| Benny Goodman Orchestra |
Stompin‘ at the Savoy / If I could be with you (one Hour to Night) |
2684 |
Hmv B 8480 |
GB |
24.1.1936 / 22.11.1935, 105! |
2 / 2- |
5.- |
| Benny Goodman Orchestra |
Big John’s Special / Wrappin’ it Up |
654 |
Hmv B 8798 |
GB |
New York, 22.4.1938, lscrs, 105! |
3 / 3 |
4.- |
| Benny Goodman Orchestra |
Changes F / Minnie the Moocher’s Wedding Day F |
3595 |
Hmv B 8683 |
GB |
Hollywood, 7.7. / 6.9.1937, S1 kl. Verschmutzung 3 x leise bis nicht hörbar |
3 / 3+ |
5.- |
| Benny Goodman Orchestra with Art Lund |
It‘s the Talk of the Town F+ / Swing Angel F |
2853 |
Col 36955 |
US |
30.1.1946 |
2- / 2- |
7.- |
| Benny Goodman Orchestra with Eve Young |
Hora Stacato F / Man here plays fine Piano F+ |
101 |
Col 37207 |
US |
15. / 22.10.1946 |
2- / 2- |
6.- |
| Benny Goodman Quartet |
Avalon / The Man I love |
3424 |
Hmv B 8617 |
GB |
Hollywood 30.7.1937, lscrs |
3 / 3+ |
5.- |
| Benny Goodman Quartet |
Opus Three Quarters / Sugar |
1221 |
Hmv K 8374 |
F |
New York, 6.4.1939 / 25.3.1938 |
2- / 2- |
7.- |
| Benny Goodman Quartet |
Opus Three Quarters / Sugar |
163 |
Hmv B 8957 |
GB |
New York, 6.4.1939 / 25.3.1938 |
3+ / 3+ |
5.- |
| Benny Goodman Sextet |
Six Appeal (My Daddy Rocks Me)
/ These Foolish Things |
688 |
Parl R 2770 |
GB |
Los Angeles, 20.6.1940,105! “Super Rhythm Style Series” |
3++ / 3+ |
4.- |
| Benny Goodman Sextet / Quartet |
Shine / The World is waiting for the Sunrise |
1600 |
Parl R 3002 |
GB |
??? 29.5.1945, New York, 10.3.1942, “The 1946 Rhythm Style Series” No. 21 / 22 |
2- / 2 |
6.- |
| Benny Goodman Sextet with Count Basie |
On The Alamo / Gone With What Draft |
2970 |
Parl R 2798 |
GB |
New York, 15.1.1941 “1941 Super Rhythm Style Series” No. 41 / 42, lscrs |
3+ / 3+ |
6.- |
| Benny Goodman Sextet with Peggy Lee |
The Wang-Wang Blues / The Way You Look Tonight + |
2704 |
Col 36594 |
US |
New York, 10.3.1942, 105! |
3++ / 3++ |
6.- |
| Benny Goodman Sextet with Peggy Lee |
Limehouse Blues / On The Sunny Side Of The Street + |
524 |
Parl DK 1103 |
DK |
New York, 28.10. / 24.12.1941, lscrs |
3+ / 3+ |
5.- |
| Benny Goodman Sextett |
Slipped Disc / Oomph Fah Fah F |
2844 |
Col 36817 |
US |
4.2.1945 |
2- / 2- |
8.- |
| Benny Goodman Trio |
Lady be good / Nobody´s Sweetheart |
2149 |
Hmv B 8462 |
GB |
Chicago, 27.4.1936 105 !!! |
2-- / 3+ |
6.- |
| Benny Goodman Trio |
Who / Someday Sweetheart |
3876 |
Victor 25181 |
US |
New York, 13.7.1935 |
2- / 2- |
9.- |
| Benny Goodman Trio (Teddy Wilson, Gene Krupa) |
After you‘ve gone / Body and Soul |
2813 |
Hmv B 8381 |
GB |
New York, 13.7.1935, spielt gut mit 105! |
2-- / 3+ |
6.- |
| Benny Goodman Trio / Quintet |
I know that you know / I cried for you |
3790 |
Hmv K 8284 |
F |
New York, 29.12.1939, Interessante Soli, lscrs, 105! |
2- / 2-- |
7.- |
| The Goofus Five / Harry Raderman Dance Orchestra |
The Whisper Song F+ / Hallelujah F+ |
606 |
Odeon 165125 |
GB |
New York, 14.4.1927 / New York, 17.5.1927, lscrs, S2 kl. Nadelhacker bzw. Nlf 8 clicks leise |
3+ / 3++ |
4.- |
| Glen Gray Casa Loma Orch. Kenny Sargent |
Tears from my Inkwell F+ / You grow sweeter as the Years go by F+ |
3080 |
Decca 2388 |
US |
New York, 24.3.1939, 105 !!! |
2 / 2- |
6.- |
| Glen Gray Casa Loma Orchestra |
Whoa, Babe! F+ / A Study in Brown F |
822 |
Decca 1159 |
US |
New York, 4.2.1937, mehrere lscrs - spielt gut |
3- / 3 |
4.- |
| Glen Gray Casa Loma Orchestra with The Merry Macs |
Moon Country F+ / Lazy River + |
895 |
Decca 2397 |
US |
New York, 25.2.1939, 105! |
3++ / 3+ |
6.- |
| Jerry Gray Orch. |
Flag Waver / Shine on Harvest Moon |
2417 |
Bru 82599 |
D |
24./25.8.1951 OH |
2 / 2 |
5.- |
| Jerry Gray Orchestra |
In the Mood / A String of Pearls |
456 |
Bru 82475 |
D |
Los Angeles, 5.4. / 18.5.1950, gepresst 15.6. / 2.7.1951, Swing Klassiker . . . |
2- / 2- |
5.- |
| Jerry Gray Orchestra |
Night and Day / What is this thing called Love? |
875 |
Bru 82498 |
D |
17.5.1951 |
3+ / 3++ |
5.- |
| Jerry Gray Orchestra with Tommy Traynor |
And you'll be home + / Accidents will happen F + |
3435 |
Decca 60575 |
F |
Los Angeles, 23. / 25.8.1950, lscrs |
3+ / 3++ |
6.- |
| Bobby Hackett Orch. |
Singin‘ the Blues / Clarinet Marmalade |
3720 |
Parl R 2946 |
GB |
Los Angeles, 25.1.1940, “1944 Super Rhythm Style Series” No. 41 / 42, lscrs, 105 ! mini Nlf in Label |
3++ / 3+ |
4.- |
| Bobby Hackett Orchestra |
Singin‘ the Blues / Clarinet Marmalade |
418 |
Parl R 2946 |
GB |
Los Angeles, 25.1.1940, “1944 Super Rhythm Style Series” No. 41 / 42 |
2 / 2- |
5.- |
| Cass Hagan Hotel Manger Orch. |
„Hit the Deck“ - Hallellujah F+ / „Hit the Deck“ - Sometimes I‘m happy F+ |
3626 |
Col 4612 |
GB |
New York, 12.4.1927, Charleston Ansätze, lscrs |
3- / 3 |
6.- |
| Lionel Hampton Orch. |
New Central Avenue Breakdown / When Lights are low |
1049 |
Hmv SG 288 |
F |
1951 |
2-- / 2-- |
7.- |
| Lionel Hampton Orch. |
I‘ve found a new Baby / Four or five Times |
1601 |
Victor 26447 |
US |
New York, 30.10.1939 mehrere lscrs minimalst hörbar S1 flott ! OH |
3 / 3+ |
7.- |
| Lionel Hampton Orch. |
12 th. Street Rag / Ain‘t cha goin‘ home F |
155 |
Hmv B 9088 |
GB |
New York, 9.6.1939 S1 flott! |
3++ / 3++ |
8.- |
| Lionel Hampton Orch. |
Ain‘t cha comin‘ home F / 12th Street Rag F |
2821 |
Hmv X 6907 |
S |
New York, 9. / 13.6.1939 Seite 2 flott, lscrs, mini Ls, 105 !! |
3+ / 3 |
5.- |
| Lionel Hampton Orch. |
Drum Stomp / Piano Stomp |
3014 |
Hmv B 8800 |
GB |
Hollywood 16.8.1937 - flott und gut, mehrere lscrs |
3- / 3 |
4.- |
| Lionel Hampton Orch. |
Drum Stomp / Piano Stomp |
3690 |
Hmv K 8375 |
F |
Hollywood 16.8.1937, flott und gut, mini Rs |
2-- / 2-- |
8.- |
| Lionel Hampton Orch. |
Flying Home / In The Bag |
2122 |
Decca BM 03405 |
GB |
New York, 26.5.1942, lscrs |
3 / 3 |
4.- |
| Lionel Hampton Orch. |
Hot Mallets F / Shufflin' At The Hollywood F |
2054 |
Hmv JO 18 |
GB |
New York, 11.9.1939 / 5.4.1939 Seite 1 with Dizzy Gillespie |
2 / 2 |
7.- |
| Lionel Hampton Orch. |
Drum Stomp / Piano Stomp |
618 |
Hmv SG 97 |
F |
Hollywood 16.8.1937, flott und gut, mehrere lscrs |
3 / 3++ |
6.- |
| Lionel Hampton Orch. |
Flying Home F / In The Bag F |
3002 |
Bru 03405 |
GB |
New York, 26.5.1942, lscrs, mini grau am Ende |
3- / 3 |
4.- |
| Lionel Hampton Orch. Rubel Blakely |
Nola F / Just for you F+ |
1585 |
Bru 03371 |
GB |
New York, 24.12.1941 lscrs |
3+ / 3+ |
7.- |
| Lionel Hampton Orch. Rubel Blakely |
Nola F / Just for you F+ |
2148 |
Bru 03371 |
GB |
New York, 24.12.1941, lscrs |
3+ / 3+ |
5.- |
| Lionel Hampton Orch. Sonny Parker |
For you my Love + / Rag Mop + |
2038 |
Bru 82417 |
D |
1950, Schlurfspuren |
3++ / 2 |
5.- |
| Lionel Hampton Orch. Sunny Parker / The Hamptones |
Hamp‘s got a Duke / Gone again |
3601 |
Decca 60194 |
F |
Los Angeles, 6.8.1947, S2 mit mehreren mini Scr‘s die ein paar Knackser geben |
3+/3++ / 3/3 |
4.- |
| Lionel Hampton Orchestra |
Buzzin‘ around with the Bee F / Whoa Babe F |
3795 |
Hmv K 8040 |
F |
New York, 14.4.1937, S1 flott |
2 / 2 |
8.- |
| Lionel Hampton Orchestra |
Central Avenue Breakdown / When Lights Are Low |
3796 |
Hmv B 9750 |
NL |
Hollywood, 10.5.1940 / New York, 11.9.1939, 105 !!! |
2 / 2- |
6.- |
| Lionel Hampton Orchestra |
Rhythm Rhythm / China Stomp |
3015 |
Hmv B 8597 |
GB |
New York, 26.4.1937, flott ! mehrere lscrs |
3- / 3 |
3.- |
| Lionel Hampton Quartet |
Hamp‘s salty Blues + / Chord-A-Re-Bop F |
2089 |
Decca BM 03732 |
GB |
New York, 30.1.1946, Seite 1 good Blues, Seite 2 flott und modern |
3 / 3 |
4.- |
| Lionel Hampton Septett |
Two Finger Boogie / Flying Home |
1897 |
Bru 82583 |
D |
New York, 27.5.1945 / 26.5.1942 |
3+ / 2 |
7.- |
| Lionel Hampton Septett |
Two Finger Boogie / Flying Home |
481 |
Bru 82583 F |
A |
New York, 27.5.1945 / 26.5.1942 |
2- / 2 |
8.- |
| Lionel Hampton Sextett |
Bouncing At The Beacon / Chasin' With Chase |
1538 |
Hmv B 9395 |
GB |
Hollywood 20.12.1940 / Chicago, 8.4.1941 Seite 1 Scr in Rille hängt leider besser mit hoher Auflage |
3++ / 3++ |
5.- |
| Harlem Kiddies |
Alligator Swing / Bye bye Blues |
1732 |
Odeon D 944 |
D |
Kopenhagen 11.1.1944, 2 x sehr flott, NK |
3+ / 3++ |
9.- |
| Phil Harris and his Orchestra |
If you’re ever down in Texas, look me up + / That’s what I like about the South + |
719 |
Hmv BD 5989 |
GB |
ca. Oktober 1947, lscrs |
3+ / 3+ |
4.- |
| Phil Harris with Orchestra conducted by Walter Scharf |
Goofus + / The Thing + |
630 |
Hmv B 10007 Victor 203968 |
GB |
13.10.1950, a Golddisc . . . |
3 / 3+ |
4.- |
Phil Harris with The Skyrockets & Orchestra
conducted by Frank Cordell |
So tall a Tree + / You Can’t Make Love With A Cold + |
625 |
Hmv B 9955 |
GB |
September 1950, Ls nicht in Titel |
3 / 3+ |
4.- |
| Coleman Hawkins & Howard Mc Ghee Sextett |
Star Dust / April in Paris |
2672 |
Tel/Cap 573 |
F |
ca. 1950 |
3++ / 3++ |
6.- |
| Coleman Hawkins Orch. |
Fine Dinner F / She´s funny that way F+ |
1327 |
Hmv B 9046 |
GB |
|
2- / 3+ |
6.- |
| Coleman Hawkins Orch. |
Body and Soul / She´s funny that Way ( I got a Woman, crazy for me) + |
278 |
Hmv SG 169 |
F |
New York, 11.10.1939 mini Rs |
3++ / 3++ |
8.- |
| Erskine Hawkins Orch. Jimmy Mitchelle |
Cherry F+ / Country Boy F |
1347 |
Bluebird 300819 |
US |
New York, 18.7.1939 / 27.5.1942 mehrere lscrs , mini Rs spielt gut ! |
3- / 3 |
5.- |
| Coleman Hawkins Orchestra |
I Mean you / You go to my Head |
3781 |
Sonora 3027 |
US |
September - Oktober 1946 |
2-- / 2-- |
16.- |
| Coleman Hawkins with Accompaniment |
Jamaica Shout F / Honeysuckle Rose F |
762 |
Decca 3358 |
US |
New York, 29.9.1933 / London, 18.11.1934, S1 erste Aufnahmen unter eigenem Namen! lsc rs nur S1, 105!° |
3+ / 3+ |
8.- |
| Coleman Hawkins, Stanley Black Piano, Supervision E.Jackson |
Lost in a Fog / Honeysuckle Rose |
833 |
Parl R 2041 |
GB |
London, 18.11.1934, Duo!!! “1935 Super Rhythm Style Series” No. 3 / 4, lscrs |
3+ / 3+ |
7.- |
| Harry Hayes Band |
My Love / Sequence |
3398 |
Hmv B 9397 |
GB |
London, 15.11.1944, S2 nicht ohne... |
2- / 2- |
6.- |
| Ted Heath and his Music |
Wot Cher! (Knocked them in the old Kent Road) / Any old Iron |
128 |
Decca F 8687 |
GB |
London, Oktober 1946 |
3++ / 3++ |
5.- |
| Fletcher Henderson Orchestra |
Jim Town Blues F / You can depend on me F+ |
811 |
Hmv B 8647 |
GB |
Chicago, 4.8.1936, 105! |
2- / 2-- |
8.- |
| Bruno Henriksens Orchester |
Since I kissed my Baby good-bye F / Marcheta F |
988 |
Odeon D 936 |
D |
Kopenhagen 23.12.1943, 2 x fine Swing, lscrs, NK |
3 / 3+ |
7.- |
| Woody Herman and the New Third Herd Vocal by Woody Herman |
Early Autumn + / Celestial Blues |
3774 |
Mars 300 |
US |
August 1952, S1 Laminierter Haircrack - kein Problem kaum zu sehen und nicht zu hören. Mini Label von Woody Herman betrieben, welches Anfang der 50er nur ca. 25 Platten zumeist von Woody Herman rausgebracht hat |
2 / 2 |
4.- |
| Woody Herman Orch. |
Bijou / Your Father‘s Moustache |
3446 |
Col DB 2393 |
GB |
New York, 20. / 6..9.1945, lscrs |
3 / 3+ |
4.- |
| Woody Herman Orch. |
I ain‘t getting any Younger (I Aint
Gonna wait to long) + / Lemon Drop + |
3459 |
Cap 15365 |
US |
30. / 29.12.1948, S2 Modern Jazz, lscrs, Seite 2 matte Stelle - kein Problem! |
3 / 3+ |
5.- |
| Woody Herman Orch. |
Wild Root / Atlanta G.A. + |
277 |
Odeon 28178 |
D |
26.11. / 10.12.1945 |
3++ / 2- |
5.- |
| Woody Herman Orchestra and Singers |
House of Bamboo + / Love is a many splendored Thing |
3380 |
Cap 342 |
I |
1955 |
3++ / 2- |
5.- |
| Woody Herman Woodchoppers |
Steps F / Pam F |
2355 |
Col 37229 |
US |
New York, 16 / 20.5.1946, fine . . . |
2 / 2 |
6.- |
| Alex Hill Hollywood Sepians |
Song of the Plow F+ / EDDIE CONDON RHYTMMAKLERS - Yes, Suh ! |
1699 |
Bru 02078 |
GB |
OH |
2- / 2- |
5.- |
| Earl Hines Orch. |
Deep Forrest / Rosetta |
433 |
Col 35878 |
US |
|
3+ / 3 |
6.- |
| Earl Hines Orchestra with Billy Eckstine |
Boogie Woogie on St. Louis Blues / Jelly Jelly+ |
1340 |
RCA 201757 |
US |
Hollywood, 3.2. / 2.12.1940 |
3+ / 3+ |
5.- |
| Earl „Fatha“ Hines Swingtette |
Keybord Kapers / Sweet Honey Babe |
3814 |
MGM 4042 |
F |
Dezember 1947 / Mitte 1948 |
2- / 2- |
7.- |
| Art Hodes Orch. |
Georgia Cake Walk F / Indiana - slow Blues |
823 |
Bru 03438 |
GB |
New York, 17.3.1942 |
3++ / 3+ |
5.- |
| Art Hodes Orchestra |
Georgia Cake Walk F / Liberty Inn Drag sF |
3889 |
Decca 18437 |
US |
New York, 17.3.1942, paar feine Bläschen - no Problem |
3++ / 3++ |
5.- |
| Johnny Hodges Orch. |
Lost in Meditation + / A Blues Serenade + |
1643 |
Parl R 3178 |
GB |
New York, 22.6.1938 “1949 Super Rhythm Style Series” No. 11 / 12 |
2-- / 2-- |
8.- |
| Johnny Hodges Orchestra |
Queen Bess / That’s the Blues old Man |
631 |
Hmv B 9229 |
GB |
Chicago 2.11.1940 |
3+ / 3+ |
5.- |
| Johnny Hodges Orchestra |
Squaty Roo / Things ain‘t what they used to be |
863 |
Hmv B 9283 |
GB |
Hollywood, 3.7.1941, „An Ellington Unit“ |
3+ / 3+ |
5.- |
| The Hollywood Hucksters /Goodman, Norvo etc.) |
Happy Blues / Them there Eyes + |
660 |
Tel/Cap 40022 |
D |
August 1947, 105! |
3+ / 3+ |
4.- |
| Hotcha Mundharmonika Trio mit Rhytmischer Begleitung |
Donkey Serenade / Bayerische Polka |
2788 |
Phi 17404 |
D |
Hilversum, ca. 1951, OH |
2-- / 2 |
5.- |
| Bob Howard and his Boys |
You’re in Kentucky sure as you’re born F+ / Any Rags F+ |
2725 |
Decca 2112 |
US |
New York, 26.7.1938, fluffig . . . |
3++ / 3++ |
7.- |
| Pee Wee Hunt Orch. |
Twelfth Street Rag / Somebody else not me |
539 |
Tel/Cap 15105 |
D |
lscrs |
3++ / 3++ |
5.- |
| Jack Hylton Orchester |
Glühwürmchen (The Glow Worm) F / Wie Traurig (I’m Sorry) W+ |
1754 |
EL EG 1023 |
D |
London, 30.8.1928 |
3+ / 3+ |
4.- |
| Jack Hylton Orchester |
I must have forty Winks Ch + / Für eine Stunde (Because I love you) W+
|
3356 |
EL EG 339 B 5177 |
D |
London, 16.11. / 27.10.1926, Charlestonansätze, lscrs, spielt gut mit 105 !!! |
3-- / 3-- |
4.- |
| Jack Hylton Orchester |
The Banjo (That Man Joe
Plays) F+ / Um-Tcha-Um-Tcha Da,
Da, Da sF+ |
1026 |
EL EG 1335 |
D |
Small Queen's Hall, London, 26.3. / 12.4.1929, 105!!! lscrs, SOL |
3 / 3 |
5.- |
| Jack Hylton Orchestra |
I lift up my Finger and say „Tweet Tweet“ F+ / Shinaniki Da Os+ |
130 |
EL EG 1298 |
D |
London, 7.4.1929 |
2-- / 2-- |
4.- |
| Jack Hylton Orchestra |
Singin‘ in the Rain F+ / Orange Blossom Time F+ |
3456 |
Hmv B 5700 |
GB |
London, 9.9.1929, Charleston, lscrs, paar graue Rillen beser mit 105 !!! |
3 / 3 |
7.- |
| Jack Hylton Orchestra |
Singin‘ in the Rain F+ / Orange Blossom Time F+ |
2315 |
Hmv K 5774 |
F |
London, 9.9.1929, Charleston, leicht grau - no Problem, 105!!! |
3- / 3- |
5.- |
| Jack Hylton Orchestra |
Tid-Dle-Id-Dle-Um-Pum! F+ / Under the Sweetheart Tree F+ |
1858 |
Hmv B 5897 |
GB |
Small Queen's Hall, London, 29.8.1930, 105! |
3+ / 3+ |
4.- |
| Jack Hylton Orchestra |
Harmonica Harry F+ / The Kings Horses F+ |
771 |
Hmv B 5875 |
GB |
Glasgow, 16. / 17.7.1930, mini ls, 105! |
3++ / 3+ |
4.- |
| Jack Hylton Orchestra |
I’m taking that Baby home F+ / Wimmin Aaah! F+ |
2906 |
Hmv B 5099 |
GB |
London, 28.6. / 1.7.1926, lscrs, 105!!! |
3 / 3 |
4.- |
| Jack Hylton Orchestra |
Is Izzy Azzy Wozz F+ / When I meet Connie in the Cornfield F+ |
2949 |
Hmv B 5666 |
GB |
London, 30.5. / 19.6.1929, 105! |
3+ / 3+ |
4.- |
| Jack Hylton Orchestra |
You tell him F+ / Is she my Girl Friend F+ |
3346 |
Hmv K 5377 |
F |
Hayes, Middlesex, 24.10.1927 / London, 9.12.1927, S2 Charleston, lscrs, 105! |
3 / 3 |
5.- |
| Jack Hylton Orchestra |
Souvenirs F+ / Le-A-Nore F+ |
3353 |
Hmv B 5356 |
GB |
Hayes, Middlesex, 21.9.1927, 105! |
3 / 3- |
4.- |
| Harry James Boogie Woogie Trio with Pete Johnson & Albert Ammons |
Boo Woo / Woo Woo |
2926 |
Col DB 5058 |
GB |
New York, 1.2.1939 Flotti-Cannotti . . . , lscrs, S1 Rs bis 1. Rille |
3+ / 3++ |
4.- |
| Harry James Orch. |
A little Bit of Heaven (Shure, they call izt Ireland) F / Little Star (Estrellita) F |
2799 |
Parl R 2958 |
GB |
New York, 22.1.1941 / 19.3.1942 |
2-- / 2-- |
5.- |
| Harry James Orch. |
I found a new Baby / Flash |
1773 |
Parl R 2943 |
GB |
New York, 24.5. / Los Angeles, 8.11.1939 “1944 Super Rhythm Style Series” No. 35 / 36, lscrs |
3+/ 3++ |
5.- |
| Harry James Orch. |
James Session / Jump Town |
493 |
Parl R 2969 |
GB |
Hollywood, 5.6. / 22.7.1942, “1945 Super Rhythm Style Series” No. 21 / 22 |
3+ / 3++ |
5.- |
| Harry James Orch. Helen Forrest / Johnny McAfee |
Manhattan Serenade F+ / Daybreak F+ |
2927 |
Col 36644 |
US |
Hollywood 15. / 22.7.1942 |
2- / 2- |
7.- |
| Harry James Orch. Paul Weston |
O, mein Papa + / Serenata + |
718 |
Phi 21159 |
D |
|
2 / 2 |
6.- |
| Harry James Orch. Paul Weston |
O, mein Papa + / Serenata + |
2735 |
Phi 21159 |
D |
Januar 1954 OH |
3++ / 2- |
6.- |
| Harry James Orch. vocal by Jack Berg |
Two o‘clock Jump / 'Tain't What You Do (It's The Way That Cha Do It) + |
2925 |
Parl R 2910 |
GB |
New York, 20.2.1939 / 6.3.1939 “Super Swing Music Series” No. 35 / 36, Seite 2 einige lscrs - no Problem |
2-- / 2-- |
5.- |
| Harry James Orch. with Helen Forrest |
I cried for you F+ / You made me love you F |
2921 |
Parl R 2869 |
GB |
New York, 7.7.1942, lscrs, 105 ! Darkbluelabel |
3++ / 3+ |
5.- |
| Harry James Orchester |
A little bit of Heaven (Sure, they call it Ireland) F / Estrellita F |
1203 |
Odeon 31936 |
D |
New York, 22.1. / 19.3.1942, lscrs |
3 / 3+ |
4.- |
| Harry James Orchester mit Toni Harper |
Blacksmith Blues + / Baby Blues + |
2878 |
Col DB 3053 |
GB |
1. Halbjahr 1952 / 1. Halbjahr 1951 |
2-- / 2 |
5.- |
| Harry James Orchester with Helen Forrest |
I cried for you (Now it’s your Turn to cry over me) + / You made me love you (I didn’t want to do it) + |
677 |
Odeon 28009 |
D |
New York, 5.6.1942 / 7.7.1942, lscrs |
3+ / 3++ |
4.- |
| Harry James Orchester with Jimmy Saunders |
When you’re a long long Way from Home F+ / Strictly instrumental |
39 |
Odeon 31891 |
D |
30.12.1941 / 18.3.1942, NK |
2- / 2 |
5.- |
| Harry James Orchestra |
King Porter Stomp / Night Special |
62 |
Parl R 2861 |
GB |
New York, 6.4.1939 / Los Angeles, 30.11.1939 |
2- / 3+ |
4.- |
| Harry James Orchestra |
Sweet Georgia Brown / Ciribiribin |
2943 |
Parl R 2908 |
GB |
New York, 20.2.1939, “Super Swing Music Series” No. 31 / 32, flott! 105! |
2- / 2-- |
5.- |
| Jazz de Paris Dir. Alix Combelle |
Ambiance / Verlaine |
566 |
Swing 105 |
F |
Paris 27.1.1941, lscrs |
2-- / 2 |
16.- |
| Pete Johnson and Albert Ammons Two Pianos with Drums |
Cuttin´ the Boogie / Barrel House Boogie |
2151 |
Hmv B 9251 |
GB |
New York, 7.5.1941 |
2- / 2- |
8.- |
| Pete Johnson and Albert Ammons Two Pianos with Drums |
Cuttin´ the Boogie / Barrel House Boogie |
2250 |
Hmv B 9251 |
GB |
New York, 7.5.1941 |
2 / 2 |
9.- |
| Pete Johnson and Albert Ammons Two Pianos with Drums |
Movin‘ the Boogie / Foot Pedal Boogie |
2397 |
Hmv EA3143 |
Australia! |
kl. Ls / Rs |
2-- / 2- |
6.- |
| Pete Johnson and Albert Ammons Two Pianos with Drums |
Cuttin‘ the Boogie / Barrel House Boogie |
2461 |
Hmv B 9251 |
GB |
New York, 7.5.1941 |
2- / 2- |
5.- |
| Bunk Johnson Jazz Band |
Make me a Pallet on the Floor / Tiger Rag |
2429 |
Esquire 10151 |
GB |
19.12.1945 |
2- / 2- |
5.- |
| Bunk Johnson New Orleans Band |
Alexanders Ragtime Band / My Maryland - Parademarsch |
1870 |
Bru 82568 |
D |
21.11.1945 |
3+ / 2- |
5.- |
| Bunk Johnson New Orleans Band |
High Society / A closer Walk with thee |
1740 |
Hmv B 9820 |
GB |
Oktober 1949 |
3+ / 3++ |
6.- |
| Bunk Johnson New Orleans Band |
When the Saints go marching in / Darktown Strutters Ball |
2556 |
Hmv B 9511 |
GB |
19.12.1945 |
3+ / 3++ |
5.- |
| Bunk Johnson New Orleans Band |
Alexanders Ragtime Band / My Maryland - Parademarsch |
554 |
Bru 82568 |
D |
New York, 21.11.1945 |
3+ / 3++ |
4.- |
| James P. Johnson Piano solo |
Keepin‘ out of Mischief now / Ain't misbehavin‘ (I‘m saving my love for you) |
3413 |
MU 60046 |
F |
New York, 8. / 28.6.1944 |
2- / 2- |
6.- |
| Spike Jones & his City Slickers |
The Blue Danube + / Coctails for Two + |
1620 |
Hmv X 7230 |
DK |
ca. Oktober 1945 / September 1947 |
2- / 2- |
6.- |
| Spike Jones & his City Slickers with Del Porter and the Boys in the Backroom, hiccups by Mel Blanc |
Hotcha Cornia / Black Eyes / Clink, Clink, annother Drink + |
3211 |
Hmv BD 1099 |
DK |
Hollywood, 28.7.1942, S1 Willie Spicer on the Sneezaphone , lscrs |
3 / 3+ |
8.- |
| Spike Jones & his Wacky Wakakians |
Hawaiian War Chant + / I dream of Brownie with the light blue Jeans + |
327 |
Hmv BD 1145 |
GB |
Juni 1946 |
2 / 2 |
7.- |
| Spike Jones & his Wacky Wakakians |
Hawaiian War Chant ((Ta-Hu-Wa-Hu-Wai) + / I dream of Brownie with the light blue Jeans |
3030 |
Hmv BD 1145 |
S |
Juni / Oktober 1946 |
3++ / 3++ |
7.- |
| Spike Jones and his Country Cousins, Eddie Kirk / Fredrric Gas |
Hot Lips + / I went to your Wedding + |
3279 |
Hmv X 8096 |
S |
1952, lscrs |
3 / 3+ |
7.- |
| Spike Jones City Slickers |
Coctails for Two F+ / Chloe F+ |
367 |
Hmv BD 1107 |
GB |
September 1947 |
2- / 2 |
8.- |
| Spike Jones City Slickers |
Riders in the Sky + / Wild Bill Hiccup + |
3283 |
Hmv B 9816 |
S |
Oktober 1949, leicht grau - no Problem |
3 / 3+ |
7.- |
| Spike Jones City Slickers with Carl Grayson / Red (Swamphead) Ingle |
Coctails for Two F+ / Chloe F+ |
1385 |
Hmv BD 1107 |
GB |
September 1947, mehrere lscrs |
3 / 3 |
5.- |
| Spike Jones City Slickers with Chorus |
Nutcracker Suite (Tchaikovsky) - Miniature Overture + / dito - 2. Teil + |
1580 |
Hmv BD 1182 |
DK |
ca. Oktober 1945 |
2- / 2- |
7.- |
| Spike Jones City Slickers with Del Porter and the Boys in the Backroom |
I wanna go back to West Virginia + / Holiday for Strings + |
1567 |
Hmv X 7245 |
DK |
September 1945 |
2- / 2- |
9.- |
| Spike Jones City Slickers, Del Porter |
The Covered Wagon rolled right along + / Red Wing + |
2709 |
Hmv BD 1169 |
GB |
Hollywood, 8.8.1941 |
2-- / 2-- |
6.- |
| Spike Jones City Slickers, Red Ingle, Narration: Richard Morgan |
The Glow Worm + / Old MacDonald had a Farm + |
2262 |
Hmv X 7244 |
DK |
ca. Mitte 1946, mini Ls |
2-- / 2-- |
8.- |
| Louis Jordan Tympany Five |
Let the good Times roll + / Ain’t Nobody here but us Chickens + |
2628 |
Decca 23741 |
US |
New York, 26.6.1946, paar Bläschen (wie häufig bei diesen Pressungen) besser mit 105!!! |
3++ / 3+ |
5.- |
| Louis Jordan Tympany Five with Louis Armstrong |
Life is so peculiar + / (I’ll be glad when you’re dead) You Rascal you + |
210 |
Bru 04627 Decca 27212 |
GB |
New York, 23.8.1950, flott und gut! |
2- / 2- |
10.- |
| The Jungle Band = Duke Ellington / King Oliver Orchestra |
Rockin’ in Rhythm / Stop Crying (+) |
1244 |
Bru 01105 |
GB |
New York 14. / 9.1.1931, S2 with Vocal Effects |
3++ / 3++ |
8.- |
| Danny Kaye with The Regalaires & Vic Schoen Orchestra |
Thank you + / Candy Kisses + |
3099 |
Bru 04087 |
GB |
Los Angeles, 29.3.1949, schön flott . . ., wirklich klasse, 105!!! |
3++ / 3+ |
10.- |
| Swing and sway with Sammy Kaye with the Three Barons |
I´ve got a Pocketful of Dreams + / Don´t let the Moon get away + |
1996 |
Vocalion 4226 |
US |
|
3+ / 3++ |
5.- |
| Stan Kenton |
Come back to Sorrento / Artistry in Bolero |
519 |
Tel/Cap 20086 |
D |
1946, Früher NK-Pressung mit Censure Vermerk |
3+ / 3+ |
5.- |
| Stan Kenton Orch. |
The Peanut Vendor / Intermission Riff |
1022 |
Cap 80009 |
D |
9.8.1948 / 3.12.1947 OH |
2-- / 2 |
5.- |
| Stan Kenton Orch. June Christy |
How high the Moon + / Thermopolae |
53 |
Tel/Cap 80010 |
D |
OH |
3 / 3+ |
5.- |
| Stan Kenton Orch. |
Dynaflow / September Song + |
1228 |
Cap C 9006 |
S |
lscrs |
2- / 2- |
5.- |
| Stan Kenton Orch. |
Easy Go + / But then you kissed me |
3233 |
Tel/Cap 80181 |
D |
21.8.1950 |
2- / 2 |
6.- |
| Stan Kenton Orch. |
Concerto to end all Concertos / Part 2 |
3235 |
Tel/Cap 80013 |
D |
Hollywood, 26.7.1946 Piano Solo - Stan Kenton; Bass Solo - Eddie Safranski; Tenor Saxophone Solo - Vido Musso; Trumpet solo - Ray Wetzel; Alto Saxophone Solo - Boots Mussulli.
|
2- / 2 |
6.- |
| Stan Kenton Orch. |
Chorale for Brass, Piano and Bongo / Artistry in Percussion |
3236 |
Tel/Cap 80115 |
D |
23.8.1946 / 24.9.1947, wilde Sache das . . . manchmal gehört Kenton in die E-Abteilung . . . OH |
2- / 2 |
7.- |
| Stan Kenton Orch. |
Painted Rhythm / Harlem Holiday |
3245 |
Cap 80132 |
D |
ca. Ende 1946 / 1949, mehrere lscrs |
3 / 3++ |
5.- |
| Stan Kenton Orch. Jerri Winters u. Ensemble |
She‘s Comely Wench + / Cool Eyes |
801 |
Tel / Cap 80294 |
D |
ca. Juli 1952 |
2-- / 2 |
5.- |
| Stan Kenton Orchester |
Blues in Burlesque / Dito - Part 2 |
698 |
Capitol 80266 |
D |
Januar 1952, a classic Stan Kenton recording. Progressive Big Band Jazz Sound. Blues in Burlesque is a bombastic Jazz Wall of Sound. Guter Blues ! |
3 / 3+ |
4.- |
| Stan Kenton Orchestra, Die “Pastels” |
Eager Beaver / After you + |
1518 |
Cap 80364 |
D |
Hollywood, 10.11.1943 / New York 2.1.1947 |
2 / 2 |
6.- |
| Stan Kenton the Pastels |
Down in Chihuahua + / m. June Christy Rika Jika Jack + |
220 |
Tel/Cap 80027 |
D |
|
3++ / 2- |
5.- |
| John Kirby Orchestra |
I love you truly / Cuttin‘ The Campus |
2546 |
Parl R 2818 |
GB |
New York, 9.7.1940 / 15.1.1941, “1941 Super Rhythm Style Series” No. 63 / 64, 105! |
2- / 2-- |
5.- |
| John Kirby Orchestra |
Close Shave / Bugler’s Dilemma |
2608 |
Hmv B 9289 Victor 27568 |
GB |
New York, 25.7.1941, 105 ! |
2 / 2- |
4.- |
| Gene Krupa Orch. |
Calling Doctor Gillespie / How high the Moon |
609 |
Col DB 2631 |
GB |
29.10.46 / 29.12.1947 |
2- / 2 |
7.- |
| Gene Krupa Orch. |
Calling Doctor Gillespie / How high the Moon |
854 |
Col DB 2631 |
GB |
New York, 29.10.46 / 29.12.1947, mehrere lscrs |
3- / 3 |
4.- |
| Gene Krupa Orch. Carolyn Grey and Budd y Stewart |
Aren‘t you kind of glad we did? F+ / There is no Breeze F+ |
611 |
Col C 843 |
US |
|
2- / 2- |
6.- |
| Gene Krupa Orch. Howard du Lany |
Somewhere F+ / You Danced With Dynamite F+ |
1220 |
Okeh 5859 |
US |
New York, 30.9. / 16.10.1940 |
2- / 2- |
6.- |
| Gene Krupa Orch. Irene Daye |
The Lady‘s in love with you + / Some like it hot + |
3427 |
Col DO 1995 |
Australia |
Los Angeles 26.2.1939, Film: „Some like it hot“ |
3+ / 3++ |
6.- |
| Gene Krupa Orchestra |
Blue Rhythm Fantasy
/ dito - Part 2 |
2905 |
Parl R 2765 |
GB |
New York, 2.1.1940, “1940 Super Rhythm Style Series” No. 129 / 130, 105!!! |
3++ / 3+ |
5.- |
| Gene Krupa Orchestra with Irene Day |
Moonlight Serenade + / You and your Love + |
984 |
Col DB 5070 |
GB |
New York, 24.7.1939 “ Super Swing Music Series” No. 141/142 2 „Sweet“ Nummern, 105!!! |
2- / 3+ |
4.- |
| Gene Krupa Orchestra with Jerry Krupa |
Fare thee well Annie Laurie F+
/ Prelude To A Stomp |
2959 |
Parl R 2897 |
GB |
New York, 14.4. / ca. Mai 1938 “Super Swing Music Series” No. 9 / 10, lscrs |
3+ / 3++ |
5.- |
| Kay Kyser Orch. with Clyde Rogers / Harry Babbitt & Gloria Wood |
Horses don‘t bet on People F+ / On a slow Boat to China F+ |
3464 |
Col FB 3450 |
GB |
1948, bin mir nicht mehr ganz sicher, auf Seite 1 ein Solo, wenn das ernst gemeint sein sollte, ist es das schlechteste der Geschichte . . . |
3 / 3+ |
5.- |
| Tommy Ladnier Orch. |
Ja - Da / Really the Blues |
561 |
Hmv B 9236 |
GB |
Sol |
2- / 3+ |
5.- |
| Tommy Ladnier Orchestra with Sidney Bechet |
Ja - Da / Really the Blues |
375 |
Hmv B 9236 |
GB |
New York 28.11.1938 |
2- / 3+ |
4.- |
| Nappy Lamare‘s Louisiana Levee Loungers |
High Society / At the Jazz Band Ball |
3709 |
Cap 10025 |
US |
27.1.1945 |
2- / 2 |
6.- |
| Nappy Lamares Levee Loungers |
How come you do me loike you do / Washington and Lee Swing |
2932 |
Cap 884 |
D |
Hollywood, 15.11.1949 |
2- / 2 |
6.- |
| Nappy Lamares Louisiana Levee Loungers |
High Society / At the Jazz Band Ball |
3097 |
Tel/Cap 80173 |
D |
27.1.1945 |
2 / 2 |
5.- |
| Dorothy Lamour with Orch. |
That sentimental Sandwich F+ / Strange Enchantment F+ |
3700 |
Hmv B 8940 |
GB |
ca. August 1939, 105 !!! |
2- / 2- |
5.- |
| Eddie Lang Joe Venuti Orch. |
After you‘ve gone F+ / Farewell Blues F |
2549 |
Decca F 5884 |
GB |
New York, 22.10.1931, S2 flott, OH, mini Ls |
3+ / 2- |
7.- |
| Eddie Lang Joe Venuti Orch. |
After you´ve gone F+ / Farewell Blues F |
1534 |
Decca F 5884 |
GB |
New York, 22.10.1931 S2 flott |
3++ / 3+ |
7.- |
| Eddie Lang Joe Venuti Orchestra |
Someday Sweetheart F / Beale Street Blues F+ |
1389 |
Decca F 5883 |
GB |
New York, 22.10.1931 |
3+ / 3+ |
5.- |
| Eddie Lang Joe Venuti Orchestra |
After you‘ve gone F+ / Farewell Blues F |
1464 |
Bru 80077 |
US |
New York, 22.10.1931, S1 flott |
3+ / 3+ |
6.- |
| Eddie Lang‘s Orchestra / Louis Armstrong Hot Five |
Freeze an‘ Melt F / West End Blues (+) |
2211 |
Parl R 448 |
GB |
22.5.1929 / S2 Chicago 28.6.28 105 ! Darkbluelabel, “New Rhythm Style Series” No. 1 / 2, 105! |
3++ / 3++ |
8.- |
| Vic Lewis and Jack Parnell Jazz Men |
Why begin again (Pastel Blue) / Sugar |
2635 |
Parl R 2949 |
GB |
London, ca. Dezember 1944 “1944 Super Rhythm Style Series“ No. 47 / 48 |
3++ / 2- |
6.- |
| Vic Lewis and Jack Parnell‘s Jazz Men |
Ugly Child / Indiana |
2854 |
Parl R 2960 |
GB |
London, November 1944, “1949 Super Rhythm Style Series“ No. 3 / 4 |
2 / 2 |
5.- |
| Vic Lewis and Jack Parnell‘s Jazz Men |
Johnny’s Idea / Mean old Bed Bug Blues + |
3369 |
Parl R 2933 |
GB |
London, ca. Mitte 1944,“1944 Super Rhythm Style Series” No. 15 / 16 |
2-- / 2-- |
5.- |
| Ted Lewis Band |
Shim-Me-Sha-Wabble ot
/ Moonlight Madness F+ |
3126 |
Col 14199 |
GB |
New York, 16.7.1928, mehrere lscrs / Nlfs - spielt super! |
4+ / 3! |
5.- |
| Ted Lewis Band |
Tiger Rag
/ If you see Sally F+ |
3127 |
Col 4309 |
GB |
Chicago, 16.7.1926, mehrere lscrs / Nlfs - spielt super! |
4+ / 3 |
5.- |
| Vic Lewis Jazz Men |
Ballin‘ the Jack / Dippermouth Blues |
437 |
Parl R 2986 |
GB |
London, 20.7.1945, “1945 Super Rhythm Style Series“ No. 49 / 50 |
2-- / 2-- |
5.- |
| George Lewis New Orleans Stompers |
Deep Bayou Blues / Climax Rag |
948 |
Vogue 2051 |
GB |
|
2- / 2- |
4.- |
| Joe Liggins Honeydrippers |
The Honeydripper Part 1 + / The Honeydripper Part 2 |
1825 |
Parl R 3124 |
GB |
Juli 1945, “ 1948 Super Rhythm Style Series” No. 41 / 42 |
2 / 2 |
8.- |
| Guy Lombardo Royal Canadians |
Dreamy Eyes F+ / The Love bug will bite you F+ |
1451 |
Victor 25548 |
US |
New York, 17.3.1937 Seite 2 nett mit männlicher Gesangsgruppe, lscrs |
3 / 3+ |
6.- |
| Mario Lorenzi Orchestra |
Miss Annabelle Lee F+ / I‘ll see you in my Dreams F+ |
13 |
Col FB 1358 |
GB |
London, 28.2.1936, flott, 105! |
2- / 2-- |
5.- |
| Joe Loss Band |
At the Woodchopper‘s Ball / In the Mood |
1337 |
Col Mz 203 |
CH |
OH |
3+ / 3+ |
5.- |
| Joe Loss Band |
In the Mood - Swing / Oasis |
2865 |
Hmv BD 5705 |
GB |
Blackpool, 8.8.1941 |
3+ / 3++ |
5.- |
| Louisiana Rhythm Kings |
That Da-Da Strain / That‘s a Plenty |
380 |
Bru 02731 |
GB |
New York, 11.6. / 20.2.1929 |
3- / 3 |
4.- |
| Jimmie Lunceford Orch. |
I need a Lift + / The “Jimmies” |
1454 |
Majestic 1060 |
US |
lscrs |
3 / 3- |
5.- |
| Jimmie Lunceford Orch. |
White Heat / Lunceford Special |
2676 |
Parl R 2928 |
GB |
New York, 7.4. / 14.12.1939 “1944 Super Rhythm Style Series” No. 7 / 4, sehr flott |
3+ / 3++ |
9.- |
| Jimmie Lunceford Orch. |
White Heat / Lunceford Special |
2233 |
Parl R 2928 |
GB |
New York, 7.4. / 14.12.1939 “1944 Super Rhythm Style Series” No. 7 / 8 Seite 1 sehr flott! minimal grau 105 !° |
3 / 3+ |
10.- |
| Jimmie Lunceford Orch. |
Runnin' Wild F
/ The Melody Man F+ |
2891 |
Bru 02277 |
GB |
New York, 29.5.1935 / 23.12.1935, mehrere lscrs |
3 / 3+ |
8.- |
| Jimmie Lunceford Orch. |
Battle Axe / Chocolate - Boogie-Woogie |
3645 |
Decca BM 03224 |
GB |
New York, 26.3. / 22.4.1941, 105 !!! |
3+ / 3+ |
7.- |
| Jimmy Lunceford Orch. |
Blues in the Night / Part 2 + |
2561 |
Bru 82698 |
D |
New York, 22.12.1941 jut |
2- / 2 |
6.- |
| Jimmie Lunceford Orch. |
Flight of the Jitterbug / Okay for Baby |
2566 |
Parl R 2853 |
GB |
New York, 23.12.1940 “1942 Super Rhythm Style Series” No. 47 / 48, lscrs mini Scr in Ri 5 x leise |
3 / 3 |
4.- |
| Jimmie Lunceford Orch. |
Flight of the Jitterbug / Okay for Baby |
2082 |
Parl R 2853 |
GB |
New York, 23.12.1940, “1942 Super Rhythm Style Series” No. 47 / 48 |
3 / 3 |
4.- |
| Jimmie Lunceford Orch. Dan Grissom |
I love you F+ / Oh Why Oh Why F+ |
2728 |
Parl R 2716 |
GB |
New York, 17.5.1939, “1939 Super Rhythm Style Series” No. 63/64 lscrs leicht grau Seite 1 Rs 1. Rille |
3 / 3+ |
4.- |
| Jimmie Lunceford Orch. Sy Oliver |
Time‘s A-Wastin + / You‘re just a Dream + |
2696 |
Parl R 2865 |
GB |
New York, 3. / 31.1.1939 “1943 Super Rhythm Style Series” No. 69 / 70. mini Rs, lscrs, teilweise matt - no Problem ! |
3 / 3+ |
6.- |
| Jimmie Lunceford Orchester with Jimmy Young |
’Tain’t what you do (It’s the Way that you do it) F+ / Cheatin’ me + |
591 |
Parl R 2647 |
GB |
New York, 3.1.1939, “1939 Super Rhythm Style Series” No. 25 / 26 |
3++ / 3++ |
5.- |
| Jimmie Lunceford Orchestra |
Blues in the Night / Dito - Part 2 + |
251 |
Bru 03308 |
GB |
New York, 22.12.1941 |
3 / 3 |
5.- |
| Jimmie Lunceford Orchestra |
Avalon / Sleepy Time Gal |
3737 |
Decca BM 1101 |
I |
New York, 30.9. / 29.5.1935, 105 !!! |
2 / 2- |
6.- |
| Jimmie Lunceford Orchestra |
Stratosphere F / Rhythm is our Business F+ |
872 |
Bru 01965 |
GB |
New York, 4.9. / 18.12.1934, Strong and hot, S2 Vorstellung der Musiker, 105!!! |
2-- / 3+ |
10.- |
| Jimmie Lunceford Orchestra |
Mood Indigo F / Sophisticated Lady F |
2720 |
Bru A 81886 |
D |
New York, 4.9.1934, 105! Nlf, lscrs |
3 / 3 |
8.- |
| Jimmie Lunceford Orchestra with Jimmy Young |
I got it + / Monotony in four Flats |
2637 |
Parl R 2924 |
GB |
Chicago, 9.5.1940, “1944 Super Rhythm Style Series” No. 1 / 2 |
3++ / 3+ |
5.- |
| Humphrey Lyttelton and his Band |
The thin red Line / Melancholy Blues |
40 |
London Jazz 1 |
GB |
London, 18.11.1949, Humphrey Lyttelton’s debut record on his own independent record label. |
3++ / 3++ |
5.- |
| Humphrey Lyttelton Band |
Red for Piccadilly / Kater Street Rag |
870 |
Parl R 3734 |
GB |
London, 3.6.1953, “1953 Super Rhythm Style Series” No. 38 / 39 |
3++ / 3++ |
5.- |
| Humphrey Lyttelton Band |
D.J.C. Blues (Does Jesus care) / On Treasure Island |
1238 |
Parl R 3363 |
GB |
Londo, ca. Januar 1951, “1951 Super Rhythm Style Series No. 3 / 4”, lscrs |
2- - / 2-- |
5.- |
| Humphrey Lyttelton Band |
Ice Cream / Froggie moore |
1642 |
Parl R 3292 |
GB |
London, April 1950, “1950 Super Rhythm Style Series No. 15 / 16”, flott, leicht grau - no Problem |
3+/2- / 2-/2- |
6.- |
| Humphrey Lyttelton Band |
Memphis Blues / Maple Leaf Rag |
1108 |
Parl R 3257 |
GB |
London, Februar 1950, “1950 Super Rhythm Style Series No. 5 / 6”, lscrs |
2- / 2 |
5.- |
| Jimmy MacPartland Orchestra |
The Jazz me Blues / China Boy |
498 |
Bru 03057 |
GB |
Chicago, 11.10.1939, lscrs, leicht grau - no Problem |
3 / 3 |
4.- |
| Wingy Mannone |
Send Me F / Solitude F |
2942 |
Bru 02007 |
GB |
New York, 2.5. / 12.9.1934, , lscrs
|
3++ / 2- |
7.- |
| Wingy Manone Club Royale Orchestra / The Cellar Boys |
Trying to stop my Crying / Wailing Blues |
3451 |
HRS 3 |
US |
Chicago, 17.12.1928 / 24.1.1930 „Hot Record Society“ Pressung von September 1937
|
2 / 2 |
10.- |
| Wingy Manone Orchestra |
You Started Me Dreaming F+ / Tormented F+ |
421 |
Bluebird 6359 |
GB |
New York, 9.4.1936, Vocal by Wingy, Birdlabel, lscrs |
3+ / 3++ |
8.- |
| Wingy Manone‘s Dixieland Band |
The Tailgate Ramble + / Sister Kate + |
3725 |
Cap 10024 |
US |
ca. Mitte 1944, 105 !!! |
2- / 2-- |
5.- |
| Mantovani und sein Orchester |
Moonlight Serenade / Ramona |
3666 |
Decca F 43809 |
D |
ca. 1953, die Sweet Variante, OH |
2- / 2 |
5.- |
| Joe Marsala Orchestra |
Lower Register F / I know that you know F |
2398 |
Decca 3764 |
Can |
New York, 21.3.1941, 105! |
2 / 2- |
5.- |
| Matty Matlock All Stars / Jack Teagarden All Stars |
Don‘t you think it‘s about Time? + / Parasol + |
3375 |
Omega OM 10 / Om 112 |
US |
ca. 1951, minio Ls |
2 / 2- |
5.- |
| Billy May Orch. |
Makin‘ Whoopee / Let‘s put out the Lights and go to Sleep |
1509 |
Cap C 13894 |
DK |
|
2-- / 2- |
5.- |
| Billy May Orch. with „The Encores“ |
High Noon (Do not forsake me) / Do you ever think of me + |
720 |
Tel/Cap 80330 |
D |
November 1952, OH |
2-- / 2 |
6.- |
| Clyde McCoy Orch. |
Sugar Blues / Tear it down + |
2388 |
Cap 80276 |
D |
Hollywood 10.12.1951 / 10.1.1952 lscrs |
3+ / 2- |
5.- |
| Rosy Mchargue‘s Memphis Five |
Original Dixieland Onestep / They called it Dixieland |
1540 |
Tempo R 40 |
GB |
|
3+ / 3++ |
5.- |
| McKenzie & Condons Chicagoans |
Sugar F / Liza F |
2661 |
Parl R 2379 |
GB |
Chicago 9.12. / 16.12.1927 “Second New Rhythm Style Series” No. 145 / 146 |
2-- / 2-- |
5.- |
| Red McKenzie Chicago Rhythm Kings |
There'll Be Some Changes Made
I've Found A New Baby / I've Found A New Baby |
2820 |
Bru 500205 |
F |
New York, 30.6.1931 / Chicago, 6.4.1928, lscrs, leicht grau gegen Ende, 105 !!! |
3 / 3 |
9.- |
| Ray McKinley Jazz Band |
Shack In The Back F / Fingerwave |
2058 |
Bru 02403 |
GB |
Los Angeles 31.3.1936 lscrs |
3 / 3+ |
5.- |
| Zep Meisner Dixieland Band |
Who´s sorry now / Riverboat Shuffle |
994 |
Parl PZ 11229 |
CH |
OH |
2 / 2 |
5.- |
| Zep Meissner Dixieland Band |
Who‘s sorry now / Riverboat Shuffle |
3717 |
Parl R 3045 |
GB |
1947 “1947 Super Rhythm Style Series” No. 29 / 30, lscrs, mini Ld |
3 / 3+ |
5.- |
| George Melly Mick Mulligan Band |
Kingdom coming + / I´m a ding dong Daddy + |
1783 |
Decca F 10763 |
GB |
|
2-- / 2-- |
5.- |
| “Mezz” Mezzrow Orch. |
The Swing Session‘s called to order / Hot Club Stomp |
2766 |
Hmv B 8646 |
GB |
New York, 14.6.1937 Recorded under Supervision of Hot Club of America. Flott! |
2- / 2 |
8.- |
| Milton “Mezz” Mezzrow Orch. |
Revolutionary Blues / Gettin´ together |
423 |
Hmv B 9470 |
GB |
|
2 / 2 |
5.- |
| Milton “Mezz” Mezzrow Orch. |
Comin‘ on with the come on F / Part 2 |
578 |
Bluebird 10085 |
US |
New York, 21.11.1938 lscrs |
3++ / 2- |
5.- |
| Mezzrow - Bechet Quartet |
Really the blues / Part 2 |
374 |
J.S. 710 |
F |
18.9.1947 OH |
2 / 2 |
5.- |
| Milton “Mezz” Mezzrow Orchestra |
Comin‘ On With The Come On - Part 1
/ dito - Part 2 |
2796 |
Hmv B 9468 |
GB |
New York, 21.11.1938, 105! |
2- / 2- |
5.- |
| Mezzrow- Bechet Quintet |
Gone away Blues / De Luxe Stomp |
2380 |
King Jazz 140 |
US |
New York, 30.8.1945, Mezz Mezzrows Label King Jazz bestand von 1945 bis 1947. |
2- / 2- |
6.- |
| Mezzrow- Bechet Quintet |
Ole Miss / Out of the Gallion |
3044 |
King Jazz 142 |
US |
New York, 29. / 30.8.1945, |
2- / 2- |
6.- |
| Mezzrow- Bechet Quintet |
Bowin‘ the Blues / Old School |
3163 |
King Jazz 141 |
US |
New York, 29. / 30.8.1945, 105 ! |
2- / 2- |
6.- |
| Miami Dance Orchestra |
New Charleston F / I want to be happy F |
2886 |
Salabert 185 |
F |
wohl New York, ca. 1925, Seite 1 Charleston , leicht grau - no Problem, spielt gut, lscrs, 105 ! |
3- / 3 |
12.- |
| Glenn Miller Orch. |
Frenesi / My Blue Heaven |
2490 |
Hmv BD 5678 |
GB |
13.12. / 28.4.1940 flott! OH |
2-- / 2-- |
8.- |
| Glenn Miller Orch. |
Johnson Rag F / Yes, my Darling Daughter + |
3457 |
Hmv BD 5683 |
GB |
5.11.1939 / 15.11.1940, 2x typischer Miller Sound |
2-- / 2-- |
9.- |
| Glenn Miller Orch. |
Runnin‘ wild F / Pavanne F |
3345 |
HMV BD 5805 |
GB |
New York, 18.4.1939, flott! |
2-- / 2-- |
9.- |
| Glenn Miller Orch. |
Adios F / Under blue Canadian Skies F+ |
1845 |
Hmv BD 5727 |
GB |
25.6.1941 |
2- / 2- |
7.- |
| Glenn Miller Orch. Ray Eberle |
Bless you F+ / Speaking of Heaven F+ |
3183 |
Bluebird 10455 |
US |
9.10.1939, mini Ls |
3++ / 3++ |
9.- |
| Glenn Miller Orch. with Ray Eberle |
Mem'ry Of A Rose F+ / Prairieland Lullaby F+ |
330 |
Bluebird 11011 |
US |
27.12.1940 |
2-- / 2-- |
8.- |
| Glenn Miller Orchestra |
American Patrol / Moonlight Serenade |
1162 |
EL EG 7465 |
D |
2.4.1942 / 4.4.1939, NK |
3++ / 2- |
8.- |
| Glenn Miller Orchestra |
Glen Island Special F / Pagan Love Song |
997 |
Hmv BD 5839 |
GB |
wohl New York, 15.1.1940 / 27.6.1939, 2 sehr flotte Titel ! 105!!! |
2-- / 3+ |
8.- |
| Glenn Miller Orchestra The Modernaires & Marion Hutton |
Juke Box Saturday Night F+ / Sleepy Town Train F |
2555 |
Hmv BD 5876 |
GB |
15.7.1942 |
2-- / 2-- |
10.- |
| Glenn Miller Orchestra The Modernaires and Skip Nelson / Ray Eberle |
That old black Magic F+ / At Last F+ |
2052 |
Hmv BD 5811 |
GB |
15.7. / 20.5.1942 |
3++ / 3++ |
6.- |
| Glenn Miller Orchestra with Paula Kella & The Four Mordernaires |
Don’t cry Cherie F+ / Sweeter than the Sweetest F+ |
926 |
Hmv MH 93 Bluebird 11183 |
GB |
20.5.1941, 105!! |
2- / 2-- |
8.- |
| Die Glenn Miller Story |
Pennsylvania 6 - 5000 + / Little Brown Jug |
2005 |
Bru 82806 |
D |
30.3.1954, Originalaufnahme aus dem gleichnamigen Universal Film |
3++ / 2- |
6.- |
| Mills Brothers |
Why fight the Feeling + / The Tunnel of Love + |
3586 |
Decca Y 6264 |
Australia |
New York, 14.6.1950 |
2- / 2- |
9.- |
| Mills Brothers |
Daddy‘s little Girl + / Who‘ll be the next one (To cry over you) + |
3591 |
Decca Y 6226 |
Australia |
Los Angeles, 3.1.1950 / New York, 28.7.1949, 105 !!! |
2 / 2- |
9.- |
| Mills Brothers |
Till then + / You always hurt the one you love + |
2721 |
Decca Y 5918 |
Australia |
New York, 27.2.1944, kl. ls |
2-- / 2-- |
7.- |
| Mills Brothers (4 Boys and a Guitar are One Orch.) |
Tiger Rag + / Goodbye Blues + |
774 |
Bru 01415 |
GB |
14.9.1934 / 8.3.1932, flott und genial . . . |
3+ / 3++ |
9.- |
| Mills Brothers / Ink Spots |
What you don't know won't hurt you + / You can't see the sun when you're crying + |
3425 |
Decca Y 6071 |
Australia |
New York, 22.5.1947 / 7.11.1946, 105! |
2- / 2- |
8.- |
| Mills Brothers Orch. Sy Oliver |
The Urge + / Paper Valentine + |
471 |
Bru 05390 |
GB |
1955 |
2 / 2 |
5.- |
| The Modernaires |
New Juke Box Saturday Night + / Runnin Wild + |
1844 |
Coral 91012 |
D |
20.5.1946, bearbeitet 8.8.1953 |
2 / 2 |
8.- |
| The Modernaires Vocal Ensemble with Orchestra by Fran Scott |
The Glenn Miller Story + / dito - Part 2 + |
944 |
Coral 91074 |
D |
1953 |
3+ / 2- |
5.- |
| Miff Mole Molers |
Shim-Me-Sha-Wabble / After You've Gone |
3438 |
UHCA 23 / 24 |
US |
New York, 6.7.1928 / 24.9.1929, DUB |
2 / 2 |
5.- |
| Jelly Roll Morton |
New Orleans Joys / Perfect Rag |
1859 |
British Rhythm Society 4 |
GB |
Richmond, Indiana, 17.7.1923 / 9.6.1924, DUB von Gennett 5486, Vinyl 78er |
2 / 2 |
5.- |
| Jelly Roll Morton Jazz Band |
Someday Sweetheart / London Blues |
2236 |
HJCA HC 4 |
US |
Chicago, 30.10.1923, Dub von Okeh 8105 |
2 / 2 |
7.- |
| Jelly Roll Morton New Orleans Jazzmen |
Ballin´ the Jack F+ / Don´t you leave me here F+ |
1694 |
Hmv B 9218 |
GB |
New York 28.9.1939 mini Ls |
2- / 2 |
7.- |
| Jelly Roll Morton New Orleans Jazzmen |
West End Blues / Climax Rag |
2288 |
Hmv B 9219 |
GB |
New York, 28.9.1939, 105 ! |
2- / 2-- |
5.- |
| Jelly Roll Morton New Orleans Jazzmen |
Oh, didn‘t he ramble + / Winin‘ Boy Blues + |
1331 |
Hmv B 9217 |
GB |
New York, 14.9.1939, Seite 1 mit einer Art Vorrede zu einer Beerdigung, 105! |
2- / 2- |
6.- |
| Jelly Roll Morton Piano solo |
Stratford Hunch / Grandpa‘s spells |
3865 |
Jazz Collector L 104 |
US |
New York, ca. 1922, transcribed from Piano Roll, DUB |
2- / 2- |
7.- |
| Jelly Roll Morton Piano solo |
Original Rags
/ Mamie’s Blues |
2617 |
Commodore 587 |
US |
New York. 14. / 16.12.1939, 105! |
2 / 2- |
5.- |
| Jelly Roll Morton Red Hot Peppers |
Black Bottom Stomp / Grandpa‘s spells |
779 |
EL EG 7812 |
D |
Chicago, 15.9. / 16.12.1926 DUB NK, mini Ls |
2-- / 2 |
9.- |
| Jelly Roll Morton Red Hot Peppers |
Georgia Swing / Mournful Serenade |
2717 |
Hmv B 9221 |
GB |
New York, 11.6.1928 |
2 / 2 |
5.- |
| Jelly Roll Morton Red Hot Peppers |
Mushmouth Shuffle / Blue Blood Blues |
568 |
HJCA HC 46 |
US |
New York. 14.7.1930, Dub von Bluebird 8201, paar feine Bläschen - no Problem |
3++ / 3++ |
5.- |
| Jelly Roll Morton Red Hot Peppers |
Crazy Chords / Gambling Jack |
1972 |
HJCA HC 68 |
US |
Chicago, 2.6. / 9.10.1930, Dub von Victor 23307 |
2 / 2 |
7.- |
| Mound City Blue Blowers |
High Society / Muskrat Ramble |
831 |
Decca F 7808 |
GB |
N.Y. 12.12.1935 |
2-- / 2-- |
6.- |
| Mound City Blue Blowers |
High Society / Muskrat Ramble |
1839 |
Decca F 7808 |
GB |
N.Y. 12.12.1935 |
2-- / 2-- |
7.- |
| Turk Murphy‘s Jazz Band |
Grandpa‘s spells / All the Wrongs you‘ve done to me |
225 |
Good Time Jazz 8 |
US |
Los Angeles 31.5.1949 Paar Bläschen - no Problem |
2- / 2 |
7.- |
| New Orleans Rhythm Kings |
Sweet Lovin Man / London Blues |
2316 |
Bru 02210 |
GB |
Richmond, Indiana 12.3./ 18.7.1923 Seite 2 Scr halbe Seite minimal hörbar auf ca. 1/2 cm. |
3+ / 3+ |
4.- |
| New Orleans Rhythm Kings |
Tin Roof Blues / That‘s a Plenty |
2135 |
Bru 02208 |
GB |
Richmond, 13.3. / 12.3.1923 Dub! |
2-- / 2-- |
7.- |
| New Orleans Rhythm Kings / Adrian Rollini Orch. |
Baby Brown / Somebody loves me + |
648 |
Bru 03447 |
GB |
New York, 20.2.1935 / 23.10.1934 |
2-- / 2-- |
7.- |
| New Orleans Wanderers |
Perdido Street Blues / Gatemouth |
763 |
Col DB 2860 |
S |
dub Chicago 13.6.1926 Außer Col 698 nur Dub-Ausgaben bekannt! |
2-- / 2-- |
7.- |
| New Orleans Wanderers |
Too Tight / Papa Dip |
160 |
Col DB 2920 |
GB |
dub Chicago 13.7.1926 Außer Col 735 nur Dub-Ausgaben bekannt! |
2- / 2 |
7.- |
| Red Nichols Five Pennies |
Margie / Panama |
2372 |
Bru 03499 |
GB |
New York, 1.6. / 29.5.1928 leicht grau - no Problem |
3 / 3+ |
6.- |
| Red Nichols Five Pennies |
Whispering F / Rockin‘ Chair F |
517 |
Bru 01852 |
GB |
New York, 31.5.1928 / 1.12.1930, lscrs |
3+ / 3++ |
5.- |
| Red Nichols Five Pennies |
Washboard Blues / That’s No Bargain |
518 |
Bru 01801 |
GB |
New York, 8.12.1926, leicht grau - no Problem |
3 / 3+ |
5.- |
| Red Nichols Five Pennies |
Five Pennies F / Japanese Sandman |
549 |
Bru 01851 |
US |
New York, 21.6. / 27.2.1928, 105! |
3++ / 3+ |
5.- |
| Red Nichols Five Pennies |
Clarinet Marmalade / Sweet Sue, just you |
1690 |
Parl R 2598 |
GB |
New York, 18.2.1932 “Second New Rhythm Style Series” No. 187 / 188 |
2-- / 2-- |
7.- |
| Jimmie Noone Apex Club Orchestra |
It‘s tight like this + / My Daddy rocks me + |
1438 |
Decca BM 31024 |
GB |
Chicago, 27.12.1928 / 11.7.1929, Vocal by Junie Cobb / May Alix, “Origins of Jazz Series” |
2- / 2- |
6.- |
| Jimmie Noone Orch. |
Four or five Times + / Bump it |
379 |
Decca 60336 |
F |
|
2- / 2- |
5.- |
| Jimmy Noone‘s New Orleans Band |
Way down yonder in New Orleans / Sweet Georgia Brown |
3448 |
Parl R 2281 |
GB |
Chicago, 15.1.1936, flott “1936 Super Rhythm Style Series” No. 19 / 20 |
3++ / 3++ |
6.- |
| Gene Norman´s Just Jazz |
No. 3 Blue Lou / Part 2 |
142 |
Vogue 2047 |
GB |
Garner, Gray, Callender u.a. |
3+ / 3++ |
5.- |
| Gene Norman‘s just Jazz |
One O´Clock Jump / Two O´Clock Jump - u.a. *Garner,Dickenson, Carter etc. |
132 |
J.S. 571 |
F |
Live ! deswegen so anders |
3 / 3+ |
5.- |
| Gene Norman‘s just Jazz No. 1 Garner, Dickenson, Carter etc. |
One o‘Clock Jump / Two J.S. 571 |
469 |
J.S. 571 |
F |
1949 Live ! kl. Ls |
3+ / 2- |
7.- |
| Red Norvo Swing Octet |
Blues in E Flat / Bughouse |
2652 |
Parl R 2241 |
GB |
New York, 25.1.1935, |
2- / 2- |
6.- |
| King Oliver Dixie Syncopators |
Slow and steady / I´m watching the Clock |
358 |
Vocalion V 1033 |
GB |
“Origins of Jazz Series” New York, 12./14.11.1928 lscrs |
2-- / 2 |
12.- |
| King Oliver Orchestra |
Call of the Freaks / The Trumpet‘s Prayer |
230 |
Hmv JF 36 |
GB |
46th Street Studio, New York, 1.2.1929, 105! |
2- / 2- |
9.- |
| King Oliver‘s Jazz Band |
Riverside Blues / Working Man Blues |
2175 |
HJCA HC 7 |
US |
Chicago 26.10.1923, Dub |
2 / 2 |
6.- |
| King Oliver‘s Creole Jazz Band |
Riverside Blues / Mabels Dream |
2710 |
Decca BM 03575 |
GB |
Chicago, 24.12.1923, Dub |
2 / 2 |
6.- |
| Original Creole Stompers mit Baby Dodds |
Eh La-Bas! + / Up jumped the Devil |
1767 |
Gazell 1031 |
S |
1945 |
2- / 2 |
5.- |
| The Original Dixieland Jazzband (ODJB) |
Tiger Rag / Jazz me Blues |
1044 |
EL EG 7793 |
D |
New York, 25.3.1918 / 3.5.1921 OH DUB lscrs |
3+ / 2- |
10.- |
| The Original Dixieland Jazzband (ODJB) |
Tiger Rag / Jazz me Blues |
2499 |
EL EG 7793 |
D |
New York, 25.3.1918 / 3.5.1921, DUB, NK, lscrs |
3++ / 2- |
8.- |
| Kid Ory Creole Jazz Band |
High Society / Ballin‘ the Jack + |
636 |
Gazell 1023 |
S |
12.2.1945 Übernahme Exner 7-2 lscrs |
3++ / 2 |
6.- |
| Kid Ory Creole Jazz Band |
Ory‘s Boogie / Saint Louis Blues |
637 |
Vogue 816 |
DK |
1949 |
2- / 2 |
7.- |
| Kid Ory Creole Jazz Band |
1919 / Down Home Rag |
643 |
GTJ GV 2187 |
GB |
1958 |
2- / 2 |
7.- |
| Kid Ory Orch. |
High Society / Muskrat Ramble |
1863 |
Bru 82739 F |
A |
21.3.1945 |
2- / 2 |
5.- |
| Kid Ory‘s Creole Jazz Band |
Savoy Blues / Weary Blues |
200 |
Esquire 10018 |
GB |
9.8.1947 Seite 1 kleiner Scr nicht hörbar |
2- / 2- |
6.- |
| Kid Ory‘s Creole Jazz Band |
Down among the sheltering Palms / Snag it |
710 |
Esquire 10047 |
GB |
9.8.1947 Livercording |
2- / 2- |
7.- |
| „Hot Lips“ Page Orchestra |
The Lady in Bed + / Gee Baby ain‘t I good to you + |
1011 |
Royal Jazz 740 |
F |
New York, 30.11.1944, S1 R&B |
2 / 2 |
8.- |
| Parlophone (Okeh)Syncopators - Harry Reser |
Nobody’s Sweetheart F / Why did I kiss that girl? F+ |
3832 |
Parl E 5229 |
GB |
New York, März 1924, Charleston, lscrs, S1 leicht grau - no Problem - spielt gut |
3 / 3+ |
6.- |
| Les Paul and Mary Ford |
Bye Bye Blues + / Mammy‘s Boogie |
3715 |
Tel/Cap C 80332 |
D |
Dezember 1952 |
2-- / 2 |
5.- |
| Les Paul and Mary Ford |
Amukiriki (The Lord Willing) + / Magic Melody |
1958 |
Cap 3248 |
D |
1955 |
3++ / 2- |
5.- |
| Les Paul Mary and Ford |
How high the Moon + / Mockin‘ Bird Hill + |
3229 |
Cap 80129 |
D |
November 1950, lscrs |
3 / 3++ |
5.- |
| Sid Phillips Band |
St. Louis Blues / Sensation Rag |
1790 |
Hmv B 6195 |
GB |
|
3+ / 3+ |
5.- |
| Sid Phillips Band |
Glad Rag Doll / Mamma don´t allow + |
1616 |
Hmv Pop 226 |
GB |
S1 gr. Ls |
3++ / 2 |
4.- |
| Sid Phillips Band |
Fidgety Feet / Darktown Strutters Ball Qs |
1632 |
Hmv BD 6182 |
GB |
London, ca. Dezember 1954, |
3++ / 3++ |
5.- |
| Teddy Powell Orch. |
In Pine-Top‘s Footsteps F / Sans Culottes F |
2087 |
Regal MR 3598 |
GB |
New York, 23.4.1941 / 24.5. 1941 S1 fett! beide flott |
3+ / 3++ |
7.- |
| Sam Price Piano and Rhythms |
Good Paree - Boogie-Woogie / Low Down Blues |
3746 |
Decca SF 159 |
F |
ca. 1946, with little picture in Label, Ls |
3++ / 2- |
5.- |
| Louis Prima New Orleans Gang |
Sing It Way Low Down F+ / Weather Man F+ |
3784 |
Decca F 5777 |
GB |
New York, 1.11.1934 / 2.7.1935, S1 in USA wohl nicht erschienen |
2 / 2 |
7.- |
| Louis Prima New Orleans Gang |
Jamaica Shout / (Looks Like I‘m) Breakin‘ The Ice F+ |
3787 |
Decca F 5459 |
GB |
New York, 27.9. / 1.11.1934, flott |
2- / 2- |
7.- |
| Quintette Hot Club de France Django Reinhardt, Vocal by Freddie Taylor / Duke Ellington Orchestra with Ivie Anderson |
Shine F+ / Ebony Rhapsody F+ |
1328 |
RCA 202760 |
US |
Paris, 15.10.1936 / Hollywood, 12.4.1934 |
2- / 2- |
21.- |
| Ma Rainey and her Georgia Jazz Band |
Slave to the Blues + / Oh my Babe Blues + |
3874 |
Jazz Collector L 87 |
GB |
New York, Dezember 1925, Dub von Paramount 12332 |
2- / 2-- |
7.- |
| Ma Rainey with Lovie Austin's Blues Serenaders |
Honey where you been so long + / Ma Rainey's Mystery Record + |
3875 |
Jazz Collector L 82 |
GB |
Chicago, ca. März / Mai 1924, Dub von Paramount 12200, 105! |
2- / 2- |
7.- |
| The Ramblers with Lammy van den Hout |
Dinah F / Candy F+ |
1507 |
Decca M 32097 |
NL |
Brüssel, 24.7. / 5.10.1945, Redlabel, mehrere lscrs - spielt gut |
4+ / 3- |
4.- |
| Freddy Randall Band |
Won‘t you come home Bill Bailey / Sensation Rag |
2810 |
Odeon 28389 |
D |
15.10.1950 |
2- / 2 |
5.- |
| Red Onion‘s Jazz Babies (Louis and Lil Armstrong, Buster Bailey, Aaron Thompson, Charlie Christian etc.) S2 mit Alberta Hunter |
Of all of the Wrongs you done to me / Cake walking Babies back home + |
2688 |
Tempo R 21 |
GB |
New York,8.11. / 23.12.1924 Dub von Gennett 5627 |
2- / 2- |
7.- |
| Don Redman Orchestra |
Lazy Weather + / A little bit later on + |
1737 |
Vocalion S 10 |
GB |
New York, 7.5.1936, „Swing Series“, Seite 2 flott . . . |
2 / 2 |
9.- |
| Adrian Rollini Trio |
Vibrollini F / Driftin’ F |
1455 |
Bru 02380 |
GB |
New York, 4.12.1936 |
3++ / 3+ |
6.- |
| Hubert Rostaing Orchestre |
Mop Mop / November Blues |
3011 |
Swing 217 |
F |
Paris, 20.5.1946, mini Rs |
3+ / 3++ |
16.- |
| Harry Roy Band |
Candy F+ / The last Waltz of the Evening W+ |
1334 |
Parl F 2070 |
GB |
London, September 1945, klassik Swing, lscrs |
3 / 3+ |
5.- |
| Harry Roy Orch. from Cafe Anglais, London |
Canadian Capers Qs / Tiger Rag |
2086 |
Odeon 11915 |
D |
London, 21.4.1933 ,Erste Aufnahme von Harry Roy bei Rust. 2 x flott! |
3+ / 2- |
9.- |
| Harry Roy Orchestra |
Comin’ thro’ the Rye / Tevrn in the Town |
1711 |
Odeon 31278 |
D |
London, 25.11.1937, leicht grau - no Problem, lscrs - spielt gut |
3- / 3 |
4.- |
| Harry Roy Orchestra |
My Heart belongs to Daddy F+ / Follow the white Line 6/8+ |
3153 |
Parl F 1603 |
GB |
London, 26.2.1935 |
3+ / 3++ |
5.- |
| Harry Roy Orchestra |
Lost in a Fog F+ / Three little fat Girls - Comedy-Fox+ |
2407 |
Odeon A 221818 |
GB |
London, 4.10.1934 |
2-- / 2-- |
7.- |
| Harry Roy Orchestra with Novachord by Monia Litter |
Oh Johnny! Oh Johnny! Oh + / I cried for you + |
3155 |
Parl F 1692 |
GB |
London, 6.3.1940 |
3+ / 3++ |
4.- |
| Music in the Russ Morgan Manner Carolyn Clarke |
Joseph! Joseph! F+ / Drop a Nickel in the Slot + |
704 |
Col FB 2061 |
GB |
1938 S1 flott mehrere lscrs |
3 / 3+ |
6.- |
| Pee-Wee Russell‘s Rhythmakers |
There'll Be Some Changes Made / Horn Of Plenty Blues (Zutty's Hootie Blues) |
2289 |
HRS 1001 |
US |
New York, 31.8.1938, lscrs Vinyl 78er |
3+ / 3++ |
6.- |
| Pee-Wee Russell‘s Rhythmakers |
I've Found A New Baby / Everybody Loves My Baby |
307 |
HRS 1002 |
US |
New York, 31.8.1938, lscrs Vinyl 78er |
3+ / 3++ |
6.- |
| Raymond Scott New Orchester |
Huckleberry Duck / Business Men‘s Bounce |
1969 |
Parl R 2744 |
GB |
New York, 18.10.1939, “1940 Super Rhythm Style Series” No. 91 / 92, Ls, lscrs |
3 / 3+ |
5.- |
| Gene Sedric Honeybears |
Clarinet Blues / Honeysuckle Rose |
3009 |
Swing 231 |
F |
New York 9.6.1946, S2 flott, lscrs |
3+ / 3++ |
10.- |
| Ben Selvin Orchestra with The Crooners (Walter Feldkamp & Alan Moran) |
Why? F+ / Cross your Fingers F+ |
1395 |
Col CB 81 |
GB |
New York, 23.12.1929, 2 x nett, lscrs, minimal grau - no Problem, spielt gut und noch besser mit 105!!! |
3 / 3+ |
7.- |
| Sharkey (Bonano) Kings of Dixieland |
In the Mood / Solo Mio Stomp |
2263 |
Tel/Cap C 951 |
D |
1949 recorded in New Orleans Schlurfspuren - No Problem lscrs |
3+ / 2- |
7.- |
| Artie Shaw and his Strings |
Streamline / Sweet Lorraine |
2695 |
Parl R 2984 |
GB |
New York, 23.12.1936, “1945 Super Rhythm Style Series” No. 45 / 46, lscrs, S 2 Nl in ersten 5 Rillen leise hrb |
3 / 3 |
4.- |
| Artie Shaw Gramercy Five |
Moon Glow / My Blue Heaven |
744 |
Hmv B 9269 |
GB |
23.1.1941 / 5.12.1940 |
3 / 3+ |
7.- |
| Artie Shaw Gramercy Five |
Dr. Livingstone, I presume? / When the Quail come to San Quentin |
2845 |
Hmv B 9207 |
GB |
Hollywood, 5.12.1940, lscrs, 105! |
3 / 3 |
5.- |
| Artie Shaw Orch. |
Blues - Part 1 / Blues - Part 2 |
616 |
Hmv B 9259 |
GB |
Hollywood, 4.12.1940 |
3+ / 3+ |
6.- |
| Artie Shaw Orchestra |
These foolish Things remind me of you / I can‘t get started |
2680 |
Hmv B 9652 |
GB |
12.6.1945 |
3+ / 3+ |
5.- |
| Artie Shaw Orchestra |
Lady be good F / I surrender Dear F |
3301 |
Hmv B 9018 |
GB |
New York, 27.8.1939, fine . . . |
3 / 3+ |
5.- |
| Artie Shaw Orchestra |
Back Bay Shuffle F / Jungle Drums F |
589 |
Hmv B 8894 |
GB |
New York, 24.7. / 19.12.1938, 105! |
3 / 3 |
4.- |
| Artie Shaw Orchestra |
Let’s walk / The Glider |
634 |
Parl R 3027 |
GB |
Los Angeles, 13. / 14.11.1945, flott, lscrs |
3 / 3 |
4.- |
| Artie Shaw Orchestra (Gramercy Five) |
Summit Ridge Drive
/ Cross your Heart |
2563 |
Victor 26763 |
US |
Hollywood, 3.9.1940, S2 flott! |
2 / 2 |
8.- |
| Artie Shaw Orchestra with Imogene Lynn |
Ac-cent-Tchu-ate the Positive + / Jumpin‘ on the Merry-Go-Round F |
3257 |
Victor 201612 |
US |
wohl Los Angeles 23.11.1944 |
2- / 2- |
8.- |
| Ethel Smith Hammondorgel Banda Carioca |
Mambo Jambo Mambo / Cuban Cutie |
588 |
Bru 82437 |
D |
|
3++ / 2- |
5.- |
| Willie „The Lion“ Smith Piano solo with Drums |
Passionette / Morning Air |
2562 |
Bru 02722 A 82659 Decca 2269 |
GB |
New York, 10.1.1938, 105! |
2- / 2-- |
5.- |
| Muggsy Spanier Dixieland Band |
Eccentric / A good Man is hard to find |
186 |
Embassy 133 |
US |
New York, 1948 |
2-- / 2-- |
8.- |
| Muggsy Spanier Orch. |
Chicago / Can‘t we be Friends |
903 |
Bru 03330 |
GB |
New York, 2.1.1942 grau spielt gut |
3-- / 3 |
4.- |
| Muggsy Spanier Orch. / Ragtimers |
Little David, Play Your Harp / Hesitating Blues |
2533 |
Bru 03330 |
GB |
New York, 2.1.1942 105 !!! |
3++ / 3+ |
6.- |
| Muggsy Spanier Orch. with Dottie Reid |
More than you know + / American Patrol |
2559 |
Bru 03397 |
GB |
New York, 1.6.1942 lscrs |
4+ / 4++ |
4.- |
| Muggsy Spanier Ragtime Band |
That Da Da Strain / Someday Sweetheart |
313 |
Hmv B 9008 |
GB |
scr nicht hrb |
2- / 2- |
5.- |
| Muggsy Spanier Ragtime Band |
Bluin the Blues / At Sundown |
287 |
Hmv B 9092 |
GB |
|
2- / 2- |
5.- |
| Muggsy Spanier Ragtime Band |
Mammy make up your Mind / Lonesome Road |
1143 |
Hmv X 6908 |
S |
lscrs |
3+ / 3+ |
5.- |
| Muggsy Spanier Ragtime Band |
Riverboat Shuffle / Relaxin‘ at the Tauro |
939 |
Hmv B 9145 |
GB |
New York, 22.9.1939 |
3+ / 3++ |
5.- |
| Muggsy Spanier Ragtime Band |
Dinah + / (What Did I Do To Be So) - Black and Blue |
595 |
Hmv B 9067 |
GB |
New York, 12.12.1939 |
3+ / 3+ |
6.- |
| Muggsy Spanier Ragtime Band |
Eccentric / I Wish I Could Shimmy Like My Sister Kate |
2598 |
Hmv B 9047 |
GB |
Chicago 7.7. / 10.11.1939 |
2- / 2- |
6.- |
| Muggsy Spanier Ragtime Band |
At the Jazz Band Ball / Livery Stable Blues |
2833 |
Hmv B 9042 |
GB |
New York, 10.11.1939 |
3++ / 3++ |
5.- |
| Muggsy Spanier Ragtime Band Vocal George Brunis |
Dipper Mouth Blues F / Big Butter and Egg Man F+ |
181 |
Hmv B 9033 |
GB |
Chicago, 7.7. / 10.11.1939 |
2- / 2- |
7.- |
| Muggsy Spanier Ragtimers |
Oh Lady be good / Sugar |
3389 |
Commodore 629 |
US |
22.4.1944 |
2- / 2- |
5.- |
| Muggsy Spanier‘s Dixieland Band |
Jada / Lonesome Road |
168 |
Gazell 1030 |
S |
ca. April 1947, kl. Ls |
2- / 2- |
5.- |
| Muggsy Spanier‘s Dixieland Band, G. Brunis, A. Nicholas, P. Foster, Baby Dodds |
Bugle Call Rag / Tin Roof Blues + |
3661 |
Gazell 1024 |
S |
11.4.1947, lscrs |
3+ / 3++ |
5.- |
| Charlie Spivak Orch. |
Let‘s put our Dreams together + / Leave some |
613 |
RCA 202144 |
US |
New York, 15.4. / 6.9.1946 |
3+ / 3+ |
4.- |
| Rex Stewart Footwarmers mit Django Reinhardt / Frank Newton Orch. |
Finesse / Rompin‘ |
85 |
Hmv B 9154 |
GB |
Paris, 5.4.1939 / New York, 13.1.1939, S1 feine Sache das . . . OH, 105! |
2- / 3+ |
7.- |
| Rex Stewart Orchestra (An Ellington Item) |
Poor Bubber F / Menelik the Lion of Sudan F |
1342 |
Hmv JO 282 |
GB |
Hollywood, 3.7.1941 |
2 / 2 |
5.- |
| Rex Stewart Orchestra (Ellington Unit) |
Some Saturday / Subtle Slough (Just Squeeze Me) |
2651 |
Hmv B 9260 Bluebird 11258 |
GB |
Hollywood, 3.7.1941 |
2- / 2- |
6.- |
| Lew Stone Band with Benny Lee |
As if you did‘nt know sF+ / Why don‘t we do this more often? Qs+ |
3162 |
Decca F 8032 |
GB |
London, 12.11.1941 |
2-- / 2-- |
6.- |
| Reinhold Svensson Hammondorgel mit Rhytmusgruppe |
At the Jazzbandball / Everybody steps |
2457 |
Tel A 11196 |
D |
ca. 1950 |
2 / 2 |
6.- |
| Art Tatum Orch. Joe Turner |
Lonesome Graveyard - Blues+ / Snub Mosely´s Band - Blues at High Noon |
2503 |
Bru 03462 |
GB |
New York, 13.6.1941 / 11.2.1942 |
3 / 3+ |
6.- |
| Art Tatum Piano solo |
Stormy Weather / Gone with the Wind |
2212 |
Bru 82455 |
D |
29.11.1937 NK |
2 / 2 |
8.- |
| Art Tatum Piano solo |
St. Louis Blues / Beguin the Beguine |
927 |
Bru 03121 |
GB |
Los Angeles 26.7.1940 |
2 / 2 |
8.- |
| Art Tatum Piano Solo |
Wrap your Troubles in Dreams / I‘m coming Virginia |
787 |
Col LB 10053 |
GB |
1948 probably recorded at the home of pianist Buddy Cole. Good Stuff . . . |
2- / 2- |
9.- |
| Art Tatum Piano Solo |
Moonglow / Emaline |
3708 |
Decca 155 |
US |
New York, 22.8.1934, lscrs, mini Rs |
3+ / 3+ |
8.- |
| Art Tatum Piano solo |
How high the Moon / Humoresque |
3710 |
J.S. 655 |
F |
Los Angeles, 1949, Live Gene Norman‘s „Just Jazz“ No. 16, S1 mini Ls |
2- / 2- |
7.- |
| Art Tatum Piano solo |
Yesterdays / I know that you know |
3722 |
J.S. 657 |
F |
Los Angeles, 1949, Live Gene Norman‘s „Just Jazz“ No. 16, Live! mini Pressfehler auf ersten 1/2 cm nur minimal hörbar |
2-- / 2 |
5.- |
| Billy Thorburn Orchestra / Nat Gonella Georgians |
Roses in December F+ / Two sleepy People sF+ |
727 |
Odeon 241555 |
GR |
London, 3.12.1937 / 16.12.1938, lscrs |
3++ / 2- |
5.- |
| Rudy Vallee Orchester (Connecticut Yankees) |
Just an old Banjo (Without any Strings) F+ / Lost in a Fog F+ |
675 |
EL EG 3209 |
D |
New York, 6.8. / 9.9.1934, 105! |
3+ / 3 |
5.- |
| Joe Venuti Blue Six |
Sweet Lorraine / Doin’ the Uptown Lowdown |
1367 |
Col CB 708 |
GB |
New York, 2.10.1933 |
3+ / 3+ |
5.- |
| Fats Waller and his Rhythm |
Dinah + / When somebody think’s you’re wonderful + |
617 |
Hmv BD 5040 |
GB |
Camden, New York, 24.6. / New York, 29.11.1935 |
3+ / 3 |
5.- |
| Fats Waller Piano Solo |
Smashing Thirds / African Ripples |
3215 |
Hmv B 8546 |
GB |
New York, 24.9.1929 / 16.11.1934 |
2- / 2- |
7.- |
| Fats Waller Piano solo |
Keepin‘ out of Mischief now / Star Dust |
1750 |
Hmv HE 2290 |
CH |
New York, 11.6.1937, OH |
3+ / 3+ |
5.- |
| Fats Waller Rhythm |
Pan Pan + / Twenty Four Robbers + |
919 |
Hmv BD 1011 |
GB |
New York, 13.5. / 20.3.1941 |
3+ / 3+ |
6.- |
| Fats Waller Rhythm |
Stayin at Home + / Little curly Hair in a high Chair + |
1588 |
Hmv BD 1235 |
GB |
New York 16.7. / 11.4.1940 |
3+ / 3+ |
7.- |
| Fats Waller Rhythm |
I wish I were Twins F+ / The Minor Drag F |
849 |
HMV JF 1 |
GB |
New York, 16.5.1934 / 1.3.1929 2x flott SOL |
3++ / 3++ |
7.- |
| Fats Waller Rhythm |
What’s The Reason (I’m Not Pleasin’ You) F+ / (Oh Susannah) Dust off that old Pianna + |
1156 |
Hmv BD 156 |
GB |
New York, 6.3.1935, 105! |
3+ / 3 |
4.- |
| Fats Waller Rhythm |
Shortnin‘ Bread + / My very good Friend the Milkman + |
2755 |
Hmv BD 1218 |
GB |
New York, 2.1.1941 / Camden, New York, 24.6.1935, 105 ! |
3++ / 3+ |
6.- |
| Fats Waller Rhythm |
It's No Fun F+ / It's A Sin To Tell A Lie F+ |
1906 |
Hmv BD 5087 |
GB |
New York, 8.4. / 5.6.1936, S2 leicht grau - no Problem |
2--/2-- / 3/3+ |
4.- |
| Fats Waller Rhythm |
I wanna hear Swing Songs + / That gets it Mr. Joe + |
1173 |
Hmv BD 1028 |
GB |
New York, 20.3. / 1.10.1941, 105!!! |
3++ / 3+ |
5.- |
| Fats Waller Rhythm / Duke Ellington Orch. |
Believe it beloved + / Delta Serenade |
1461 |
Hmv X 4430 |
S |
New York, 7.11. / 9.1.1934, S2 klasse! |
2 / 2 |
8.- |
| Fats Waller Rhythm / Buddies |
Two Sleepy People F+ / The Minor Drag F |
3773 |
Victor 201583 |
US |
New York, 13.10.1938 / 1.3.1929, flott |
2 / 2 |
9.- |
| Fats Waller solo |
Basin‘ Street Blues / I ain‘t got nobody |
933 |
Hmv B 8636 |
GB |
New York, 11.6.1937 |
2- / 2-- |
6.- |
| Fats Waller solo |
Viper‘s Drag / Alligator Crawl |
2395 |
Hmv B 8784 |
GB |
New York, 16.11.1934, spielt top mit 105! |
2 / 2- |
6.- |
| Fats Waller, Orgel |
Swing low sweet Chariot / All God’s Chillun got Wings |
1279 |
HMV B 8818 |
GB |
London, 28.8.1938, |
2-- / 2-- |
8.- |
| Jam Session with Fats Waller, Tommy Dorsey, Bunny Berigan etc. |
Honeysuckle Rose / Dallas Blues |
1020 |
Hmv B 8580 |
GB |
New York, 31.3.1937, ”Swing Music 1937 Series“ No. 137/38 |
3++ / 3++ |
5.- |
| Lu Watters Yerba Buena Jazz Band |
Royal Garden Blues / Tin Roof Blues |
6 |
Austroton 5191 |
D |
ca. 1946 OH |
2- / 2 |
6.- |
| Lu Watters Yerba Buena Jazz Band |
1919 Rag / Ostrich Walk |
3447 |
Melodisc 1158 |
GB |
Mai 1946 |
2- / 2 |
6.- |
| Chick Webb Ella Fitzgerald |
Spinnin’ The Webb F / Wacky Dust F+ |
1798 |
Bru 02669 |
GB |
New York, 3.5. / 17.8.1938, viele lscrs - spielt aber gut |
4 / 4+ |
3.- |
| Chick Webb Orchestra with Ella Fitzgerald / Charles Linton |
I’ll Chase The Blues Away F+ / Moonlight And Magnolias F+ |
1278 |
Bru 02602 |
GB |
New York, 12.6. / 12.10.1935, zweimal das gleiche Label!!! 105 !!! |
3++ / 3+ |
10.- |
| George Wettlings Chicagoans |
Bugle Call Rag / Sister Kate |
93 |
Bru 82640 |
D |
16.1.1940 NK mehrere lscrs |
3 / 3++ |
5.- |
| Mark White presents “The Jazz Club” |
Black and Blue / Clarinet Blues |
352 |
Decca F 40571 |
F |
OH, u.a.Gardner Townshend,Lewis,Turner etc |
2- / 2- |
6.- |
| Paul Whiteman Orchestra with Bing Crosby, Al Rinker, Harry Barris |
Happy Feet F+ / A Bench in the Park F+ |
1482 |
Col CB 86 |
GB |
New York 10.2. / 22.3.1930, S1 flott! Nur S2 Scr 1 cm minimal hörbar, lscrs, spielt Top mit 105 !!! |
3 / 3 |
10.- |
| Bob Wilbers Wildcats |
Old fashioned Love / Chime Blues |
680 |
Tempo A 39 |
GB |
|
2- / 2- |
5.- |
| Cootie Wiliams Orch. |
No.8 G-Men / No.7 West End Blues |
294 |
Regal 3609 |
GB |
|
2 / 2 |
5.- |
| Cootie Williams Orch. |
No.8 G-Men / No.7 West End Blues |
1460 |
Regal MR 3609 |
GB |
New York 7.5.1941 |
2 / 2 |
9.- |
| Cootie Williams Orch. |
G-Men / West End Blues |
3714 |
Regal MR 3609 |
GB |
New York 7.5.1941, Seite 1 Nest lscrs ca. 8 Zischer |
3+ / 3+ |
4.- |
| Teddy Willson Sextet |
I can‘t get started / Blues too |
740 |
Parl R 3046 |
GB |
14.8.1945, “1947, Super Rhythm Style Series” No. 31 / 32 |
3 / 3 |
4.- |
| Teddy Wilson Octet with Sarah Vaughan |
Don‘t worry ‘bout me + / I want to be happy |
715 |
Musicraft 421 |
US |
19.8.1946, etwas matt, kein Problem ! |
3++ / 3+ |
5.- |
| Teddy Wilson Orchestra |
Blues in C sharp Minor / Warmin‘ up |
584 |
Parl R 2871 |
GB |
Chicago, 14.5.1936, “1943 Super Rhythm Style Series” No. 80 / 79 S1 Klasse! mehrere lscrs, Nlf Anf S2 kleiner Scr 3 click leise |
3 / 3 |
5.- |
| Garland Wilson Piano solo / Louis Armstrong and Earl Hines |
Rockin‘ Chair / Weather Bird |
768 |
Parl R 1194 |
GB |
New York, 2.2.1932 / Chicago 5.12.1928, “Second New Rhythm Style Series” No. 1 / 2 |
3++ / 3++ |
6.- |
| Teddy Wilson Quartet |
Blue Mood / Part 2 |
1579 |
Decca J 10 |
GB |
Los Angeles, 5.9.1937, lscrs, 105 ! |
3+ / 3+ |
5.- |
| Teddy Wilson Rhythm |
Them there Eyes / I know that you know |
508 |
Parl R 2985 |
GB |
Chicago, 11.4.1941, “1945 Super Rhythm Style Series” No. 4 |
3+ / 3 |
4.- |
| Teddy Wilson Trio |
You´re lucky to me / Emaline |
2643 |
Baronet TR 2 |
S |
|
3+ / 3+ |
7.- |
| Teddy Wilson Trio |
The one I love (Belongs to somebody else ) / Tea for Two |
1910 |
Mercury 89043 |
US |
ca. Ende 1952, Vinyl 78er, lscrs |
3+ / 3++ |
7.- |
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