| Musikername |
Musiktitel |
Feste Nummer |
Best.Nr. |
Land |
Erläuterungen |
Zustand |
Preis |
| 8/25 Metronome All Stars |
Leap here / Metronome Riff |
468 |
Tel/Cap 15039 |
D |
21.12.1947 Dizzy, Kenton u.a.Fst nicht hrb |
3+ / 3+ |
5.- |
| Tadd Dameron Sextet |
The Squirrel / Our Delight |
3775 |
J.S. 562 |
F |
New York, 26.9.1947, S1 Rs bis 1. Rille, außerdem Label zweimal verwendet, ergo auf Seite 1 falsch! |
2--/ 2 |
14.- |
| Art van Damme Quintette |
Limehouse Blues / Ecstasy |
857 |
Cap 80061 |
D |
New York, 23.2.1949, Charlie Calzaretta good Vibes, immer wieder gut.... |
3++ / 2- |
8.- |
| Art van Damme Quintette |
The Man I love / I know that you know |
1285 |
Cap 15322 |
US |
New York, 5.12.1947, Klassik Modern Jazz Accordeon |
3+ / 2- |
10.- |
| Duke Ellington & Billy Strayhorn on two Pianos with Joe Shulman Baß |
Tonk / Johnny come lately |
1666 |
J.S. 690 |
F |
New York, November 1950, modern, leicht schräg, ganz wunderbar . . . |
2- / 2 |
16.- |
| Erroll Garner Trio |
How high the Moon / People will say we’re in Love |
1297 |
Col DW 5260 |
D |
7.10.1950, Nlf |
3+ / 3+ |
5.- |
| Dizzy Gillespie Orch. |
Oool - Ya - Koo + / Algo Bueno |
1101 |
Hmv B 9770 |
GB |
Juni 1949 |
2- / 2- |
7.- |
| Dizzy Gillespie Orch. |
Lover come back to me / Katy |
2127 |
Hmv B 9887 |
GB |
1949 ”Swing Music 1950 Series“ No. 8 / 7 more an Swing Item |
2- / 2 |
7.- |
| Dizzy Gillespie Orch. |
Two Bass Hit / Stay on it |
3282 |
Hmv B 9646 |
GB |
New York, ca. Dezember 1947 |
2- / 2- |
7.- |
| Dizzy Gillespie Orch. Alice Roberts |
Our Delight / Good Dues Blues + |
2098 |
Parl R 3034 |
GB |
New York, 10.6.1946, “1947 Super Rhythm Style Series” No. 19 / 20. 105 !!! dann super! |
2-- / 3+ |
7.- |
| Dizzy Gillespie Orchestra Vocal Refrain D.Gillespie, Kenneth Hagood and the Ensemble |
Ow! / Oop Pop A Da + |
3852 |
Hmv B 9612 |
GB? S? |
New York, ca. Ende 1947, wohl eine schwedische Ausgabe |
2- / 2- |
10.- |
| Dizzy Gillespie Sextet |
Ol‘ Man Rebop / Anthropology |
3844 |
Hmv B 9624 |
GB |
New York, 22.2.1946, beide Take 1 |
2- / 2 |
10.- |
| Dizzy Gillespie All Star Quintet with Charlie Parker |
Shaw ‘Nuff / Loverman |
2431 |
Parl R 3077 |
GB |
New York, 11.5.1945, “1945 Super Rhythm Style Series” No. 61 / 62, mehrere lscrs |
3 / 3 |
5.- |
| Dizzy Gillespie Orch. |
Things to come / One Bass Hit |
2057 |
Odeon 28208 |
D |
9.7.1946, äußerst flott! |
3+ / 3++ |
6.- |
| Dizzy Gillespie Orchestra / Glenn Miller Orch. Ray Eberle, The Modernaires |
Algo Bueno / Elmers Tune F+ |
3618 |
RCA DJ 589 (203186 / 203185) |
US |
New York, ca. Juni 1949 / 11.8.1941, Promotion Sample - „Not For Sale“ Whitelabel |
2 / 2 |
10.- |
| Milt Jackson and his New Group / James Moody Swedish Crowns |
Junior / Out of Nowhere |
1414 |
Metronome 504 |
S |
23.2.1949 / 1949 minimal grau - no Problem |
3+ / 2- |
14.- |
| Metronome All Stars |
Early Spring / Local 802 Blues |
3845 |
Tel/Cap 80152 |
D |
New York, ca. April 1951, Getz, Shearing, Miles Davis, Chaloff, Roach u.a. das perlt . . . |
2 / 2 |
10.- |
| Metronome All Stars, u.A. Dizzy Gillespie, Stan Kenton, Nat Cole etc. |
Leap here / Metronome Riff |
622 |
Cap CL 13017 |
GB |
ca. Ende 1947 |
3+ / 3++ |
6.- |
| Charlie Parker New Stars / Sonny Berman Big Eight |
Stupendous / Curbstone Scuffle |
3850 |
Parl DO 6 |
DK |
Hollywood, 26.2.1947 / 21.9.1946, beides Dial Übernahmen, 105 ! |
2- / 2-- |
16.- |
| Charlie Parker Orchestra |
Star Eyes / Au Privave |
820 |
Austroton 5192 |
D |
New York 17.1.1951, paar sehr feine Bläschen - no Problem !!! lscrs |
3 / 3+ |
7.- |
| Oscar Peterson Piano Solo with Major Holly, Baß |
Get Happy / Jumpin’ with Symphony Sid |
3823 |
Austroton 5193 |
D |
ca. Mai 1950 |
2-- / 2 |
5.- |
| George Shearing |
There’s a Lull in my Life / Basic English |
2783 |
MGM 587 |
GB |
17. / 10.7.1952 |
2 / 2 |
6.- |
| George Shearing Quintet |
When your Lover has gone / Carnegie Horizons |
615 |
MGM 340 |
GB |
kl Ls |
2-- / 2-- |
6.- |
| George Shearing Quintet |
When your Lover has gone / Carnegie Horizons |
2535 |
MGM 10763 |
US |
1951 Vinyl lscrs |
3+ / 3++ |
5.- |
| George Shearing Quintet |
East of the Sun / The Continental |
496 |
MGM 256 |
GB |
ca. 1950 |
3++ / 2- |
7.- |
| George Shearing Quintet |
East of the Sun / The Continental |
487 |
MGM 256 |
GB |
Januar 1950 |
3++ / 3++ |
6.- |
| George Shearing Quintet |
Jumping with Symphony Sid / I‘ll remember April |
2883 |
MGM 293 |
GB |
12.12.1949 |
3++ / 3++ |
5.- |
| George Shearing Quintet |
Little white Lies / Pick yourself up |
3735 |
MGM 392 |
CH |
12.12.1949 / 5.7.1950 |
2- / 2- |
6.- |
| George Shearing Quintet |
The Lady is a Tramp / Body and Soul |
969 |
MGM 638 |
GB |
Juni 1953 |
2-- / 2-- |
5.- |
| Reinhold Svensson Quintet |
On the Alamo / Always |
2998 |
Metronome 161 |
DK |
ca. Mitte 1950, mini Rs, 105!!! |
2-- / 3+ |
6.- |
| Billy Taylor Piano solo acc.by Duvuvier, Wayne, Bulkin |
Three little Words / Out of Nowhere |
1034 |
Coral 91045 |
D |
1.12.1953 Live |
2- / 2 |
12.- |
| Mel Torme with Orchestra |
Jeepers Creepers + / Mountain Greenery + |
3036 |
Vogue Coral Q 72150 |
GB |
1956 In that Time the Crooner with best Music behind!, kl. Ls. |
2-/ 2- |
7.- |
| Charlie Ventura Sextett u.a. Howard McHhee |
(I don‘t stand) A Ghost of a Chance / Tea for two |
872 |
Parl R 3167 |
GB |
1946, “1949 Super Rhythm Style Series” No. 3 / 4, lscrs |
3 / 3 |
4.- |
| Mary Lou Williams Orchestra with Pancho Hagood |
OO-BLA-DEE + / Knowledge |
999 |
Esquire 10322 |
GB |
ca. 1949, 105! |
2- / 2-- |
7.- |
| Helmut Zacharias mit Orchester Kurt Edelhagen |
How high the Moon / Presto aus der Fantasie in Be Bop |
1726 |
Bru 82478 |
D |
7.3.1951, „Zach heiß“ oder 2 x flott . . . |
3+ / 2- |
8.- |
